Berserk and the Band of the Hawk doesn’t strive to expand upon Koei Tecmo’s signature style in any meaningful way, but for longtime fans of the genre, perhaps there isn’t much need to innovate. Being able to relive Guts' early adventures during the Golden Age and beyond is sure to excite fans of Kentaro Miura's epic.

Medal of Honor: Above and Beyond isn't the return to the series that I would have hoped. As a VR game is has a lot to offer, the gameplay is engaging, the missions varied, and both the single-player and multiplayer can be fun to play. However, the story is woefully mismanaged, with a cast of mostly unlikeable and unsympathetic characters - a tragedy when it comes with an incredibly powerful piece of work in the form of the gallery, a collection of documentaries and interviews with veterans of the war.

Payday 3 is a game that looks like it ticks the right boxes to look like a next-gen game and nothing else. The game offers a fun and addicting gameplay loop but it's unfortunately bogged down by a series of bugs and glitches that hamper the experience overall. It also doesn't help that the game's launch state is one of the worst in recent memory in a year that had excellent game releases.

Perhaps the most pressing question that presents itself as you play Detective Pikachu Returns, is… who is this game meant for? Obviously, adults and teens aren’t the target audience and the amount of reading required means it’s not really for little kids either. That said, I do believe there’s a niche for this game. I think older elementary school kids who can read and love the Pokémon universe may really go for this game in the same way so many have fallen for the Pokémon anime series over the years. Not every game needs to be universally appealing and I feel like this one serves its specific audience well. And hey, if you do dig Detective Pikachu Returns, there’s a fair amount of chew threw here, with a solid 12-hour campaign (which you can stretch longer if you tackle all the game’s side missions). Given the game’s budget price tag, hopefully “the case of the wasted money” won’t be a mystery that weighs on you.

The new Battletoads is almost as beefy as its musclebound heroes, serving up a substantial 5-to-7-hour campaign as well as additional collectibles and high-score challenges. Not bad for $20. Battletoads 2020 probably won’t be quite as durable as the NES original, but you may find yourself hopping back into the game more often than you expect.

It's an improvement on the previous iteration, even if only visually. Aside from that, it feels like the same game but ever so slightly improved. That's the real shame, the jump from Milestone's ageing engine to Unreal had a lot of potential. Considering everything, do I recommend MotoGP 18? If you want a motorbike racing game now, then go for it. If not, you may be better waiting for Ride 3.

It may not be one of the must-play titles on PlayStation VR, but if you’re looking for a challenging experience to share with friends, strapping yourself into Battlezone should serve as a good introduction into what virtual reality should feel like.

Echoes of the End has more bad than good to it, and the jank of its technical issues running throughout all aspects of the game bring down even its best elements, like its strong visual presentation, character-driven storytelling, and some fun platforming and puzzle challenges. The combat both overall fails to innovate and pass the standard bar for interesting, and as a whole package it's likely not worth your time when you need to get five-chapters deep in a 10-chapter story to get to its best bits.

Killer Klowns from Outer Space serves up a sum total of five maps and a single game mode of launch. Those maps are a decent size and feature some randomization, but after only 4 or 5 hours, I felt I’d pretty much mastered them. I give IllFonic credit for not stuffing the game with microtransactions at launch, but with the lack of content on offer, $40 is a big ask, particularly given how thin the source material is. While IllFonic has vaguely promised some post-launch content is on the way, I question how many scarves they can pull out of their sleeves.

ToeJam and Earl: Back in the Groove goes old-school and ignores those experimental sequels to create a spiritual successor that's even more charming than the original Genesis adventure.

With its intricate and well-realized setting, engaging story, compelling characters, and well-implemented RPG mechanics, Vampire: The Masquerade – Swansong is a truly groundbreaking game that no fan of narrative-driven games should pass on. Some aspects could and should have been better, such as facial animations, but there is no denying that Big Bad Wolf has done a terrific job creating what is not only one of the best Vampire: The Masquerade games, but also one of the best narrative-driven games seen in recent years.

Gotham Knights is an enjoyable action RPG that follows in the footsteps of the Batman: Arkham legacy while striking out on its own in a slightly different direction. It's the most realistic Gotham City we've seen yet, even though the story is only serviceable and the performance is disappointing. Still, fans of the genre and the characters should have fun with the game.

As a homage to the likes of A Link to the Past and The Wind Waker, Oceanhorn is a brief comfortable experience that can now be enjoyed on the big screen.

Fortified is an enjoyable romp through a criminally underused setting, but is held back by the jack of all trades nature of the action tower defence genre. It'll be fun with friends, and for a few hours alone, but mileage may vary.

With its ancient China setting, Immortals Fenyx Rising: Myths of the Eastern Realm could have expanded the main game's experience in a lot of meaningful ways, but Ubisoft Chengdu preferred to play it safe, presenting an expansion that expands very little. Lacking the good writing and the hilarious characters of the main campaign, not to mention any major gameplay change, this DLC expansion is a worthwhile purchase only for those who haven't had enough of the puzzle-solving seen in Fenyx's adventure. Everyone else will find this adventure in the Eastern Realm a little stale.

Stronghold Warlords is a decent strategy game. While the city-building and sieging truly let the game shine, the slow and sluggish pace between these can truly drag it down. The new diplomacy and warlords system adds something to the series and makes for a welcome change, but it's impossible not to think of this as a game that feels and plays like a strategy game from 20 years ago, for better and for worse.

Empyreal's ambition to do something different is commendable, but it's ultimately the only thing it truly has going for it. While character customization and the Cartogram system are solid enough, the forgettable and generic story and characters, average and clunky combat and the lack of proper multiplayer mechanics make the game a frustrating experience that gets tiring very quickly and one that only the most diehard ARPG fans might briefly appreciate.

Kirby Fighters 2 is an adorable, polished brawler that is sure to make you smile - but not for long. The game is great while you're unlocking and using new abilities, but you'll soon be forced into repetition after repetition while playing, and that'll suck the fun out of things. Good for young gamers and less experienced players, but there are better options.

Not Tonight 2 looks to build upon Not Tonight and the Papers, Please formula, but veers too far away from what gave the first its impact. One-off challenges and the veering between serious and slapstick make the game feel too unfocused, ultimately detracting from the game. It's not bad by any stretch of the imagination, it still looks and sounds great, but there are a few too many negatives and it's ultimately a shadow of the first.

With its interesting setting, engaging story, great combat mechanics, and tons of customization options, Aquanox Deep Descent is a more than worthy new entry in the classic series. Bland mission design and a repetitive structure does damage the experience a bit, but all those that enjoy dogfighting games, no matter where they take place, will find plenty to like in the game.

Deadbeat Heroes is a fun co-op beat ‘em up with a lot going for it and a strong sense of style, as well as a sense of humor. While it’s not the best brawler I’ve played lately, I believe that with some refinements, a sequel could be fantastic.

If you’re going to clone a unique, yet flawed game like The Banner Saga, it’s crucial that you significantly improve the experience in some way. Ash of Gods: Redemption doesn’t, replicating its inspiration’s problems, but not its singular vision. Ironically, folks who have never played The Banner Saga will get the most out of this glorified fangame – those who have will likely find Ash of Gods a gray, lifeless imitation.

MXGP2 is a fun game, with plenty to see and do. Obviously, fans of Motocross will get the most out of it, but there are way worse driving simulations out there.

Twin Mirror is a fun, pulp detective story filled with interesting plot beats and characters, hampered only by the inclusion of strange mini-games and a really boring central character.

ATOM RPG is a game so clearly designed for mouse and keyboard on PC that you should only play it on Nintendo Switch if you already have experience with the game. Going in as a complete newbie will be a brutal lesson in patience and frustration, and you need the kind of knowledge of how to play and the ease of use that comes with the PC version first. Ultimately, that makes ATOM RPG an interesting, but incredibly difficult game to recommend.

The Crow's Eye is a strange title. It's a horror game in some ways, with great atmosphere for the most part. However, it's also not scary. For the most part it's more of a puzzle game, than horror game and has side-stories far more compelling than the main plot. In all, it offers an interesting, if flawed experience.

Genesis Alpha One is a great indie roguelike that offers a combination of first-person shooter, ship-building and management elements.

A worthy purchase for fans, with a well-crafted campaign deeply invested in the universe's lore. Sadly, the gameplay experience, while functional, is quite derivative, and the few features setting it apart from other action role-playing games are not enough to make it an essential purchase for those who aren't familiar with the Warhammer 40,000 universe or aren't big action role-playing game fans.