Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It's hard to say exactly what the point is to this sour tale.
  2. About as funny as malaria.
  3. To watch Greendale is to understand everything about Neil Young. Like him, it's grungy, honest, disarming and unapologetically original.
  4. A nasty, formulaic and unforgivably obvious procedural.
  5. The movie is still a routine Hollywood high school morality play.
  6. It's a sweet family dramedy whose political undertones don't flatter either capitalism or "democratic socialism."
  7. Controversial, yet undeniably powerful.
  8. A boilerplate melodrama whose good guys and bad guys are so baldly drawn they could have been conceived by Friz Freleng.
  9. The movie's sweet, gentle nature may lack the subtle irony of the "Toy Storys" and "Shreks" of the world, but parents won't be bored.
  10. If you're going to make a gross-out comedy you can't just be gross. You've got to be to be funny as well, or the movie will be DOA. Which is why Eurotrip should be toe-tagged and shoved into the deepest and coldest of video vaults.
  11. Even by Disney's formulaic standards -- is about as cut and dried as the phone book.
  12. May, at times, be deadpan to the point of stiffness, but it's far from dead.
  13. A movie marred by a flaccid script, listless pacing, a plethora of cutesy-poo gags and Ray Romano.
  14. A touching documentary on the immigrant experience -- or at least one very tough slice of it.
  15. The most assured of the three films.
  16. A glorious romantic confection unlike any other in movie history.
  17. The sort of clumsy undertaking that trips up everyone and everything in it.
  18. Possesses an undeniable heart. The bad news is that it will still be buried underneath layers of stale Sandlerisms tomorrow, and the next day, and the next.
  19. Most of the performances are excellent. The scripts, however, are slight and unsurprising.
  20. In this comedy, Cecile misinterprets husband Alain's furtive attempt to have himself medically tested as suspicious extramarital behavior.
  21. In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.
  22. A parody of B-movies stupid enough -- and yet with just enough brains -- to appeal to the most discriminating fans of the genre.
  23. Miracle works best when the players are on the ice, shot in a faux-documentary style that uses the now-customary handheld cameras, fast pans and machine-gun edits.
  24. What separates Calvin and Eddie from the typical comic hero -- and each "Barbershop" movie from the standard yuk-fest -- is that these folks know how to back up all the hot air with meaningful action.
  25. The movie isn't only boring; it's troubling:
  26. It's not the sort of film one can be said to enjoy, but it is the sort of film that has the clarity of a dream and lingers for hours.
  27. It may give many viewers a licentious flutter, but the highbrow ingredient -- although it desperately wants to be there -- is missing.
    • 67 Metascore
    • 70 Critic Score
    Thoughtful documentary.
  28. Slow going, but it provides an absorbing glimpse of a rarely seen side of Chinese life.
  29. The most cinematic of the three films. It tells its story in stark, often wordless scenes.

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