For 11,478 reviews, this publication has graded:
-
46% higher than the average critic
-
2% same as the average critic
-
52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
-
Positive: 6,014 out of 11478
-
Mixed: 3,069 out of 11478
-
Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Michael O'Sullivan
It's hard to say exactly what the point is to this sour tale.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Desson Thomson
To watch Greendale is to understand everything about Neil Young. Like him, it's grungy, honest, disarming and unapologetically original.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Mark Jenkins
The movie is still a routine Hollywood high school morality play.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Jenkins
It's a sweet family dramedy whose political undertones don't flatter either capitalism or "democratic socialism."- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
A boilerplate melodrama whose good guys and bad guys are so baldly drawn they could have been conceived by Friz Freleng.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
The movie's sweet, gentle nature may lack the subtle irony of the "Toy Storys" and "Shreks" of the world, but parents won't be bored.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
If you're going to make a gross-out comedy you can't just be gross. You've got to be to be funny as well, or the movie will be DOA. Which is why Eurotrip should be toe-tagged and shoved into the deepest and coldest of video vaults.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
Even by Disney's formulaic standards -- is about as cut and dried as the phone book.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
May, at times, be deadpan to the point of stiffness, but it's far from dead.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
A movie marred by a flaccid script, listless pacing, a plethora of cutesy-poo gags and Ray Romano.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
A touching documentary on the immigrant experience -- or at least one very tough slice of it.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Hal Hinson
A glorious romantic confection unlike any other in movie history.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Jenkins
The sort of clumsy undertaking that trips up everyone and everything in it.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Ann Hornaday
Possesses an undeniable heart. The bad news is that it will still be buried underneath layers of stale Sandlerisms tomorrow, and the next day, and the next.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Jenkins
Most of the performances are excellent. The scripts, however, are slight and unsurprising.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
In this comedy, Cecile misinterprets husband Alain's furtive attempt to have himself medically tested as suspicious extramarital behavior.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
A parody of B-movies stupid enough -- and yet with just enough brains -- to appeal to the most discriminating fans of the genre.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Jenkins
Miracle works best when the players are on the ice, shot in a faux-documentary style that uses the now-customary handheld cameras, fast pans and machine-gun edits.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael O'Sullivan
What separates Calvin and Eddie from the typical comic hero -- and each "Barbershop" movie from the standard yuk-fest -- is that these folks know how to back up all the hot air with meaningful action.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Stephen Hunter
It's not the sort of film one can be said to enjoy, but it is the sort of film that has the clarity of a dream and lingers for hours.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
It may give many viewers a licentious flutter, but the highbrow ingredient -- although it desperately wants to be there -- is missing.- Washington Post
- Read full review
-
Reviewed by
-
- Washington Post
- Read full review
-
-
Reviewed by
Ann Hornaday
Slow going, but it provides an absorbing glimpse of a rarely seen side of Chinese life.- Washington Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Desson Thomson
The most cinematic of the three films. It tells its story in stark, often wordless scenes.- Washington Post
- Read full review
-
Reviewed by