Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The effect isn't just frenetic, unfunny and dull. It's kind of creepy.
  2. Strikes several beautiful and lingering chords about the human condition, but the notes of the music ultimately never come together to form a coherent song.
    • 38 Metascore
    • 30 Critic Score
    The plot, the dialogue and the main characters' love connection are basically mind-numbing.
  3. A small film of surpassing beauty and sadness. Yet its bittersweet flavor isn't artificial, but rather the product of the slow ripening of character.
  4. Not just a bad thriller but also a thing of pain.
    • 31 Metascore
    • 30 Critic Score
    With all the dog dung in Envy, it's almost too easy to generalize that it stinks. But it does, unfortunately, despite the big-name actors in its cast.
  5. Even the staunchest of golfheads must know they're watching a cut-and-trite accounting.
  6. You're left, as with certain vivid dreams, filled with memorable images but not completely able to account for what you just experienced.
  7. Smart, funny, well-acted and visually lively.
  8. Has important things to tell viewers about global politics, and in an eerily resonant way.
  9. The plot, loosely derived from Madison Smartt Bell's "Doctor Sleep," is utterly stale. On their way to confront ancient evil, Strother and Losey keep tripping over timeworn cliches.
  10. A loud, choppily edited and surprisingly unengaging portrait of speed demons.
  11. This movie is a predictable, gruesome piece of business.
  12. Combines novelistic detail with cinematic sweep.
    • 57 Metascore
    • 70 Critic Score
    A film whose far-fetched foundation is overshadowed by the endearing story.
  13. Clumsily under-written and feverishly overacted, it's as embarrassing to watch as it is perplexing.
  14. Watching Thurman's character "triumph" in a context as joyless and self-referential as Tarantino's is a soul-deadening experience, one that over two hours takes on the same dreary monotone as the cheapest pornography.
  15. Don't hold your breath waiting for The Punisher to be original, not for one second of its torturous two hours.
    • 44 Metascore
    • 30 Critic Score
    The humor is rigorously unoriginal and it all feels a bit like minstrelsy, a freakish, ritualistic nod to things your grandfather might have found funny.
  16. A compelling if singularly sour tale.
  17. It's as pretentious and wispy as its title.
  18. It's alternately monotonous, hot and dramatic, which makes for a peculiar, not entirely unsatisfying atmosphere of neo -- or is that post? -- noir. What it all means, of course, I have no idea.
  19. Nothing in this film makes any sense, and Stuart Blumberg, David T. Wagner and Brent Goldberg's script merely gets more preposterous as it elaborates on its implausible premise.
  20. Leaden, laugh-free, lacking anything resembling a heart, mind or soul.
  21. Good but it SEEMS even better because of its evocative setting.
  22. These storied 13 days feel like the Hundred Years War.
  23. Good and entertaining fun.
  24. Cedric the Entertainer is the best (and probably only) reason to take this "Vacation."
  25. One mediocre, ploddingly predictable film, loaded down with cheesy Hollywood tactics.
    • 85 Metascore
    • 60 Critic Score
    Though lacking in any particular narrative surprise, the film nevertheless takes the viewer completely by surprise several times.

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