Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Silly? Contrived? Vapid? You bet. Put more simply, "The Prince & Me" is . . . cute.
  2. Surprisingly smart, graphically faithful live-action adaptation of the Mike Mignola series
  3. Comes across less as a fully realized work of storytelling than as a commercial for a corporation whose goal of entertainment has been replaced by that of making money.
  4. There's something secondhand about everything here. Hoge (this is his debut) seems to be mimicking the tone and fabric of other, better indie movies.
  5. An elegy for an aging rock pixie.
  6. Possibly the worst thug-life flick to be released in the past 72 hours, this movie sags under the weight of the bling-bling cliches strung around its headless neck.
  7. As little as there is to recommend in Scooby-Doo 2, it must be noted that the human cast has done an uncanny job of inhabiting their two-dimensional characters.
  8. Will appeal most strongly to viewers who think Tom Hanks, who plays a thief and a potential murderer, can do no wrong.
  9. The film oozes sentimentality, soap-opera bathos and clumsy cribbings from the Frank Capra book of small-town values. Those are its good points.
  10. It plays like a baldfaced, brazen insult, but it is a stunningly accomplished one.
  11. Despite this tale's surface sheen and propulsive momentum, it never transports one very far.
  12. Taking Lives would have to work nights to reach mediocrity.
  13. Very, very funny, thanks to a lively first script by Mark O'Rowe, who has a good ear for earthy dialogue and a sense of life's absurd little synchronicities.
  14. The movie has many of the elements that made the first "Dawn" so darkly entertaining.
  15. Neither wholly cynical nor wholly romantic, Kaufman's story is a balance of smarts and sentiment. It's the most fully realized working out of his two favorite obsessions: the subjective nature of experience and the psychological mysteries of pair bonding.
  16. A charming and astute first-person documentary.
  17. Kari may eventually go far, but for now he's one of the less interesting inhabitants of international art cinema's disaffected-youth ghetto.
  18. Maestro is for people already aware of this history. For everyone else, this is pretty much invitation-only.
  19. Is Spartan a perfect, or even a great, movie? Probably not. But in its prickly irascibility and deeply unsettling intelligence, it makes for a very, very good one.
  20. Well-made, if rather predictable, new-age melodrama.
  21. You can boost mediocrity a little, but you cannot raise it from the dead.
  22. Straightforward, droll, brutally honest and arresting.
    • 32 Metascore
    • 50 Critic Score
    Kids should be reasonably diverted for a couple of hours, but odds are they'll have forgotten the whole thing by the next morning.
    • 58 Metascore
    • 70 Critic Score
    True to IMAX form, the high-tech graphics and sounds are great.
  23. Provides some wry chuckles, but much of it is as dark as a Glasgow winter.
  24. It's a pretty scathing satire of reality TV, including itself, which makes it both what it is, and a critique of what it is.
  25. If it weren't for Sharif's extraordinary presence, there wouldn't be a cherishable moment in the movie.
  26. What modest pleasure the film affords is largely thanks to the charisma of its genial stars.
  27. Although the acting is committed and sometimes stirring, most of the characters are about as one-note as the biblical archetypes Martin wants to get away from in the first place. "The Name of the Rose" this ain't.
  28. For a quicker and more startling survey of Hong Kong stunts gone wrong, just check out the blooper clips that conclude any '80s Chan flick.

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