Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It's a silly, if simultaneously deadpan and stomach-churning, psychological portrait of one crazy lady.
  2. It's a piquant story but unfortunately the movie creaks with European-style artifice. It tells its story in a rather cinematically stilted style, and some of the dramatic moments come perilously close to unintentional parody.
  3. Elf
    The first and possibly the last Will Ferrell star vehicle. It's a clumsy, tedious ride that wears out its welcome as it wears out the seat of your pants and the circulation in your lower limbs.
  4. If listing the cast of Love Actually is exhausting, it's even more tiring to watch it.
  5. The Wachowski brothers have rendered their chronicles into banality, as if trying to imitate the qualitative tailspin of the "Star Wars" series.
  6. Gets viewers inside these tense, emotional and occasionally terrifying events with immediacy and, given the confusion of the time, remarkable clarity.
  7. What's strangest, though, about Die Mommie Die! is how material that was obviously so giddily irreverent in origin became so inert, so joyless and dull.
  8. In a sense, Shattered Glass is a parenthetical horror movie in which someone discovers (or worse, denies) the monster within themselves.
  9. All in all, it's like a bachelor's apartment: a complete mess.
  10. Sobering yet faintly optimistic documentary.
  11. Unfortunately, apart from Downey's convincing contribution, the movie feels too contrived, stagy and inorganic to draw any pleasure.
  12. A train wreck of a film lying inert where the tracks of the Feel Good Line cross the Path of Good Intentions.
  13. A movie that throws out the rules with audacity, assurance and admirable moral seriousness.
  14. It's outrageous. It's obnoxious. It's offensive. And yes, it's also really, really, really funny. Or, at least, it is for the first 40 minutes or so.
    • 32 Metascore
    • 20 Critic Score
    The premise of the movie deserves better.
  15. Although Ryan is cannily cast against type, she doesn't bring much more than muttery incoherence and nudity to the role.
  16. Sylvia plays it safe, and in doing so it becomes little more than just another domestic melodrama devoid of life and, of all things, poetry.
  17. In a movie whose texture is supposed to be hard-edged realism, the characterization seems a little too pat and jaunty.
  18. Efficient, precise, carefully calibrated and terrifically entertaining.
  19. Weakens, dilutes, disinfects and otherwise undermines the legacy of Tobe Hooper's 1974 original.
  20. Belongs, wholly and completely, to Clarkson, who delivers Joy's mordant asides and withering observations with a flawless balance of tartness and vulnerability.
  21. Shakespeare asked, "Or in the heart, or in the head?" It's not a new question by any means, but it's one that is given a fresh and refreshing adult twist by Decena's heady yet steady-handed Dopamine.
  22. This movie is a mixed repast: good food and wine laced with enough misanthropic poison to turn any stomach.
  23. When it comes right down to it, the talking animal thing is sort of secondary to what is, at heart, just a simple but perfectly satisfying little story about a boy who wants to keep his dog.

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