Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The makers of Miss Congeniality 2 have violated the cardinal rule of Sandra Bullock cinema. They turned her into someone unlikable.
    • 67 Metascore
    • 50 Critic Score
    A picnic wine, if you will -- more conversation-starter than collector's item.
  2. A somewhat formulaic if nevertheless crudely effective manipulation of the figure skating themes that all of us girls love so much.
  3. Illustrates the law of returning diminishments.
  4. Give Woody Allen credit for ambition. Failing at one movie wasn't enough. Nearly anyone can do that; it happens all the time. He's chosen to fail at two simultaneously.
  5. Though it captures many sharp, stark details of life in poverty-stricken Kazakhstan, Schizo's momentum is so measured, it nearly lulls its audience to sleep.
  6. The movie never transcended its elaborate production work to achieve an independent reality.
  7. But by the time Willis's character saves this considerably long day, it's filmgoers who will no doubt feel like prisoners, as a movie that promises to be a taut nail-biter devolves into the kind of silly, overblown climax parodied so beautifully by Robert Altman in "The Player."
  8. The story fails to really engage on any level save the kinetic.
  9. It feels like a retread of several better movies, with a nastier, more bitter edge.
  10. The movie, though quite funny in parts, turns organically dark, and it refuses to paint a picture of a cotton-candy world. It prefers the real one.
  11. This romantic melodrama ... doesn't even get to first base.
  12. A syrupy Italian power ballad along the lines of the ones on the movie's soundtrack. Its tune is mawkish, bombastic but, in the end, not especially resonant.
  13. Indeed it looks as if this otherwise straight-to-video endeavor, which was made in 2003, is being released only to cash in on Bernal's of-the-moment-ness in Hollywood.
  14. A joy to watch.
  15. Where there was effortless cool in the first movie, there is nothing but manufactured posing here.
  16. In this case, the adage would go something like "material, material, material," also known as the Nicolas Cage Rule: Good acting can't overcome bad taste.
  17. With no real comedy to enjoy, it's torture to watch Diesel undergo a predictable change from emotionless soldier to loving family man. Makes you want to spit out your pacifier in disgust.
  18. Within this overly familiar trope, there's plenty of room for small surprises, not the least of which are delightful, understated performances all around.
  19. Do these soldiers make it? We keep watching and waiting. There's not much more to Gunner Palace than that, but it's no different than the soldiers' lot.
  20. Fox's film seems to say that the kind of saintly purity that would enable one to walk on water -- or to kill with impunity and without repercussions -- doesn't exist.
  21. Works as both historical allegory and moving family drama.
  22. Wes Craven, who started the "Nightmare on Elm Street" series, should know a lot better.
  23. Sure, I laughed. Yes, I cried. But mostly I just wanted to throw up.
  24. It's got a lot of small movies bouncing around inside it, but there's no big movie on the outside.
  25. Haunting little film, whose chaotic universe is churned up by the conflict between the haves and the have-nots.
  26. More love story than thriller, with the mystery providing only slack tension and the December-December romance that ultimately develops between Regina and Camargo crackling with drama and sexual tension aplenty.
  27. All of the actors in Turtles Can Fly are nonprofessionals, and all bring electrifying authenticity and presence to their roles.
  28. Robb is remarkably assured; there isn't a false note in her performance.
  29. Much of Constantine simply portends.

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