Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Hampered by Niall Johnson's script, which is often confusing, muddy and ultimately cliche-ridden.
  2. Unfortunately, the more traditionally drawn 2-D human characters are as flat, in every sense of the word, as can be.
  3. Traffics in nearly every trite cliche of the "colorful" South one can think of, from its pseudo-Gothic aesthetic to its overripe dialogue.
  4. It grinds on and on without mercy. You're in the cross hairs. There is no escape. Where is that Secret Service when you need it?
  5. As cinematic storytelling, it works.
  6. Good points aside, In Good Company is a bland, occasionally phlegmatic pastiche of cliches and dull encounters.
  7. Seems like a pretty cool movie -- at least, for a remake of a 1970s Saturday morning TV show.
  8. Not to be missed, if only for an unforgettable leading performance by Kevin Bacon.
  9. The path taken by the film is somewhat labyrinthine and obscure, but it offers enough rewards to counterbalance its frustrations.
  10. Isn't just for music fans. It's more accessible than that, thanks to Joel Schumacher's bright direction and a few storytelling embellishments.
  11. Don't even rent the DVD, it'll only encourage them.
  12. It sweeps over you with blunt, unequivocal conviction.
  13. Never manages to achieve the balance between authenticity and eccentricity.
  14. This vainglorious biopic about Bobby Darin is really about what the '60s pop singer and actor means to Kevin Spacey.
  15. This is high-carb filmmaking at its finest. When it's all over, you'll have a knot in your stomach.
  16. I remained strangely dry-eyed up to the final shot.
  17. So rancid is Brooks's fury that it's clouded his judgment, so that each of his main characters is a stereotype of the most broad-brush, malodorous nature.
  18. We may enjoy watching the spectacles, but we don't much care for, or even have a feeling for, the guy in the cockpit.
    • 62 Metascore
    • 80 Critic Score
    A gem of a movie, all its adversity and wickedness a backdrop for a story about the remarkable resilience of children
  19. The heart of Million Dollar Baby lies in the core relationships among Frankie, Maggie and Scrap, friendships so pure, so genuine, so authentic that it takes actors of Eastwood's, Swank's and Freeman's caliber to sell them in this otherwise cynical world.
  20. About halfway through you'll get an incredible hunger to see a movie.
  21. Hovers frustratingly somewhere between charming and only mildly amusing.
  22. Doesn't just bring you to the edge of the hopeless zone, it takes you right into its homes where the children play.
  23. If ever there was a case for quitting while you're behind, this "Blade" is it -- ready to be buried in a vat of garlic.
  24. The sheer joy of letting go as a tale overwhelms your senses and drives the known world away -- that's the story.
  25. So taken with its own love of cinema, it forgets to lead you down the necessary dramaturgical path to make you fall in love, too.
  26. It's the sick humor that's most appealing about this odd little Danish film.
  27. The whole thing is coarse and vulgar, as it hides its low fascinations behind a scrim of Holocaust piety until it becomes pure kitsch.
  28. Everything is tearful confessions, angry interrogations and breakups. But there's nothing underneath.
  29. Stone's film is a case study in cultural analysis that aims at too much and achieves too little.

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