Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Engagement simply disappears inside its own enormous, intricate and ambitious design.
  2. A film about war and reconciliation, is deeply Christian, a study in humility and the moral uncertainty at the core of the Christian message.
  3. Everyone in the film is mean-spirited, manipulative and repulsive, and I'm only talking about the women! The men are much worse, particularly Dan Aykroyd.
  4. Like every other second of more than 10,000 seconds in Alexander, it doesn't engage in the least.
    • 75 Metascore
    • 80 Critic Score
    This quietly odd and hilarious tale is a bit like a Japanese version of the popular BBC comedy series "The Office" or perhaps the "Dilbert" comic strip at its peak.
  5. Its themes of passion, heartbreak and the inexorable passage of time are eternal.
  6. Rated PG, which must stand for "particularly gullible," it's "Raiders of the Lost Ark" for people who slept through American history class.
  7. To watch Bad Education is to revel, along with Almodovar, in the power of cinema to take us on journeys of breathtaking mystery and dimension and beauty.
    • 67 Metascore
    • 70 Critic Score
    An amusing enough romp through his familiar undersea universe.
  8. The true crime is the eight bucks the filmmakers want to steal from you. Best advice: Don't let them get away with it.
  9. One singularly unbecoming character, who should, by rights, forever remain a "singleton."
  10. For all its explosive material, this is a fairly straightforward telling.
  11. You're expected to weep, and perhaps you will weep. But if you do, it's not likely that you'll respect yourself in the morning.
  12. A truly satisfying holiday picture, the kind everyone can enjoy.
  13. A spectacular concert documentary that also gives some fascinating insights into the making of "The Black Album."
  14. Works far better as an idea than its execution; this has to do with the difficulties of making profound statements with limited budgets and technology, and also grappling with the still-growing sensibilities of an emerging writer.
  15. Has a refreshingly original attitude.
    • 49 Metascore
    • 30 Critic Score
    Occasionally amusing, technically lovely but ultimately dated.
    • 90 Metascore
    • 90 Critic Score
    The movie is full of wonderful little touches: Syndrome, the bad guy, is drawn to remind viewers of "Heat Miser" from the classic Christmas cartoon "The Year Without a Santa Claus."
  16. Fairly fascinating little documentary.
    • Washington Post
  17. Although this script starts off with great zest, it's ultimately a disappointment.
  18. Too highbrow for the multiplex and too literal for the hipsters, it's unsatisfying both as gothic camp and serious cinema.
  19. Saw
    But humans who live above ground, including horror fans, will find themselves only fitfully entertained and more consistently appalled.
  20. Ray
    It is to the film's credit -- and Foxx's -- that we are able to see, behind the flash and fury, a man who didn't know how to love, and was so much the lonelier for it.
  21. There's not a false note here, and the entire supporting cast -- is uniformly excellent.
  22. It's just sort of trying.
  23. Davis, who won an Oscar for Best Documentary, may not have agreed with presidents Kennedy, Johnson and Nixon on the war, but he heeded Johnson's call to fight for hearts and minds. His aim was dead on target.
    • 78 Metascore
    • 70 Critic Score
    The movie manages to educate without losing steam.
  24. It's a love letter to the myriad ways, large and small, that mail handlers change lives the world over.
  25. Psychological suspense at its finest.

Top Trailers