For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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- Critic Score
As played by the captivating Mariana Loyola, Lucy is a life force, cut from similar cloth as the perky schoolteacher of Mike Leigh's "Happy-Go-Lucky": unsinkable, unswervable and more than a little irreverent.- Washington Post
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Reviewed by
Ann Hornaday
The Social Network has understandably been compared to "Citizen Kane" in its depiction of a man who changes society through bending an emergent technology to his will.- Washington Post
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Reviewed by
Ann Hornaday
You know you're in the hands of a superbly gifted filmmaker when he can pull off a talking dog.- Washington Post
- Posted Jun 9, 2011
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Reviewed by
Ann Hornaday
Like a cold beer under a bluebird sky; like a flawless line drive on a warm summer's day; like a long, languorous seventh-inning stretch - Moneyball satisfies.- Washington Post
- Posted Sep 22, 2011
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Reviewed by
Ann Hornaday
Low-key, sleek and sophisticated, Drive provides the visceral pleasures of pulp without sacrificing art. It's cool and smart. Some critics might even call it European.- Washington Post
- Posted Sep 15, 2011
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Ann Hornaday
A pitch-perfect movie that threads a microscopically tiny needle between high comedy and devastating drama.- Washington Post
- Posted Nov 17, 2011
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Ann Hornaday
In spirit, and sheer joie de vivre, it's everything the movie business should aspire to. Win Win exemplifies movies the way they oughtta be.- Washington Post
- Posted Mar 24, 2011
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Ann Hornaday
A mesmerizing cinematic journey that is often as arduous and spare as the lives of its hard-bitten protagonists.- Washington Post
- Posted May 19, 2011
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- Washington Post
- Posted May 27, 2011
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Ann Hornaday
Gracefully moving between the infinite and the practical, the celestial and the implacably grounded, Guzman has created a sensitive, richly textured portrait of time and place that transcends both those conceits.- Washington Post
- Posted Sep 30, 2015
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- Washington Post
- Posted Oct 13, 2011
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Ann Hornaday
Ambitious, affecting, unwieldy and haunting, it's an eccentric, densely atmospheric, morally hyper-aware masterpiece that refuses to follow the strictures of conventional cinematic structure, instead leading the audience on a circuitous journey down the myriad rabbit holes that comprise modern-day Manhattan.- Washington Post
- Posted Apr 26, 2012
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Ann Hornaday
Thanks to Cuarón’s prodigious gifts, Gravity succeeds simultaneously as a simple classic shipwreck narrative (albeit at zero-gravity), and as an utterly breathtaking restoration of size and occasion to the movies themselves.- Washington Post
- Posted Oct 3, 2013
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Ann Hornaday
Le Havre is a playful parable that conveys profound truths about compassion, humility and sacrifice. It offers proof that miracles do happen - especially in Kaurismaki's lyrically hardscrabble neighborhood.- Washington Post
- Posted Dec 8, 2011
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Ann Hornaday
This invigoratingly fresh, optimistic film - which features the breathtaking debuts of director Dee Rees and leading lady Adepero Oduye - plunges the audience into a world that's both tough and tender, vivid and grim, drenched in poetry and music and pain and discovery.- Washington Post
- Posted Jan 6, 2012
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Ann Hornaday
While Wright's self-conscious theatricality and dollhouse aesthetic conjure comparisons to Baz Luhrmann and Wes Anderson, he outstrips both those filmmakers in moral seriousness and maturity.- Washington Post
- Posted Nov 15, 2012
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Ann Hornaday
This soulful, unabashedly lyrical film is best enjoyed by sinking into it like a sweet, sad dream. When you wake up, a mythical place and time will have disappeared forever. But you’ll know that attention — briefly, beautifully — has been paid.- Washington Post
- Posted Dec 19, 2013
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Ann Hornaday
Intense, unflinching, bold in its simplicity and radical in its use of image, sound and staging, 12 Years a Slave in many ways is the defining epic so many have longed for to examine — if not cauterize — America’s primal wound.- Washington Post
- Posted Oct 17, 2013
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Ann Hornaday
By and large, Zero Dark Thirty dispenses with sentimentality and speculation, portraying the final mission not with triumphalist zeal or rank emotionalism but with a reserved, even mournful sense of ambivalence.- Washington Post
- Posted Jan 10, 2013
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Ann Hornaday
Captain Phillips is such an impressive dramatic achievement that it comes as a shock when it gets even better, during a devastating final scene in which Hanks single-handedly dismantles Hollywood notions of macho heroism in one shattering, virtually wordless sequence.- Washington Post
- Posted Oct 10, 2013
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Ann Hornaday
Monsieur Lazhar resembles a clear, clean glass of water: transparent, utterly devoid of gratuitous flavorings or frou-frou, and all the more bracing and essential for it.- Washington Post
- Posted May 3, 2012
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Ann Hornaday
This is that rare movie that transcends its role as pure entertainment to become something genuinely cathartic, even therapeutic, giving children a symbolic language with which to manage their unruliest emotions.- Washington Post
- Posted Jun 18, 2015
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Ann Hornaday
Leery filmgoers can exhale: The Kid With a Bike may hew faithfully to the Dardennes' house style of spare, lucid storytelling. But without giving anything away, let's just say that with this simple, deeply affecting tale, they never set out to break your heart.- Washington Post
- Posted Apr 5, 2012
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Mark Jenkins
The vignettes are linked as much by theme as story, yet they're carefully structured and delicately balanced.- Washington Post
- Posted May 31, 2012
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Ann Hornaday
The Queen of Versailles turns out to be a portrait -- appalling, absorbing and improbably affecting -- of how, even within a system seemingly designed to ensure that the rich get richer, sometimes the rich get poorer.- Washington Post
- Posted Jul 26, 2012
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Ann Hornaday
With grace, discretion and supreme tact, Nicks sweeps viewers to a climactic montage that wordlessly honors the best ways we care for one another. The Waiting Room bears poetic witness to an overlooked fact: America's health care system may be broken, but its people are anything but.- Washington Post
- Posted Nov 30, 2012
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Michael O'Sullivan
It manages the trick of being both an unironic sci-fi action-adventure flick and a zippy parody of one. It’s exciting, funny, self-aware, beautiful to watch and even, for a flickering instant or two, almost touching.- Washington Post
- Posted Jul 31, 2014
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Ann Hornaday
Instead of a grand tableau vivant that lays out the great man and his great deeds like so many too-perfect pieces of waxed fruit, Spielberg brings the leader and viewers down to ground level.- Washington Post
- Posted Nov 8, 2012
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Michael O'Sullivan
Sean Penn makes a striking screen presence in This Must Be the Place, a smart, funny and original road movie by Italian director Paolo Sorrentino ("Il Divo").- Washington Post
- Posted Nov 12, 2012
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Ann Hornaday
Chandor’s attention to detail, and the expressiveness and utter believability with which Redford goes about the anything-but-mundane business of surviving, make All Is Lost a technically dazzling, emotionally absorbing, often unexpectedly beautiful experience.- Washington Post
- Posted Oct 24, 2013
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