Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
    • 82 Metascore
    • 100 Critic Score
    As played by the captivating Mariana Loyola, Lucy is a life force, cut from similar cloth as the perky schoolteacher of Mike Leigh's "Happy-Go-Lucky": unsinkable, unswervable and more than a little irreverent.
  1. The Social Network has understandably been compared to "Citizen Kane" in its depiction of a man who changes society through bending an emergent technology to his will.
  2. You know you're in the hands of a superbly gifted filmmaker when he can pull off a talking dog.
  3. Like a cold beer under a bluebird sky; like a flawless line drive on a warm summer's day; like a long, languorous seventh-inning stretch - Moneyball satisfies.
  4. Low-key, sleek and sophisticated, Drive provides the visceral pleasures of pulp without sacrificing art. It's cool and smart. Some critics might even call it European.
  5. A pitch-perfect movie that threads a microscopically tiny needle between high comedy and devastating drama.
  6. In spirit, and sheer joie de vivre, it's everything the movie business should aspire to. Win Win exemplifies movies the way they oughtta be.
  7. A mesmerizing cinematic journey that is often as arduous and spare as the lives of its hard-bitten protagonists.
  8. It knocks you off your feet and leaves you shaken.
  9. Gracefully moving between the infinite and the practical, the celestial and the implacably grounded, Guzman has created a sensitive, richly textured portrait of time and place that transcends both those conceits.
  10. Taut, unsettling, haunting and powerful.
  11. Ambitious, affecting, unwieldy and haunting, it's an eccentric, densely atmospheric, morally hyper-aware masterpiece that refuses to follow the strictures of conventional cinematic structure, instead leading the audience on a circuitous journey down the myriad rabbit holes that comprise modern-day Manhattan.
  12. Thanks to Cuarón’s prodigious gifts, Gravity succeeds simultaneously as a simple classic shipwreck narrative (albeit at zero-gravity), and as an utterly breathtaking restoration of size and occasion to the movies themselves.
  13. Le Havre is a playful parable that conveys profound truths about compassion, humility and sacrifice. It offers proof that miracles do happen - especially in Kaurismaki's lyrically hardscrabble neighborhood.
  14. This invigoratingly fresh, optimistic film - which features the breathtaking debuts of director Dee Rees and leading lady Adepero Oduye - plunges the audience into a world that's both tough and tender, vivid and grim, drenched in poetry and music and pain and discovery.
  15. While Wright's self-conscious theatricality and dollhouse aesthetic conjure comparisons to Baz Luhrmann and Wes Anderson, he outstrips both those filmmakers in moral seriousness and maturity.
  16. This soulful, unabashedly lyrical film is best enjoyed by sinking into it like a sweet, sad dream. When you wake up, a mythical place and time will have disappeared forever. But you’ll know that attention — briefly, beautifully — has been paid.
  17. Intense, unflinching, bold in its simplicity and radical in its use of image, sound and staging, 12 Years a Slave in many ways is the defining epic so many have longed for to examine — if not cauterize — America’s primal wound.
  18. By and large, Zero Dark Thirty dispenses with sentimentality and speculation, portraying the final mission not with triumphalist zeal or rank emotionalism but with a reserved, even mournful sense of ambivalence.
  19. Captain Phillips is such an impressive dramatic achievement that it comes as a shock when it gets even better, during a devastating final scene in which Hanks single-handedly dismantles Hollywood notions of macho heroism in one shattering, virtually wordless sequence.
  20. Monsieur Lazhar resembles a clear, clean glass of water: transparent, utterly devoid of gratuitous flavorings or frou-frou, and all the more bracing and essential for it.
  21. This is that rare movie that transcends its role as pure entertainment to become something genuinely cathartic, even therapeutic, giving children a symbolic language with which to manage their unruliest emotions.
  22. Leery filmgoers can exhale: The Kid With a Bike may hew faithfully to the Dardennes' house style of spare, lucid storytelling. But without giving anything away, let's just say that with this simple, deeply affecting tale, they never set out to break your heart.
  23. The vignettes are linked as much by theme as story, yet they're carefully structured and delicately balanced.
  24. The Queen of Versailles turns out to be a portrait -- appalling, absorbing and improbably affecting -- of how, even within a system seemingly designed to ensure that the rich get richer, sometimes the rich get poorer.
  25. With grace, discretion and supreme tact, Nicks sweeps viewers to a climactic montage that wordlessly honors the best ways we care for one another. The Waiting Room bears poetic witness to an overlooked fact: America's health care system may be broken, but its people are anything but.
  26. It manages the trick of being both an unironic sci-fi action-adventure flick and a zippy parody of one. It’s exciting, funny, self-aware, beautiful to watch and even, for a flickering instant or two, almost touching.
  27. Instead of a grand tableau vivant that lays out the great man and his great deeds like so many too-perfect pieces of waxed fruit, Spielberg brings the leader and viewers down to ground level.
  28. Sean Penn makes a striking screen presence in This Must Be the Place, a smart, funny and original road movie by Italian director Paolo Sorrentino ("Il Divo").
  29. Chandor’s attention to detail, and the expressiveness and utter believability with which Redford goes about the anything-but-mundane business of surviving, make All Is Lost a technically dazzling, emotionally absorbing, often unexpectedly beautiful experience.

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