Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. A gigantic achievement, an endowment of riches.
  2. The most eloquent and exacting vision of the war to date... Inspired with technique rather than overblown with it, Kubrick, the filmmaker's filmmaker, lays one on you.
  3. The sexiest movie of the year.
  4. May not be the first movie to examine the creative process. But it's the most playfully brilliant.
  5. The movie fixes you in its gravitational pull. It's an enveloping, walk-in vision... As rich and satisfying a movie as you're likely to see all year.
  6. A movie for aesthetically hungry moviegoers: wildly amusing, sometimes sardonic and always touching. There's so much here, and all of it delightful.
  7. With the exception of the opening scene -- whose purpose is chiefly comic -- the movie is one, extended climax. Even with flashbacks and other time jumps, it never lets up. You have to go back to Henri-Georges Clouzot's 1952 "The Wages of Fear" to recall suspense this relentless.
  8. Jarecki has created a tour de force of narrative ambiguity, and in doing so has made one of the most honest reality shows ever.
  9. The movie version of Jaws is one of the most exciting and satisfying thrillers ever made.
  10. Brilliant and brutal, funny and exhilarating, jaw-droppingly cruel and disarmingly sweet...To watch this movie (whose 2 1/2 hours speed by unnoticed) is to experience a near-assault of creativity.
  11. One of the smartest, most inventive movies in memory, it manages to be as endearing as it is provocative.
  12. Magnificently nonchalant about its magic.
  13. Its themes of passion, heartbreak and the inexorable passage of time are eternal.
  14. Thanks to two delightful performers, you're drawn powerfully to the outcome.
  15. A beautiful story, told in measured cadences by a master of old-timey narrative compression and expression.
  16. A smart cartoon about the life of the mind. It's about the fuzzy border between dreaming and living. It's thoughtful, provocative, liberating and fun.
  17. There's no doubt about the film's sheer power and taut originality.
  18. This movie -- which is equally appealing to children (those of adventurous, non-freak-outable spirit), Japanese animation (anime) fans, and any surviving acquaintances of Timothy Leary -- is so full of invention, you might want to take a breather now and then.
  19. Simple, yet quietly astonishing film.
  20. Eastwood's elegantly directed Mystic River, a deeply textured drama in which the sins (or perceived sins) of the past weigh heavily on the present.
  21. Delicious with foreboding, a masterly suspense thriller that toys with our anticipation like a well-fed cat.
  22. On one level, Yi Yi is classic soap opera, with a suicide attempt, a wedding ceremony, even a brutal 11 o'clock news murder, all in the mix. But Yang's direction is so admirably restrained, it lends rich heft to everything.
  23. One of Martin Scorsese's most brutal but stunning movies, an incredible, relentless experience about the singleminded pursuit of crime.
  24. Instead of "Masterpiece Theatre"-style fawning, [Scorsese] fills this movie with visual flow, masterful cinematography and assured direction. There's an alert, thinking presence behind the camera.
  25. An extraordinary and brilliant (and almost wordless) film that takes us above ground and below it, up in the air and deep below water, to follow its conundrum of a story.
  26. Sure, the animation work is great, but it's the actors and their subtle, complex vocal performances that make us care about these fairy-tale characters. Shrek 2 is all about fantasy, but its characters are rousingly, affectingly real -- not to mention real, real funny.
  27. One of the best performances -- and movies -- of the year so far.
  28. What "Raising Arizona" was to baby lust, "Barton Fink" is to writer's block -- a rapturously funny, strangely bittersweet, moderately horrifying and, yes, truly apt description of the condition and its symptoms.
  29. It's funny, it's heartbreaking, it's scary, it's exhilarating. It's got love stuff and lots of laughs and cool gunfights. It's really long and it feels like it's over in 15 minutes. It does something so few movies do these days: It satisfies.
  30. A delectably naughty experience. This sort of wit and immediacy is extraordinarily rare in a period film.

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