Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The Wachowski brothers have rendered their chronicles into banality, as if trying to imitate the qualitative tailspin of the "Star Wars" series.
  2. Desperation is the project's principal quality, characterizing everything from the misfiring jokes to the surprisingly distinguished cast.
  3. A picture-book French film that's pretty and trite, rather than edgy and moving.
  4. Functional but tiresome.
  5. Simply painful to watch as the doomed vehicle it's trapped in comes whistling toward a fiery crash landing.
  6. Laugh? I thought I'd never start.
  7. It wants us to believe that being popular and getting the cutest guy in school really is the key to happiness. Like, how totally last century is that?
  8. Less a tale of mysterious, tragic love than a three-way Harlequin romance.
  9. Even the staunchest of golfheads must know they're watching a cut-and-trite accounting.
  10. So rich in processed sugar, canned sentiment and schmaltz, I thought I was going to throw up.
  11. Ultimately undermined by the fact that the two rock bands Timoner chose to focus on -- the Brian Jonestown Massacre and the Dandy Warhols -- simply don't matter as much as she thinks they do.
  12. It's like a music video of Helen Reddy's "I Am Woman" filmed in the Chevy Chase Pottery Barn.
  13. Stone's film is a case study in cultural analysis that aims at too much and achieves too little.
  14. The film stars Bruce Campbell of the "Evil Dead" series as Elvis in a touching, funny and at times grotesque performance that is actually the best thing about the movie.
    • 14 Metascore
    • 30 Critic Score
    We don't have much space to tell you about Glitter, so we'll be blunt. This star vehicle for singer Mariah Carey is primarily a showcase for her breasts.
  15. There were moments when I thought Gone in 60 Seconds might be a passably entertaining movie. I figure those moments, strung end-to-end, would total 30 or 40 seconds.
  16. An unsurprising, undistinguished piece of post-summer, pre-holiday detritus.
    • 36 Metascore
    • 30 Critic Score
    It really should be arrested for impersonating an interesting movie.
  17. Although this script starts off with great zest, it's ultimately a disappointment.
  18. It's about as deep as electronic white noise.
  19. The sparks don't fly -- they fall down and they can't get up.
  20. Maybe the easiest thing would be to skip the movie altogether. Godard has created such a hermetic, uncompromising world that only the hardiest cinematic spelunkers are likely to appreciate its depths.
  21. They made a movie without one basic ingredient: the story.
  22. It evokes a warmed-over Fox TV special.
  23. You are likely to encounter more surprises on the way to the bathroom each morning than you do in this film.
  24. Far too slick and manufactured to claim street credibility.
  25. So taken with its own love of cinema, it forgets to lead you down the necessary dramaturgical path to make you fall in love, too.
  26. I would rather have a more interesting group of desperate people to spend my post-apocalyptic time with.
  27. The film's maudlin focus on the young woman's infirmity and her naive dreams play like the worst kind of Hollywood heart-string plucking.
  28. A crashing letdown.

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