Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Plays less like a novel re-imagining of a classic if campy narrative than a drearily self-conscious exercise in Know Your Film References.
  2. Doesn't progress or deepen, it just gets weirder, and to no good end.
  3. This movie is a predictable, gruesome piece of business.
  4. For the most part, the film's a bewildering disappointment.
    • 49 Metascore
    • 30 Critic Score
    Occasionally amusing, technically lovely but ultimately dated.
  5. Relentlessly beautiful and wholly annoying.
  6. Even by Disney's formulaic standards -- is about as cut and dried as the phone book.
  7. As it stands, this movie seems to have conflicting desires: to endear itself to the audience and then repel it.
  8. A vulgar attempt to revamp the undead genre by introducing computer-generated splatter and a casketful of themes from genetic tinkering to conspiracy theories.
  9. Needless to say, in the age of inferior remakes, this would-be homage -- a sort of Wim Wenders Lite -- is a mawkish debasement of its source material.
  10. Martin Scorsese's obsession with a dubious mystique of masculinity turns Raging Bull into a ponderous work of metaphysical cinematic bull.
  11. Roll past this casino.
  12. Never manages to achieve the balance between authenticity and eccentricity.
  13. As Primer progresses, it just gets murkier and the experience of it more drudgelike.
  14. Hanks is great; the movie isn't.
  15. About as persuasively ethnic as an episode of "Friends."
  16. It's creepy, all right. It's just that HOW it goes about creeping you out is sometimes just plain cheesy.
  17. On the whole, it feels like a cross between a PBS special hosted by a series of low-rent Deepak Chopras and an infomercial for self-help audio tapes.
  18. Unrelentingly grim, unremittingly gross and unforgivably unattractive, 28 Days Later is an orgy of troubling images and bestial sound effects.
  19. A disappointingly dull thud of a fantasy.
  20. It would be one thing if Christmas With the Kranks were a satire on the assaultive, bullying nature of contemporary Christmas celebration in this country, but it's not. It's an ugly glorification of it.
  21. Audiences who have avoided the multiplex these last few years because of the garbage peddled there are the only ones for whom this overly familiar "Walk" will be memorable.
  22. Traffics in nearly every trite cliche of the "colorful" South one can think of, from its pseudo-Gothic aesthetic to its overripe dialogue.
  23. It grinds on and on without mercy. You're in the cross hairs. There is no escape. Where is that Secret Service when you need it?
  24. If your kids are too young to sit unsupervised, get together with other parents and pay an older sibling or sitter to go.
  25. Like every other second of more than 10,000 seconds in Alexander, it doesn't engage in the least.
  26. While the younger Van Peebles certainly looks the part, Baadasssss! never feels like anything more than kids playing dress-up.
  27. This vainglorious biopic about Bobby Darin is really about what the '60s pop singer and actor means to Kevin Spacey.
  28. One singularly unbecoming character, who should, by rights, forever remain a "singleton."
  29. The muddy, convoluted story revolves around the star's cool-guy poses and one-liners.

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