Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Castro remains the star of the show. You can't stop watching him.
  2. Overwhelmingly predictable despite its cute surprise ending, Tortilla Soup is a filling but unoriginal dish.
  3. If you're not rolling in the aisles, you're definitely in the wrong theater.
  4. Charming but slight.
  5. As vivid as many scenes are, there are just as many that seem taken directly out of the Cute Irish Movie notebook.
  6. Isn't a great movie, but it's a perfectly acceptable widget.
  7. The stranger and more unusual the characters, and the less they're explained, the better.
  8. Its greatest asset...Flora Montgomery, a flash of blond, Irish fire who makes Trudy well worth Brendan's trouble.
  9. May not rock the joint. But then, it isn't trying to.
  10. The film-which at 112 minutes, ends up ramblin' like its subject-does provide compelling rehab for an underrated artist.
  11. Playful as it is, Clare Peploe's adaptation of Pierre Marivaux's romantic comedy coughs and sputters on its own postmodern conceit.
  12. A generally well-made tale of humor and hard luck.
  13. A blackhearted little film. What's being marketed as a frothy French confection about jealousy (specifically the jealousy of a regular guy married to a famous movie star) also just so happens to be a portrait of a marriage going down the toilet.
  14. Isn't much more than another conveyer-belt romantic comedy.
  15. It's a pretty compelling yarn, not to mention full of pretty pictures, and yet it could be so much more than that.
  16. The sexual frankness is refreshing. As Suzette and Lavinia banter, their dialogue often suggests how "Sex and the City" might sound 20 years hence.
    • 79 Metascore
    • 60 Critic Score
    The film's loveliness does much to modulate its often maddening pace.
  17. Although Monkeybone will undoubtedly make you laugh at its slapstick highjinks, the irony is that for a movie that's ultimately about soul, that's the one commodity that's in precious short supply up on the screen.
  18. The more you lower your expectations, the more you'll learn to laugh.
  19. In its quiet way, The Visit is a testament to the tenacity of the family, particularly the African American family.
  20. Although the movie adheres more closely to history than "Quills," it lacks dramatic punch and depth.
  21. CQ
    A certain sexiness underlines even the dullest tangents, bouncing along to the all-too-essential groovy soundtrack.
  22. Charming but slight comedy.
  23. Anthony Hopkins, with a toothpick and a slouch. Fabulous!
  24. Each moment feels real, but the movie wears you out in some way. High naturalism is just as much a stylization as High Stylization. The groping nature of the conversations comes to feel as artificial as iambic pentameter.
  25. How great can an epic be, when it takes 30 years, including a whole sequence devoted to World War I, for Jean to realize he could be a little nicer to his wife? This is for diehard Francophiles and literate-movie fans only.
  26. A triumph of place over sense.
  27. Howard's film, like McConaughey's performance, is unassuming, ingratiating and a little rough around the edges.
  28. McDormand is the best thing about Laurel Canyon. She's also the most unfortunate victim of a film that seems unable or unwilling to give even its most intriguing and compulsively watchable character her due.
  29. Fitfully amusing but nothing remarkable

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