Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Surpassing Dan Aykroyd's "Nothing but Trouble" as the most astoundingly atrocious walrus-flop of a directorial debut by a languishing actor ever contrived, Sally Field's Beautiful.
  2. Bloated loquaciousness, damp self-absorption, and defensive reflexiveness on display here.
  3. A near-irresistible button-pusher that's agile enough to hold a mirror to its own aspirations: The Sundance prize-winning filmmaker and her prize discovery, Michelle Rodriguez, merge in the image of a self-invented amateur boxer.
  4. Boorish and flatulent.
  5. A grassroots refutation of Discovery Channel/National Geographic dispassion, The Great Dance: A Hunter's Story is hot and sweaty with fetching curves.
  6. A pleasant if overlong road show starring five witty, sweet, humble guys.
  7. Best in Show succeeds only insofar as you're willing to laugh at a bunch of sad freaks.
  8. Wittily conceived but clumsy as a newborn calf.
  9. A stinky dumpster for sentimental dung about homelessness and the magical mecca that isn't Manhattan.
  10. The director has a fitfully deployed gift for droll humor, but Chutney Popcorn mostly provides evidence that the ins and outs of the improvised multiparent family can be as prosaic as the nuclear Eisenhower model.
  11. Though rife with incidental plot holes, Foote's movie feels right even when nothing important is happening...which is much of the time.
  12. Simply less campily moronic than its predecessor, a tired kill-by-numbers.
  13. Strangely, there's no thrust and parry to this potentially heavyweight mind game. The effect is more like a tennis match in which every feebly contested point ends with an unforced error.
  14. Too flimsily built and baldly unfunny to bolster Cruz's charms, but Almodóvar's blessed Virgin is, as usual, winning and guilelessly seductive.
  15. Child abuse, domestic violence, and the struggles of single mothers deserve better treatment than this.
  16. Krabbé alternates exaggeration with sentiment, but the main characters are relatively complex, and its surprise ending is genuinely affecting.
  17. In his first major role, the Irish actor Farrell deflects the script's more dubious aspects through sheer magnetic presence.
  18. This deliriously downbeat vehicle for the postpunk diva Björk has generated the controversy the Danish dogmatist has relentlessly court.
  19. Smith's work is a means of cauterizing wounds that have not even begun to heal...certainly not across a continent in Giuliani's New York.
  20. As fragmented and unresolved as the experiences of mother and daughter, Alma bears witness to a situation for which there are no easy answers.
    • 79 Metascore
    • 80 Critic Score
    It's worth shelling out to see this doc on a theater screen: The enthralling archival footage of Germany in the 1930s is rare stuff indeed, of superb photographic quality.
  21. A bad one-night stand endured with a jailbroke cad and his put-upon travel-agent pal that hinges somewhat on the characters' impression that Frank Sinatra is still among us.
  22. Mushy and musty itself, A Piece of Eden takes an eternity...this time to cheat and shortcut its way to lesser Frank Capra moments without the gritty touch of, say, a Garry Marshall.
  23. A highly talented filmmaker, Radtke draws intense, focused performances from these two inexperienced young actors.
  24. A road movie, though there's a decided lack of forward motion.
  25. Derails toward the end, becoming platitudinous, not to mention kitschy, but, given the Cheerios wholesomeness of most gay indies, its grief-stricken delirium is a welcome relief.
  26. Restrained, tough, and subtle enough to be as engrossing on the second viewing as it was on the first.
  27. Often succumbs to the craven hysteria perhaps inherent in its hoary premise.
  28. What can a movie tell us about the painter that the paintings do not? The effort has done no favors for Picasso or Rivera or Bacon.
  29. Thuds away at the now familiar New York turf of Jews and their mating habits.

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