Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Trades in sitcom stereotypes and crosscuts predictably from family to family as if under the misapprehension that equal time is a dramatic principle.
  2. Wright's "British" accent elicits the only shudders.
  3. It's at once brilliant and inept.
  4. Josh Aronson's thoroughly engrossing documentary Sound and Fury is as much about children's rights as it is about the impact of cochlear-implant technology on a family in which deafness runs through three generations.
  5. Largely inept and weirdly endearing.
  6. Gray's brand of film-buffery manifests itself, simply and irresistibly, as ardent, uncynical movie love.
  7. An arthritic exercise in self-pleasurement.
  8. The uncertain plot somehow concerns ginseng and stolen objets d'art; the main thrust is acrobatic slapstick with a decided antipatriarchal twist.
    • 84 Metascore
    • 70 Critic Score
    A dazzling, long-overdue tribute to the true stars of Latin music.
  9. An overflowing septic tank of chicken-soupy sanctimony that proceeds from casually offensive hypocrisy to wretchedly inapt religiosity.
  10. It might be worth enduring the Limburger to see Fraser morph from freckled-faced Rod McKuen dweeb to seven-foot albino ball star and never miss a beat.
  11. Marshall Karp's script is clever and funny, though studded with anachronisms.
  12. An engagingly grim psychological thriller.
  13. Can be blamed foremost on its fire-and-brimstone screenwriter, Pierce Gardner.
  14. Evocative but ahistorical.
  15. A flabby farce in which everyone seems to be making it up as they go along.
  16. Graceless writing and shameless plot contrivance.
  17. By setting this intimate conflict against a wider social drama, Daldry makes his portrait of a dancer all the more compelling.
  18. Tender, poignant, and homoerotically charged, this complicated father-son relationship is brought to life by two brilliant actors and a director who's canny enough to give them all the room they need.
  19. The most audacious debut feature of the year.
  20. So seamlessly and comprehensively dreadful that its very existence (let alone its appearance in theaters) beggars belief.
  21. One
    Even more than the subtlety of the writing and acting, it's this sophisticated and emotionally potent visual strategy that suggests Barbieri's promise as a filmmaker and lifts One above the low-budget indie heap.
  22. An action film at once baroque and austere, hypnotic and opaque.
  23. A techno-happy bumrush screaming the joy of never thinking twice about repeating things ad nauseam, and as loud as possible.
  24. A fairy tale that presents love as a case of mutual enchantment, Two Family House is not only uniformly well acted, superbly designed, lovingly lit, and sensitively scored, it's as romantic as it is funny.
  25. Primary story line is clumsy and badly acted. But he (Lee) reminds you that movies have power, that they matter, and for a few brilliant moments, Bamboozled matters more than any other American movie this year.
  26. The best sequences -- auditions in a strip bar and a public bathroom -- still can't compete with that industrial musical called "Pola X."
  27. Although dense with incident and motif, the movie has an effortless flow.
  28. Watching Ben get the girl or be seriously injured trying always has its dry, keening pleasures.
  29. May be an elaborate stunt, a bungee jump, but even so, it's forceful enough to leave a rare palpitating residue.

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