Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. The movie avoids grand conclusions, and its restraint heightens the clarity of the perspective shifts that constitute a rite of passage; Nico and Dani is a modest chronicle of a summer during which everything had to change so that everything could stay the same.
  2. Fawzi shoots the proceedings in clumsy, gotch-eyed spurts, and the level of incoherence is impressively high.
  3. Much of what Faithless contains happens off-screen, told and retold as stories within stories, and so the actors typically work like oxen.
  4. Manages to gracefully step out of the way of its own referential overload.
    • 48 Metascore
    • 20 Critic Score
    Sugar & Spice struggles with the existential challenge of individuating five perky white heterosexual girls wearing identical aquamarine miniskirts and halter tops. And that's before they put on their latex "Betty" masks.
  5. The Wedding Planner achieves the dubious but perversely impressive feat, for its 90-minute duration, of neutering Jennifer Lopez.
  6. Amy
    Plumbs new depths of craven heartstring-yanking.
  7. An Indiewood spoof that's more winning than anyone who wasn't a close friend of the director could possibly expect, R2PC satirizes not only wannabe auteurs but also that overworked genre, the faux documentary, while functioning as a credible study guide for Filmmaking 101.
  8. Goodman and Anker adroitly shape a cohesive drama out of a complicated history.
    • 29 Metascore
    • 50 Critic Score
    An earnest ensemble weeper I'd at least feel comfortable seeing with my grandmother.
  9. Though at times it threatens to meander off, Penn's movie fulfills its destiny as an alienated fable of justice and luck, personified by Jack in the twilight of his iconicity, babbling to himself at the crossroads of nowhere.
  10. For those who care, Madonna has found her match in Guy Ritchie, whose absence of talent when it comes to the film medium is equal to her own.
  11. An intelligent, perceptive film. It's good enough to make you wish Chen hadn't sacrificed emotional complexity for a last-minute surprise.
  12. Steeped in metaphor as it is, Panic offers a more naturalistic analysis of male midlife crisis than the grotesquely overpraised "American Beauty."
  13. It's a kick to see the Tim Robbins version of the man recently described by the Microsoft trial judge as "Napoleonic" installed in a disgustingly opulent Bond-villain HQ/pad, and the overwrought Boiler Room-meets-The Game scenario is not without its own schlocky pleasures.
  14. The disjointed plotting and afterschool-special dialogue offer scant opportunity for the charismatic leading duo to work up much chemistry.
  15. Filled with people who cut Holmes more slack than he deserved.
  16. Im's movie approaches a seething, primitivist beauty that evokes Makhmalbaf and parallels the contrapuntal textual investigations of Resnais.
  17. A numb, oddly dispassionate trudge toward predestined doom, inevitable in all the wrong ways.
  18. Manages to turn a highly dubious concept into a subtle and deliciously mordant comedy.
  19. Traffic is not just an ultra-procedural--it's the Big Picture, the Whole Enchilada, complete with a complicated war between two Mexican drug cartels.
  20. The film is too eager to please and falls short of the novel's tragic dimension.
  21. Vatel is dull and silly, but the holiday season doesn't offer a better sets-and-costumes workshop.
  22. A tense and engrossing political thriller.
  23. It's a sprightly, low-fiber comedy while the comedy lasts.
  24. A nostalgic coming-of-age sex comedy tastefully lecherous enough to indicate that its intended demographic is several decades past puberty.
  25. The film's ephemeral, semi-evasive lyricism ultimately works as a modest frame for Bardem's tender, deft portrait, which is in turn suitably expansive and rooted in the most concrete details -- Arenas's pride and anger, his unsentimental wit and defiant vitality.
  26. Lee's trickery is dazzling in flashes but also monotonously strenuous -- the derangement factor is high but there's little evidence of authentic lunacy.
  27. Leisurely yet streamlined film, brilliantly adapted by British filmmaker Terence Davies from Edith Wharton's most powerful novel.
  28. For a quality horny-Italian-teen frolic, you need look no further.

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