Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Culminates in a second bing-bang-boom triple shoot-out that effectively cancels out the shreds of remaining plot but is shot and cut like a sixth grader's Super-8 struggle for Woo-ness.
    • 85 Metascore
    • 80 Critic Score
    The tales told are bitter, horrific in detail...yet often leavened with irony and humor. Rupert Everett's low-key narration serves the film well.
  2. Panoramic yet cozy, enthusiastically glib.
  3. This moody, rapturous adaptation of Pierre, Herman Melville's gothic follow-up to "Moby Dick," is never less than seriously romantic.
  4. Sidesteps any juicy subtext in favor of routine chase-movie thrills.
  5. High-concept cinema this ain't.
  6. The fierce rigor of María Galiana's performance keeps this film from ever falling into sentimentality.
  7. Betty sustains her character, the movie fails to maintain its own.
  8. Dynamic but preachy.
  9. Way of the Gun is a self-consciously American odyssey.
  10. A likable, earnest character study with a rare sense of purpose.
  11. Has nice, pearly, black-and-white cinematography, but it also has the shocking temerity to run over 100 minutes. Sweet air is required.
  12. The staging and performances are awkward, the frequent shoot-outs a snore.
  13. Wildflowers is the only brand of requiem the '60s get anymore -- worshipful and ass-backward.
  14. Unabashedly personal and uncool...but between you and me, dear reader, I love it to death.
  15. If all-out headache-nausea-braindeath is what you crave, Whipped's available.
  16. Isn't convincing on every front, but as a political conversation piece, it's potentially effective.
  17. Singer achieves remarkable intimacy with his subjects.
  18. Far more preposterous in its details than the average blam-quip-kerplow, The Art of War isn't helped by the performances.
  19. Tries to show the oh-so-human side of Gospel-hawking, His Word, the Path, and so on.
  20. Hovers between mythic poetry and earthbound grit; the result is an inert, drably florid spectacle.
  21. At heart, a work of infectious, unironic affection.
  22. Spear's portrait of unpaid, passionate fastpitchers could give filmmakers of all budgets a notion of how real Americans speak.
  23. In this visually malnourished film, quirks substitute for character.
    • 37 Metascore
    • 20 Critic Score
    The humor is even more geriatric than the cast.
  24. As homey as old sweats.
  25. Paul Morrison's relentlessly unsurprising staging of a "Romeo and Juliet" story fetishizes its accelerating tragedies with morbid solemnity.
  26. All solipsistic jaded-Cosmo patter.
  27. She (Dunst) provides the only major element of Bring It On that plays as tweaking parody rather than slick, strident, body-slam churlishness.
  28. What gives the film extra weight is the sense that these are not just actors trying to enhance their careers but real people seizing a chance for immortality.

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