For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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- Village Voice
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Reviewed by
J. Hoberman
Treeless Mountain is skillfully unsentimental--because of, but also despite, the presence of two irresistible, unself-conscious performers in virtually every scene.- Village Voice
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Reviewed by
J. Hoberman
An effectively involving journalism-cum-conspiracy yarn with a bang-bang opening and a frantic closer.- Village Voice
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Reviewed by
Scott Foundas
If this is one small step for the actor (Efron) toward becoming a leading man, it is, for Hollywood movies, one more giant leap into infantilism.- Village Voice
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- Village Voice
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- Critic Score
For Chorus Line fans, though, the documentary--is a singular sensation.- Village Voice
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Reviewed by
Nicolas Rapold
Even Crowley, who seems to have a knack with overloaded material, can't quite bring the thing in for a safe landing in all the slush.- Village Voice
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Reviewed by
Nicolas Rapold
Promising parallels abound (not least between the two women's burdens), but the direction is stubbornly flat-footed.- Village Voice
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Aaron Hillis
Science fiction easily lends itself to allegory, but while the dystopian near-future of co-writer/director Alex Rivera's feature debut focuses, admirably, on how globalization affects the third world, his ideas are as subtle as a light saber to the face.- Village Voice
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- Village Voice
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Reviewed by
Aaron Hillis
Far more entertaining than it deserves to be, unless you're a 10-year-old boy, in which case it's only the greatest movie ever made.- Village Voice
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Reviewed by
Nick Pinkerton
Mena Suvari, as Art's vindictive ex-fuckbuddy, gives sole signs of life--Miller is so void of presence that one can forget she's in the movie from scene to scene.- Village Voice
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Reviewed by
J. Hoberman
Broad but thin and more bleak than uproarious--a humorously downsized homage to foundational '70s classics like "Dirty Harry" and, especially, "Taxi Driver."- Village Voice
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Scott Foundas
Given how steeped it is in symbolic portent, Lymelife proves surprisingly watchable from moment to moment, thanks to the uniformly fine playing (particularly of the Culkin frères), evocative production design (by Kelly McGehee), and handsome widescreen photography (by Frank Godwin).- Village Voice
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Reviewed by
Scott Foundas
I've seen Mottola's movie twice, and both times, it has inspired feelings of joy, sadness, and a profound yearning for the unrecoverable past.- Village Voice
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Reviewed by
Melissa Anderson
Without a trace of didacticism, Boden and Fleck portray the insidious details of exploitation and hollow American maxims.- Village Voice
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Reviewed by
Nick Pinkerton
The pleasures of genre depend on invention within margins, not just prop department scavenger hunting.- Village Voice
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Aaron Hillis
With 19 producers, one wonders how many rich Floridians invested in what might be the year's most unambitious comedy.- Village Voice
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- Village Voice
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Reviewed by
Nicolas Rapold
Fast & Furious reconfirms that car-chase movies--good, bad, or mediocre--all assume the future employment of the quaint old fast-forward button.- Village Voice
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Reviewed by
Nick Pinkerton
I don't remember ever wanting to just haul out and punch a movie before Gigantic.- Village Voice
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Reviewed by
Melissa Anderson
Like Amélie's scrubbed-up "City of Lights," Paris 36 is an antiseptic arthouse trifle, so eager to soothe that it only numbs.- Village Voice
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Reviewed by
Nicolas Rapold
The film is pleasingly meandering, till the more typically Majidian soulful and teary-eyed climax.- Village Voice
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- Critic Score
This entertaining, provocative film raises pointed issues about con artists and their sometimes-culpable "victims," and also speaks to the elusive pursuit of documentary truth.- Village Voice
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Reviewed by
Nicolas Rapold
The film's befuddling direction and tone, queasy HD interiors, and tin-eared, often preposterous, screenplay prove disastrous.- Village Voice
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Reviewed by
J. Hoberman
In every respect, this unclassifiable movie is an amazing accomplishment.- Village Voice
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Scott Foundas
Bahrani possesses a disciplined sense of composition and form, a vision of the world that extends beyond the boundaries of his own navel, and the understanding that it is possible to make films about class and race in this country without pandering to the audience.- Village Voice
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Reviewed by
Robert Wilonsky
The grandeur of the effects--the honest-to-God spectacle of the thing--elevates Monsters vs. Aliens to something approaching art. It's not a masterpiece, but it's most certainly a milestone.- Village Voice
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Reviewed by
Aaron Hillis
Approaches its ideas of reverse racism and the hypocrisies of tolerance with a heavy hand and odious moralizing.- Village Voice
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Reviewed by
Vadim Rizov
Durst and Elkoff deliver a nuanced scenario of class assimilation and resentment, then flub the ending.- Village Voice
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Reviewed by