Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Only Noah Wyle, as Adam's unreadable dad, rises above the muck; he deserves his Tarantino-aided resurrection sooner rather than later.
  2. Ideas beam out from Astra Taylor's engaging new philoso-doc Examined Life; the viewer basks in the intelligence on-screen and, occasionally, soaks up the rays.
  3. Charming and unexpectedly perceptive portrait cum procedural proves the DIY-authentic corrective to Unzipped, a warts-and-all chronicle of McCarroll’s yearlong preparation for his inaugural show at New York Fashion Week.
  4. We're light years away from "Animal House," sure, but who ever thought we would long for the richer, funnier dignity of "American Pie?"
  5. It's pretty much irresistible and, in that sense, represents the enigmatic India of today as well as anything ever could.
  6. Dews helps Allis hold out a gendered posthumous snapshot of an era whose smug surface, barely masking oceans of suffering, makes "Revolutionary Road" look like a tea party.
  7. While never less than fascinating, Katyn alternates between scenes of tremendous power and sequences most kindly described as dutiful. It's as if the artist is never certain whether he is making this movie for himself, his father, or the entire nation.
  8. This corrosive, slapdash, grimly exciting exposé of organized crime in and around Naples comes on like "Mean Streets" cubed.
  9. Touching in its absurdity, the movie is what the French, if they didn't love Gray so much, might term agréablement ridicule.
    • 34 Metascore
    • 30 Critic Score
    This means that for one ticket price, you get three shoddy Friday the 13th movies packed into one, which might constitute entertainment value if any one of them constituted entertainment.
  10. The Caller begins as a multinational corporate thriller more ambiguous and geopolitically senseless than "Demonlover."
  11. Coraline Jones isn't the pluckiest or most ingratiating sprite ever to take center stage in a children's film, and her (mis)adventures aren't especially novel, but Coraline is still a consistent splendor to behold.
  12. If all you ask for is a few gay jokes, a perky score, pretty shots of Baltimore, and some clever but callow observations of sexual mores in the city, He's Just Not That Into You is an amiable enough night out.
  13. It's Garcia, Molina, and Tomlin who give you momentary hope that the film might settle into a witty, irreverent romp. Unfortunately, their efforts are ultimately defeated.
  14. Seems to have been made up as it was being filmed.
  15. Plays like both a supremely outmoded chick-lit adaptation and an outrageously obscene gesture as the economy continues to swallow up livelihoods, homes, and hope.
  16. Both actors (Owens and Watts) seem mildly aggrieved (and not at all convincing) at having to play characters considerably less intelligent than themselves in a movie that plays even dumber.
  17. The one genuine bright spot among the performers is Kristen Bell as Windows's would-be girlfriend, his dream combination of Sarah Michelle Gellar and Janeane Garofalo.
    • 25 Metascore
    • 10 Critic Score
    Placing the onus of the war on the troops, Fox follows "Redacted's" vile moral playbook, only without Brian De Palma's self-reflexive, formalist gestures.
    • 29 Metascore
    • 40 Critic Score
    The movie wrong-foots Zellweger from the start. She's not enough the ice queen, like Sigourney Weaver in "Working Girl," for us to accept her transition into adorable Melanie Griffith.
  18. Serbis may be a raunch-fest, but it's also a mind-trip--a raunch-fest with ideas.
  19. Remains a fluffy fantasy as trivial as an episode of Entourage.
  20. A prolonged and overemotional take on the putting-lost-souls-to-rest drama.
  21. An ungainly hybrid of straight-up documentary and ingenuous reenactment.
  22. Nodding, winking, and sighing, The Lodger lumbers its way to a final twist so anticlimactic and silly as to warrant an incredulous titter.
  23. A workmanlike thriller that works as an (unconscious?) auto-critique of mainstreamed Internet-age hedonism.
  24. It all smacks of that overdone "passion for literature" common in English teachers who send any healthy-minded kid running from books.
  25. Terence Davies revisits his youth to decidedly mixed effect.
    • 44 Metascore
    • 20 Critic Score
    Alas, Chandni Chowk to China, directed by Nikhil Advani, is asymmetrical in the extreme: shapeless, shameless, and slapdash.
  26. The best I can say for Cherry Blossoms is that it's made with love; the worst, that it's been a big hit in Germany. Yearning for Ozu, Dörrie stops off at cute, and parks.

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