For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Nordine
Von Stürler offers raw footage of the four-month trek itself, which is often mesmerizing in its austere beauty; there's no narration, intertitles, or any other authorial hand-holding to trump up the message the images already convey on their own.- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Michael Nordine
Yoo's broadly drawn characters are less ha-ha funny than endearingly over-the-top, their exaggerated mannerisms rooted in fondness as much as mockery.- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Pete Vonder Haar
It isn't until the ending, which turns the squirm amplifier up to 11 and exceeded even my horrific expectations, that we finally see the story's potential realized.- Village Voice
- Posted Sep 24, 2013
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Daphne Howland
Rife with hasty generalizations, tautologies, and false choices, the movie is also tricked out with plenty of visual kitsch.- Village Voice
- Posted Sep 24, 2013
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Daphne Howland
The story of veterinarian Jennifer Conrad's crusade to outlaw declawing of cats is eye-opening and sometimes charming.- Village Voice
- Posted Sep 24, 2013
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Chris Packham
The Secret Lives of Dorks, starring Jim Belushi, is, well, the Jim Belushi of high-school romantic comedies: indifferent, kind of exhausted.- Village Voice
- Posted Sep 24, 2013
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Alan Scherstuhl
The movie is involving, the romance affecting, the sex sound, and the catch-as-catch-can handheld camerawork smartly appropriate for the scenario.- Village Voice
- Posted Sep 24, 2013
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Pete Vonder Haar
Matti sets a brisk pace, utilizing the squalor and desperation of Manila's slums and prisons as well as powerful, against-type performances by Torre and Pascual to give us a familiar yet engaging thriller (with more than a few surprises).- Village Voice
- Posted Sep 24, 2013
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John Oursler
Rather than investigating the harrowing circumstances surrounding each day's broadcast, Orner is content to let each inspiring aspect of the network speak for itself.- Village Voice
- Posted Sep 24, 2013
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Alan Scherstuhl
Greg "Freddy" Camalier's engaging new doc Muscle Shoals stands as a winning tribute to the coastal Alabama studio, musicians, and engineers who laid down some of the greatest pop tracks of the late '60s and early '70s.- Village Voice
- Posted Sep 24, 2013
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- Critic Score
This is a movie made for people who mash themselves up against those steel crowd-control barriers at concerts and still don't think they're close enough.- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Pete Vonder Haar
The testimonials from a few of these people, with the realization they speak for tens of thousands, reinforces Inequality for All's sobering message while at the same time undercutting Reich's optimism.- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Nick Schager
There isn't a moment in Hôtel Normandy that isn't painfully contrived, yet, worse still, its mix-ups boast all the inspiration and excitement of a weekend getaway at the local mall.- Village Voice
- Posted Sep 24, 2013
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- Critic Score
Despite its unusual beginnings, the friendship doesn't offer much narrative juice.- Village Voice
- Posted Sep 24, 2013
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Reviewed by
Ernest Hardy
There are a handful of laughs, but nothing to balance the onslaught of clichés.- Village Voice
- Posted Sep 24, 2013
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Amy Nicholson
The Cloudy with a Chance of Meatballs franchise takes its comic cues from The Muppets and Pee Wee's Playhouse, kids' shows that ripen as their audience matures.- Village Voice
- Posted Sep 24, 2013
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Stephanie Zacharek
It's a comedy that moves with a sense of purpose, as Gordon-Levitt does in the title role.- Village Voice
- Posted Sep 24, 2013
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Alan Scherstuhl
Dark Touch, like much of the best horror, works the fears that connect to real life.- Village Voice
- Posted Sep 21, 2013
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Ernest Hardy
The film ultimately plays less as female empowerment than it does a narrative in which the comeuppance doled out is likely to be received as a digestif for those in the audience who got off on the gendered violence in the first place.- Village Voice
- Posted Sep 19, 2013
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Rob Staeger
Director Dennis Iliadis doesn't overdwell on the existentialism of the concept; he lets emotional beats strobe against the WTF experience of the temporal doubles, peppering the action with distinct images and events to make the repetition stand out.- Village Voice
- Posted Sep 18, 2013
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John Oursler
Alternating abruptly between road-trip comedy and war-through-a-child's-eyes melodrama, the film's tonal inconsistency prevents the story from gelling.- Village Voice
- Posted Sep 17, 2013
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Chris Klimek
Unacceptable Levels wants to scare the biosolids out of you, and it can, but that doesn't mean it's a success.- Village Voice
- Posted Sep 17, 2013
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Inkoo Kang
A winsome mix of funny, harrowing, and smart, it's most commendable for making characters who are addicted to bad behavior—and who refuse to blame themselves for it—somehow exceedingly sympathetic.- Village Voice
- Posted Sep 17, 2013
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Alan Scherstuhl
David M. Rosenthal's sturdy, nasty rural noir, based on Matthew F. Jones's novel, is so sharp and rusted through that, after taking it in, you'll likely need a tetanus shot.- Village Voice
- Posted Sep 17, 2013
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Reviewed by
Daphne Howland
The film works not just because it makes golf enjoyable to watch, but also because, by the end, you get to know these kids. It would be nice to see how they're doing in seven years.- Village Voice
- Posted Sep 17, 2013
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Ernest Hardy
Still, the vibrantly shot Lucky Star could have been a mildly entertaining bit of escapism, were it not for the fact that Sophie isn't naïve so much as infantile, a point driven home by her wardrobe.- Village Voice
- Posted Sep 17, 2013
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Reviewed by
Ernest Hardy
One part stand-up comedy concert film (think Kings of Comedy) to two parts social outreach activism, documentary The Muslims Are Coming! works somewhat better as the latter than the former.- Village Voice
- Posted Sep 17, 2013
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- Critic Score
Mademoiselle C, however, shows the reclusive style guru as the antithesis to the infamous fashion queen, and Roitfeld comes across as quite goofy and actually relatable.- Village Voice
- Posted Sep 17, 2013
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Reviewed by
Nick Schager
Given Men at Lunch's compelling argument that the identity of its anonymous ironworker subjects is beside the point—that mystery is a prime facet of its enduring appeal—the documentary's desire to determine who they really were comes across as unnecessary.- Village Voice
- Posted Sep 17, 2013
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Reviewed by
Diana Clarke
It's a movie that thinks it stands for openness and cultural understanding, underneath the poop jokes, when in fact it manages to be offensive to almost everyone, including people who like to laugh at something because it's funny, not just because it makes us uncomfortable.- Village Voice
- Posted Sep 17, 2013
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