Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Not exactly a hagiography, Polish's film isn't a tragedy, either -- it's just an uneventful afternoon spent with a dozing rummy.
  2. What gives Aftermath its peculiar strain of portent is Pasikowski's consistent suggestion of the futility of bold, desperate attempts to undo a wrong.
  3. The Broken Circle Breakdown crashes as frequently as it soars, but the ache at its center feels real.
  4. Boss is that rare Bollywood action film whose stars are worthy of the pedestal they're put on.
  5. The film ends on up notes, but its strength is that it's not really a feel-good movie, instead shining a light on both how far we have come in terms of race in America and how very far we still have to go.
  6. By Jackass standards, Bad Grandpa is benign—it’s neither as fun nor as thrilling as watching Knoxville play tetherball with a beehive.
  7. It stuns, and what's missing doesn't compare to what it shares.
  8. Bridging the Gap is gorgeous and weird.
  9. Out Loud is too clumsily put together to give its subject the weight it needs to feel both grounded and moving.
  10. The comedy preaches tolerance... But using hate crimes—even cartoonified ones—as a source of humor is troubling, and the mincing stereotypes on display bring to mind a little kid pointing and shouting, "Homo! Homo!"
    • 42 Metascore
    • 40 Critic Score
    At its best, the film deftly plumbs the gulf between its central couple... At its worst, it paints a Victorian portrait of womanhood... It's shoddily plotted, too.
  11. Though far from perfect, Toad Road is also the first unique horror film to come along in years.
  12. It's an often gut-wrenching viewing experience in which the triumphs of the hero are hard won.
  13. [A] powerful, exacting depiction of Egypt's struggle for meaningful change.
  14. A love letter to that singular intersection of artistic innovation, cultural legacy, community pride, and family-sustaining (or -straining) commerce known as the restaurant.
  15. A worthy documentary tribute to the drag queen icon.
  16. Kechiche and his actresses explore the in-between—ecstasy, exploration, the comfort and eventual boredom of domesticity—and the aftermath, the painful shards of feeling we cling to after something has shattered. And they don't mess around when it comes to the ferocity of love, sex, or, God help us, the two combined.
  17. Style can't fully compensate for a tale that, underneath its gorgeous affectations, proves undercooked, especially during a third act that provides duly titillating answers to its initially beguiling mysteries.
  18. While Eberle's execution falls short, the scale of his ambition can't help but stir admiration.
  19. Kimberly Peirce changes almost nothing in her rallying remake of Brian De Palma’s classic about a troubled telekinetic teenager. She doesn’t have to.
  20. Has an elegance roughly on par with a Goosebumps novel, refusing to follow its own contradictory rules and barely sustaining a pretense of internal logic.
  21. This particular rendition of a history often told is little more than propaganda.
  22. While it helps to already be a fan, it's imaginative and energetic enough to be entertaining for the uninitiated.
  23. The exhausting and unrelatable Our Day Will Come escalates to a violent rampage as essentially unpleasant and nonsensical as its characters.
  24. Fortunately, there's far more to his slickly directed film than mere virtual tourism.
  25. Made for less than $500,000, Torn is proof that a little can go a long way. In fact, the microscale perfectly lends itself to the story's quiet revelations.
  26. There's something to be said for fiction that, in its form, dares to resemble life as it's lived. Our minor failings and chemical imbalances certainly shape our stories. This troubled yet promising debut gets that much right.
  27. It's hard to quibble with Steve Race's film on theological grounds, though in narrative and aesthetic terms, there's something unholy about its mixture of inane clichés, shallow music-video glossiness, and incessant preaching.
  28. The Human Scale lacks both the punch needed to appeal to the layperson and the deep wonkiness to gain the attention of true geeks of the built environment.
  29. Aided by capable if unnecessary 3D effects, Petty displays a flair for staging violent action, but he's trapped inside a broad comic set-up that doesn't mesh with the story's innate meanness.

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