Cut to Black

Name: Cut to Black
Genre: Drama, Thriller, Crime
Released: October 18, 2013
Duration: 90 min

2013

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Movie Details & Credits

GoDigital Media Group | Release Date: October 18, 2013 | Not Rated

Summary: A disgraced cop is hired by a wealthy former friend to rid his estranged daughter of a stalker.

Director: Dan Eberle

Genre(s): Drama, Thriller, Crime

Rating: Not Rated

Runtime: 90 min

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Critic Reviews

Ronnie Scheib

Oct 21, 2013

Although the film wears its dated genre affectations on its sleeve, the script avoids pretension, its hero’s believably alienated exhaustion overriding mere nostalgia. Read full review

Jeannette Catsoulis

Oct 17, 2013

A mildly engaging lowlife odyssey that struggles not to choke on its own style. Read full review

Zachary Wigon

Oct 17, 2013

While Eberle's execution falls short, the scale of his ambition can't help but stir admiration. Read full review

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GFA_J

Oct 19, 2013

A great independent film that uses a mix of classic and modern film conventions to give a new spin on the film noir genre. I saw this movie at Cinema Village in New York, and was surprised at how strong it was, especially after the Times complained of how cheap it was. The music andA great independent film that uses a mix of classic and modern film conventions to give a new spin on the film noir genre. I saw this movie at Cinema Village in New York, and was surprised at how strong it was, especially after the Times complained of how cheap it was. The music and cinematography, and the lead performance we all first rate. I recommend this film to anyone tired of the same old indies.… Expand

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teacherninja

Oct 18, 2013

The best part of the NYT review was: "More high homage than actual movie, “Cut to Black” is nevertheless weirdly diverting, mostly because of the impressive black-and-white cinematography of James Parsons. Delivering a saturated aesthetic that manages to transcend the film’s tonal inertiaThe best part of the NYT review was: "More high homage than actual movie, “Cut to Black” is nevertheless weirdly diverting, mostly because of the impressive black-and-white cinematography of James Parsons. Delivering a saturated aesthetic that manages to transcend the film’s tonal inertia and restricted budget, Mr. Parsons gives life to cold flesh and bleak dialogue. His talent, and Mr. Eberle’s depressed performance, gradually win you over" because I've met Mr. Parsons and know how hard he works on his stuff.… Expand

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