Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Not quite a biopic, the film presents an overview of Ip's years in Hong Kong; Anthony Wong's dignified performance begins with the grandmaster almost fully formed.
  2. Although Thornton and co-writer Tom Epperson are clearly trying to get to some essential truth about the ways in which machismo hinders love, their insights are scattered and pedestrian.
  3. Insidious Chapter 2 picks up where its predecessor left off-- in abject silliness.
  4. Writer-director Christian Vincent and co-writer Étienne Comar, aided by Frot's quiet intensity, imbue Hortense's quest to pull off culinary miracles with an urgency that's almost absurdly compelling, and all the more entertaining for it.
  5. Yudin pulls lovely philosophical grace notes from his subjects as they illuminate some universal truths from their very specific world.
  6. The mother-daughter filmmaking team's doc reads more as a feature-length infomercial for the many organizations it highlights—all of which are more than deserving of the attention—than a probing look at what it means to be at one with our planet in the 21st century.
  7. The Colony has modest rewards: It's decently acted, delivers some well-executed jolts, doesn't insult the viewer's intelligence, and is mercifully free of ironic distance.
  8. As a whole, Martha Shane and Lana Wilson's wrenching, humane film is as convincing a brief as I can imagine in favor of that most controversial of all pregnancy-terminating procedures.
  9. What was very funny in print becomes serious and occasionally dour onscreen, with fewer laughs than you would expect from a Sedaris project.
  10. Debut writer-director Shaka King dramatizes her characters' descent into disarray with disarming intimacy.
  11. The men's faces often vanish as they go underground, threatened with permanent disappearance: the risk of dynamite bursting early, or of rope breaking and leaving them trapped. The filmmakers find those faces again in private interviews above ground, each miner sitting away from the others to discuss how he feels about the job.
  12. Louis-Dreyfus and Gandolfini are lovely together, though her character is the sharper-edged of the two. It's Gandolfini's Albert, soft-hearted and soft-bellied, who suffers more. Gandolfini takes the movie's small, offhand jokes and intensifies them.
  13. It's both a perceptive dual character study and, that rarity of rarities, a large-scale action movie for grown-ups, one worth leaving the house for.
  14. Torn between making sense and arguing that the world itself makes no sense, Prisoners is a captive of its own ambitions.
    • 42 Metascore
    • 60 Critic Score
    You can be chuckling one minute then cowering and cringing the next, which tinges the humor with apprehension and taints the brutality with absurdity. That isn't to say that the combo doesn't work at all.
  15. A simple, solid, deeply affecting film.
  16. [Nicholson's] clear affection for the sights and personalities that make Coney Island what it is gets in the way of a hard-hitting investigation of why it hasn't maintained its luster.
  17. To be fair, the cast is largely good, given the material.
  18. [Kosareff] backburners what's most fascinating (stories of former titans of the industry; segments discussing how shifting social mores impacted said industry, the key roles of women in the factories) and squanders a chance to discuss the larger implications.
  19. The music is incredible, and through interviews with Rosey Grier, Afrika Bambaataa, Questlove, and a squadron of old-school studio musicians, director Dan Forrer unearths some of the hidden history of American pop.
  20. As Adenike, Gurira is wonderful: Her face is equally radiant whether she's channeling anguish or joy, and she captures the ways in which this woman, so old-country dutiful, also longs to join the modern world.
  21. Bruce may succeed in making you wary of the Fed, but, unfortunately, he's also likely to make you wary of his film.
  22. Informant is riveting as it slowly assembles a damning profile of its subject. It's also timely.
  23. It's an absorbing document of an extraordinary act of generosity.
  24. Finnigan wisely seizes on the gentle strength and charisma of Hawking's first wife, Jane Wilde. She imprints on the film as fully as her former husband.
  25. A film that's in perfect sync with its subject.
  26. Director Ryan White has crafted a deceptively simple film that should almost immediately win viewers over with its low-key charm.
  27. A documentary that is by turns exasperating, illuminating, and intentionally infuriating.
  28. If Secret can leave the viewer despairing, it's also hugely inspiring, thanks to Mino. She's one of the cinematic heroines of the year.
  29. It's a bummer that the movie settles for such an oft-mined vein of bummed-outedness—for a few minutes, Coiro really had me going.

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