For 11,162 reviews, this publication has graded:
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40% higher than the average critic
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4% same as the average critic
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56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Hooligan Sparrow | |
|---|---|---|
| Lowest review score: | Followers |
Score distribution:
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Positive: 4,708 out of 11162
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Mixed: 4,553 out of 11162
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Negative: 1,901 out of 11162
11162
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Alan Scherstuhl
Exciting and thoughtful, scraped free of the empty provocations of the wicked-pixie Hit-Girl scenes in Kick-Ass, I Declare War offers movie thrills—smartly plotted betrayals and escapes—as well as its share of disappointments.- Village Voice
- Posted Aug 27, 2013
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Ernest Hardy
Cudlitz gives a haunted performance as a weathered, misogynistic, homophobic, blue-collar man roiling with demons, and Griffith can break your heart as a good woman staggering under the weight of life.- Village Voice
- Posted Aug 27, 2013
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Reviewed by
Nick Schager
A film whose themes are as neatly laid out as its characters' behavior is preposterous.- Village Voice
- Posted Aug 27, 2013
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Amy Nicholson
Even calling the film a documentary feels deluded.- Village Voice
- Posted Aug 27, 2013
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Reviewed by
Alan Scherstuhl
Despite the poetry its subtitle promises, the fascinating crows-in-the-skyline doc Tokyo Waka is more informative than lyric, which is not at all a complaint.- Village Voice
- Posted Aug 27, 2013
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Stephanie Zacharek
To Crowley's credit, Closed Circuit is decidedly unflashy. But maybe that's a liability: There's a fine line between restrained and drab, and Closed Circuit falls just on the wrong side of it.- Village Voice
- Posted Aug 27, 2013
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Daphne Howland
We the Parents is a must-see civics lesson, an example of the power of grassroots organizing and of having a good lawyer, and of how seemingly small ideas can make big waves.- Village Voice
- Posted Aug 20, 2013
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Michael Nordine
[Pamphilon] won't wow you with his skill behind the camera, but you'll likely still find yourself nodding your head in frustrated agreement.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Alan Scherstuhl
The final, moving, nerve-wracking reels are all sea, sky, and desperation.- Village Voice
- Posted Aug 20, 2013
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Aaron Hillis
If the banality of life within the Bordeaux gentry is the point, then the ensuing oppressiveness is immaculately depicted through precise performances and camerawork—just don't call it emotionally engaging drama.- Village Voice
- Posted Aug 20, 2013
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Inkoo Kang
It's a delicate yet passionate creation, modest in scope but almost overwhelming in its emotional intricacy, ambition, and resonance. Easily one of the best films so far this year, it's a nearly perfect blend of pimple-faced naturalism, righteous moral fury, nuanced social insight, and unsentimental but devastating drama.- Village Voice
- Posted Aug 20, 2013
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Rob Staeger
Kevin and Michael Goetz's direction emphasizes the remoteness of the setting. The howl of the desert wind and the unflagging hammer of the sun are the backdrop for every bad decision, lending them a plausibility they wouldn't have in comfort.- Village Voice
- Posted Aug 20, 2013
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Nick Schager
The story overflows with reverence but is drastically short on passion or suspense.- Village Voice
- Posted Aug 20, 2013
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Michael Atkinson
Though we're never allowed a close-up, Hofstätter's performance comes off as an unselfconscious tour de force, painfully real and culturally lost.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Rob Staeger
The climactic interrogation wraps up neatly and just in time, much more like a story "based on actual events" than the events themselves.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Zachary Wigon
With dexterity and care, Swanberg illuminates our muddled perceptions of our own relationships. He fixates on the minutiae of hanging out, the stuff of little loves and lies, the feints and thrusts we make in sorting matters of head and heart.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Aaron Cutler
Racing handheld camerawork and a pulsing rock score energize Roque's bargaining and bribing for the sake of changing an institution's antiquated customs.- Village Voice
- Posted Aug 20, 2013
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Stephanie Zacharek
The World's End is a big, shaggy dog of a thing, a free-spirited ramble held together by off-kilter asides, clever-dumb puns, and seemingly random bits of dialogue that could almost become catchphrases in spite of themselves.- Village Voice
- Posted Aug 20, 2013
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Amy Nicholson
You're Next streamlines the gory stuff for something truly shocking: good characters. Not deep, mind you. But characters who are crayoned in bright enough that they're interesting even while alive.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
John Oursler
The nomenclature varies slightly, but there's little new or exciting in City of Bones. For strong female role models and unique fantasy settings, stick with The Hunger Games.- Village Voice
- Posted Aug 20, 2013
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- Critic Score
The execution lacks the whimsical charm and nuance of similarly plotted Moonrise Kingdom as well as the power and clarity of 2011 documentary Bully.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Ernest Hardy
This is a film at odds with itself, wanting to be a 99 percenter rallying cry but wallowing in and fetishizing 1 percenter accoutrement at every turn.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Stephanie Zacharek
Kutcher finds compassion without going for anything so cheap as an explanation for Jobs's bad behavior; it's a wily, understated performance.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Rob Staeger
Haunted houses come in many shapes and sizes, and the title location in Abandoned Mine is the only fresh coat of paint this one gets.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Aaron Hillis
Too madcap or not self-serious enough to be called transgressive, Moritsugu's degenerate romp splits the tonal difference between Nick Zedd and John Waters.- Village Voice
- Posted Aug 20, 2013
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Reviewed by
Simon Abrams
Despite its title, Drew: The Man Behind the Poster is not a documentary about movie poster artist Drew Struzan. Instead, Struzan's poster art is the film's real subject.- Village Voice
- Posted Aug 14, 2013
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Reviewed by
Alan Scherstuhl
The most welcome change is the tone. Wadlow has decided he's making a straight-up comedy, and he demonstrates a knack for it.- Village Voice
- Posted Aug 14, 2013
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- Critic Score
With a Shakespearean set of family conflicts, the film can’t help but engage, aided supremely by Arestrup, who struts his hour and 40 minutes onscreen with the magnetism of a bitter, baleful lion in winter.- Village Voice
- Posted Aug 13, 2013
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Reviewed by
Daphne Howland
The United States of Autism is an example of a well-meaning documentary that may do more harm than good.- Village Voice
- Posted Aug 13, 2013
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Pete Vonder Haar
As an official history, Spark shines adequate light; I just wish it had spent a little more time on the shadows.- Village Voice
- Posted Aug 13, 2013
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