Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
    • 53 Metascore
    • 70 Critic Score
    An intramural debate masquerading as an action movie.
  1. Although I don't begrudge Borchardt his year of fame, what he doesn't seem to understand about his exploitation creeps me out.
  2. His film is hardly memorable, but it's amusing enough for two hours, and it never panders or cloys.
    • 64 Metascore
    • 70 Critic Score
    There's a great deal of love in Trekkies, Roger Nygard's warm and good-naturedly funny documentary about the world of Star Trek fandom.
    • 52 Metascore
    • 70 Critic Score
    A diverting but uneven nostalgia trip.
  3. Code Unknown is Haneke's most expansive and, oddly, hopeful work -- not a gaze into the void, but a fierce attempt to scramble out of it.
  4. The Piano Teacher's study in lurid sexual pathology occasions a tour de force by Isabelle Huppert as the title character.
  5. Slick and sober, fiercely contemporary, and rigged by a fail-safe three-act structure, Dirty Pretty Things nimbly straddles the line between realism and popcorn pop, but it knows which side its bread is buttered on.
  6. Dynamic but preachy.
  7. In short, this new Quiet American is not only true to Greene's novel -- it has the effect of making the novel itself seem truer than it has ever been.
  8. Roger Avary's crisp adaptation imbues the copious bad sex and general befuddlement of Bret Easton Ellis's solemn, echt '80s Bennington novel with a playfully obnoxious energy that is often funny and -- almost fun.
  9. At 71 minutes, the movie is scarcely more than an anecdote. But vivid as it is in establishing a specific milieu, its economy is its strength.
  10. Costa-Gavras provides a post-war postscript to make clear that honesty is punished; cynicism survives.
  11. In apparent atonement for whatever wayward thinking led him down the Freeman-Judd path, Franklin has transformed Out of Time into a highly felicitous comedy of infidelities and busted-up romances.
    • 62 Metascore
    • 70 Critic Score
    Nicely conveys a family trip abroad as seen from both the exhausted-parent and bewildered-infant points of view.
  12. Derails toward the end, becoming platitudinous, not to mention kitschy, but, given the Cheerios wholesomeness of most gay indies, its grief-stricken delirium is a welcome relief.
  13. Jacques Perrin's Winged Migration is merely about birds, and though you learn less about the various species Perrin circled the globe to document than you might from an afternoon with Animal Planet, you become intensely chummy with the process and labor of flying.
  14. Annotating excerpts from the movies with oral history, Kudlacek's film is a well-wrought introduction not just to Deren but an under-leveraged chunk of the art world.
  15. Raking over the same clichés as "Almost Famous," Rock Star is far less reverential -- it isn't burdened by generational nostalgia and doesn't take itself too seriously.
  16. What emerges is not only an Underdog v. Simon Bar Sinister saga but a fascinating character study.
  17. Not as skillful, subtle, or hilarious as "Some Like It Hot," but its anti-essentialism vis-à-vis gender roles is just as sharp and exhilarating.
  18. A quietly ambitious, well-wrought, and tastefully poignant treatment of two local literary legends.
  19. Hudson is ebullient, never cutesy, and her accent stays in tune.
    • 73 Metascore
    • 70 Critic Score
    Achieves a torturous, race-against-time desperation.
  20. Krabbé alternates exaggeration with sentiment, but the main characters are relatively complex, and its surprise ending is genuinely affecting.
  21. Though the edits can be too living-room smooth, the passion and pathology on display transcend the Tabitha Soren overload.
  22. A film in which many things seem to happen twice and others not at all.
    • 55 Metascore
    • 70 Critic Score
    Underneath the spillage and flow of this gonzo activity, Miike layers a blood-stained commentary on a toxic world in which men offer protection to men but really end up dooming them to exist within a spasmodic, shambolic, and hypermasculine sphere of violence.
  23. A bargain-basement musical extravaganza.
    • 68 Metascore
    • 70 Reviewed by
      Ed Park
    Kurt Russell is terrific as coach Herb Brooks, psychological tactician out to redeem his being cut from the 1960 U.S. squad, the last one to beat the CCCP.

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