Village Voice's Scores

For 11,162 reviews, this publication has graded:
  • 40% higher than the average critic
  • 4% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 7.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Hooligan Sparrow
Lowest review score: 0 Followers
Score distribution:
11162 movie reviews
  1. Operation Babylift itself was an attempt to provide some semblance of an American happy ending to the Vietnam debacle. But as Daughter From Danang demonstrates, the war's scars may take another generation to heal.
  2. However glitzy, clever, and luridly philosophical, Demonlover is still mainly an old-fashioned thriller.
  3. How enlightening you find Damian Pettigrew's obsessive film depends on whether you're as adoring of Fellini as he was of himself; for the devoted, it's a gold mine.
  4. Doillon's ease with young performers is again seamlessly evident.
  5. We may not want another film about incest, but there's a necessity about this one that won't be denied.
  6. Romanek's movie is a bit too pat and pleased with its undeniable ambitions, but the setup resonates with quiet desperation. There's not a single vicarious glorch.
  7. Not to imply that our Claude's gone native, but here his unabiding fascination with bourgie-style repetition compulsion bears some resemblance to sympathy.
  8. A sealskin-slick, cat-and-mouse romance-caper trifle with a hard-on for wealth that feels downright Trumpian.
    • 36 Metascore
    • 70 Critic Score
    Shot mostly in close-up, with nearly every action accompanied by a sound effect, the film itself is slightly hysterical.
  9. The simulation of shaky camera amateur DV is a narrative ploy that often taxes the filmmakers' ingenuity. Still, the movie has a creepy authenticity.
  10. Remains a genial lesson in how to both honor and subvert womanly expectations.
  11. Stylish, funny, and smart...but only up to a point.
    • 75 Metascore
    • 70 Critic Score
    The film's critique of Islam is offered without rancor, and it's evident that Masud loves all his characters, whatever their viewpoints.
    • 75 Metascore
    • 70 Critic Score
    Pitched for a sympathetic American audience, the documentary goes for shock with the filmmakers' first trip to "the altar of the world" in 1987, when they happened to be caught in an uprising of monks that was violently crushed by the Chinese army.
  12. Constipated English whimsy for the easily tickled.
  13. No previous rocksploitation film had ever done so splendid a job of selling its performers.
  14. The actors, mainly newcomers, have an improvisational freshness well matched to the freewheeling camera work.
  15. Appears strangely dated, and its unspecified location seems existentially hokey.
  16. Thrives on vivid incidentals and telling details.
  17. Swank and splashy as it is, Frida leaves the lurking suspicion that Taymor might have preferred to stage her pageant as a puppet show.
  18. Though angry and sorrowful, Trembling Before G-d, beginning with the title, is above all a work of reverence.
  19. The performances can be stiff, but a kinetic mix of anxiety, dread, and numbed resignation is always palpable.
  20. Baur's doc earnestly -- if not altogether adroitly -- examines masculinity as a performance, demonstrating that biology is not destiny.
  21. Doesn't coddle the audience. But neither does it play fair. The narrative takes several fast turns and stops short with the sudden introduction of new material; the exposition is hurried and lazily predicated on characters' thinking aloud.
  22. Has an intemperate vitality that's hard to resist.
  23. The movie feels truncated, but it communicates a certain urgency and at times a powerful sense of the absurd.
  24. The most pop film the great Russian filmmaker ever made.
  25. The wonderful-terrible dervish of Umbrellas reaches peak abandon, worthy of Vincente Minnelli, when Geneviève sobs out a plaint for Guy as a carnival whirls outside the shop.
  26. The group has a distinctive deadpan style; after you get on their wavelength, it's impossible to quit chuckling.
  27. It's this memory-as-identity obviation that gives Secret Life its intermittent unease, reaffirming that long-held illusions are indeed reality, and that erasing them recasts the self. And it's this existential gerrymandering that's most compelling.

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