VideoGamer's Scores

  • Games
For 3,038 reviews, this publication has graded:
  • 38% higher than the average critic
  • 5% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average Game review score: 72
Highest review score: 100 Super Mario Odyssey
Lowest review score: 10 Fight Crab
Score distribution:
3051 game reviews
    • 74 Metascore
    • 60 Critic Score
    It's unquestionably fun. But that doesn't excuse the many, many problems, most of which should have been ironed out when the series was a PS2 exclusive over five years ago.
    • 87 Metascore
    • 90 Critic Score
    Aside from the minor issues that I've mentioned, the only real complaint I can level at Undead Nightmare is that it makes the previous two DLC packs - which were on sale at the same price - look a little bit lightweight.
    • 87 Metascore
    • 90 Critic Score
    This is a gold standard expansion, one that's briefer than the GTA IV add-ons, but otherwise just as good. In a happier world, all DLC would give you this much to play with.
    • 74 Metascore
    • 80 Critic Score
    It's a fairly simple adventure with equally basic RPG combat, but that's exactly why it works.
    • 77 Metascore
    • 80 Critic Score
    It's a fairly simple adventure with equally basic RPG combat, but that's exactly why it works.
    • 76 Metascore
    • 90 Critic Score
    Sims 3 for console is the first time the franchise has been presented as a near-match to its PC counterpart.
    • 78 Metascore
    • 90 Critic Score
    Sims 3 for console is the first time the franchise has been presented as a near-match to its PC counterpart.
    • 80 Metascore
    • 80 Critic Score
    The familiar Fable experience is as engrossing as ever, and it's incredibly hard to stay mad at a game that oozes charm from every one of its pores. Fable III is a game that is inexplicably better than the sum of its parts.
    • 86 Metascore
    • 70 Critic Score
    It's an impressive feat for sure, but to focus solely on that would be unfair to both the talented studio and venerable franchise: there's so much potential unexplored here, and occasional glimmers of ingenuity in Ready at Dawn's efforts show a developer that should be able to do better.
    • 76 Metascore
    • 70 Critic Score
    The combat can be slightly uninvolving at times, and the exploration side of proceedings serves little more than to connect one battle to the next, but the experience as a whole is surprisingly enjoyable.
    • 74 Metascore
    • 70 Critic Score
    The combat can be slightly uninvolving at times, and the exploration side of proceedings serves little more than to connect one battle to the next, but the experience as a whole is surprisingly enjoyable.
    • tbd Metascore
    • 90 Critic Score
    Super Meat Boy is one of the reasons I play video games. It's bright, huge, colourful, funny and painfully annoying.
    • 86 Metascore
    • 90 Critic Score
    DJ Hero 2's multiplayer modes might not strike as anything special, although it is a social and accessible game, but the robust content is tailored to be the most hypnotic single-player rhythm game on the market.
    • 88 Metascore
    • 90 Critic Score
    DJ Hero 2's multiplayer modes might not strike as anything special, although it is a social and accessible game, but the robust content is tailored to be the most hypnotic single-player rhythm game on the market.
    • 86 Metascore
    • 90 Critic Score
    DJ Hero 2's multiplayer modes might not strike as anything special, although it is a social and accessible game, but the robust content is tailored to be the most hypnotic single-player rhythm game on the market.
    • 90 Metascore
    • 90 Critic Score
    Super Meat Boy taps into the exact kind of things I want from a video game - it's bold, challenging and, above all, rewarding. I can certainly understand how people might not be attracted to a game that takes a sadistic delight in coming up with inventive ways to frustrate players, but you'd be missing out if you let Super Meat Boy pass you by.
    • 68 Metascore
    • 60 Critic Score
    A Shadow's Tale tries too hard to be subtle and artsy; qualities that Ico pulled off so effortlessly. It's endearing to an extent, but the experience as a whole is marred by poor visuals, uninspiring level design and dated platforming.
    • 74 Metascore
    • 70 Critic Score
    I have no idea what the development budget was for Trackmania Wii, but with more resources it could have easily been the most impressive racer on the platform. As it is, it's hugely addictive, but also terribly sloppy. The final game should have been much better.
    • 68 Metascore
    • 60 Critic Score
    WRC is the best racing game Milestone has put out in quite some time, but it's woefully lacking in terms of presentation. With racing games it's not just about an authentic driving model, as you need the in-game visuals to put you in the virtual driver's seat.
    • 36 Metascore
    • 30 Critic Score
    Kung Fu Rider's bizarre and broken controls bear little correlation to what's going on in the screen, and overall the game would function far more effectively if its commands were simply mapped to a DualShock controller. It would still remain utterly terrible, however, as the game is an uninspired mess built entirely around a core conceit that gets old surprisingly fast.
    • 67 Metascore
    • 60 Critic Score
    Alien Breed 2's major problem is that it feels dated. The gun-play is very simple and there's nothing clever bolted on top to make the game feel fresh. It's a smart looking game, and has some thrilling moments, but these days we expect more from our downloadable titles.
    • 63 Metascore
    • 40 Critic Score
    Considering the game combines the talents of both Mistwalker and tri-Crescendo - two incredibly experienced studios when it comes to JRPGs - Awakened Shadow can only be considered a major disappointment.
    • 74 Metascore
    • 70 Critic Score
    Medal of Honor's balancing act combines two developers and game engines. Lofty ambitions on both fronts are ultimately let down by very little desire to redefine the game's range or bring out the best from each engine's particular set of talents, but it's undeniable that both single and multiplayer have their individual merits.
    • 79 Metascore
    • 70 Critic Score
    A challenging and at times flawed experience - one that serves up plenty of frustration along with the rampant good times. Because no matter how hard you try or how carefully you plan your outings, you're almost certain to hit some kind of wall.
    • 71 Metascore
    • 60 Critic Score
    Mindless entertainment is all well and good but, at its worst, Shank's gameplay is as ugly as the underworld of thugs, drunks and violence that make up the game's universe.
    • 72 Metascore
    • 70 Critic Score
    This isn't the sequel we've been yearning for all these years. It's a fancy looking homage; a game that regurgitates old levels with shiny new visuals. Sonic 4 does a fantastic job of recreating the retro Sonic experience that defined many a childhood, but ironically this could be considered its biggest shortcoming.
    • 66 Metascore
    • 60 Critic Score
    WRC is the best racing game Milestone has put out in quite some time, but it's woefully lacking in terms of presentation. With racing games it's not just about an authentic driving model, as you need the in-game visuals to put you in the virtual driver's seat.
    • 74 Metascore
    • 70 Critic Score
    A copy of budget-priced Just Dance 2 will ultimately make you a happy-looking tit with enough change in your back pocket to make a cool jingly noise when you're doing some booty shaking.
    • 86 Metascore
    • 80 Critic Score
    Still, the presentation is as charming as ever, and bar a few niggles, the experience as a whole is extremely enjoyable.
    • 80 Metascore
    • 80 Critic Score
    There are certainly better hack 'n' slash games on the market, built around deeper combat, but few games can match Enslaved's excellent fusion of gameplay and storytelling.

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