Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. Entertaining in a very showbizzy way.
  2. Babe: Pig in the City is tour de force filmmaking that masks its achievement in a good ripping yarn.
  3. Bannen and the gawky Kelly, whose screen chemistry is vital to the film's success, make a delightful pair of stumbling shysters, and Jones' script weaves a sizable tapestry of other characters to flesh out the village.
  4. The spectacle of Kenneth Branagh and Judy Davis doing over-the-top Woody Allen impersonations creates a neurotic energy meltdown in Celebrity, a once-over-lightly rehash of mostly stale Allen themes and motifs.
  5. Montenegro carries the film su-perbly with her portrait of gritty strength being worn down to a state of tattered vulnerability, while newcomer de Oliveira, a shoeshine boy who won the role over 1,500 other aspirants, is engagingly natural and happily doesn't beg for viewer sympathy.
  6. Aimed squarely at moppets with minuscule attention spans, “The Rugrats Movie” is a fast and frenetic animated feature that should delight young aficionados of the long-running Nickelodeon TV series.
    • 61 Metascore
    • 60 Critic Score
    An appealing though ultimately slight drama about a young woman who is thrown into an emotional tizzy after surviving a bad car crash.
  7. Sporadically entertaining, though it lacks the kind of political urgency and emotional resonance so crucial to many similarly themed '70s movies.
  8. What might have been an effective fantasy if handled with sophistication and insouciance is instead weighed down by ponderous pacing, overstuffed production values and an instance of miscasting.
  9. Purists will find the pic's obviousness disappointing, but there's no question that the film delivers a sufficient shock quotient to satisfy its youthful target audience.
  10. A constantly imaginative, stylistically lively but dramatically inert chronicle of cultural and sexual rebellion.
  11. A potentially provocative idea is played out to diminishing returns.
    • 41 Metascore
    • 50 Critic Score
    This yahoos-on-the-bayou farce is neither inventive nor outrageous enough.
  12. Superior historical soap opera that shrewdly sidesteps all the cliches of British costume drama with its bold, often modern approach.
  13. Doesn’t always convince, particularly in the last lap. But it’s an engrossing, unusual, imaginatively executed bit of psychological gamesmanship nonetheless.
  14. The film is never boring -- there's no question that filmmaker Hype Williams has the fancy moves -- but the rhythmic, stylistic repetition becomes tedious, and serves to keep the audience removed from the story.
    • 64 Metascore
    • 60 Critic Score
    This feminist comedy shot through with fantasies about the travails of newly single womanhood strikes some rich chords, but doesn't quite put together a complete tune.
  15. The pleasures are modest but consistent in John Carpenter's Vampires, a part-Western, part-horror flick that doesn't aim too high but nails the range it occupies.
  16. Jolting, superbly acted film.
  17. Sluggish, uneven and lacking in rhythm, it nonetheless has enough pathos and winning humor.
  18. Ingeniously conceived and impressively executed, Pleasantville is a provocative, complex and surprisingly anti-nostalgic parable.
  19. A creepy, well-acted story of contagious evil, Apt Pupil has more than enough chilling dramatic scenes to rivet the attention but suffers from some hokey contrivances and underlying insufficiencies of motivation.
  20. Massively inventive and spiked with perversely wicked humor.
  21. There is unquestionably enough lively material here to snare one’s attention but, even at just 76 minutes, many will feel that this cruise has gone on plenty long enough.
  22. A hard-hitting, well-organized documentary grounded in the stories of five Hungarian Jews who lived through the Holocaust.
  23. Baker does an amazingly sensitive job with the ticklish part and is joined in this by Read, who is superlative as his inquisitive young son.
  24. At nearly three hours, however, it rather overstays its welcome, trying the patience even as it sustains intrigue regarding its final revelations.
  25. Part comedy, part family drama, part romance, part special-effects mystery-adventure, and not entirely satisfying on any of these levels, this hodgepodge suffers from the conflicting sensibilities of its three credited scripters: Robin Swicord, who has done good work before, Akiva Goldsman, who has not, and Adam Brooks.
  26. After an eight-year series hiatus, Bride of Chucky emerges with recharged batteries and a mordantly funny edge that's attuned to the dawning millennium. [19 Oct 1998]
    • Variety
  27. Complex issues of ambition and consumerism taken to televangelic levels aren't truly addressed or resolved but simply tied up in a box with the message that love conquers all.

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