For 17,760 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,121 out of 17760
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Mixed: 7,003 out of 17760
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Negative: 1,636 out of 17760
17760
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
A certain staleness hangs over the proceedings despite the best efforts of the cast and the fun-minded creative team.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Feels like the most shameless effort yet in the renewed exploitation of the youth market.- Variety
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- Critic Score
Despite strategic references to Joan Baez and pot, pic's sense of time and place feels synthetic.- Variety
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Reviewed by
Joe Leydon
An extremely enjoyable neo-screwball comedy about attractive opposites on the road.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Essentially approaches its subject seriously, but does take stabs both at horror and grotesque comedy, neither with much success.- Variety
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Reviewed by
Robert Koehler
Broadway musical purists will shudder in horror, but parents will be whistling a happy tune that there's at least one acceptable pic out there for their kids.- Variety
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Reviewed by
Todd McCarthy
Eastwood's latest picture boasts tight storytelling, sharp acting and an eye for unexpected, enlivening detail.- Variety
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Reviewed by
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- Critic Score
Formulaic, humdrum and sometimes unintentionally laughable.- Variety
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Reviewed by
Emanuel Levy
Michelle Pfeiffer and Treat Williams give such magnetic performances that they elevate the film way above its middlebrow sensibility and proclivity for neat resolutions.- Variety
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Reviewed by
Leonard Klady
A largely affectionate look at the weird and the wonderful subculture that's ensued and endured since the sci-fi series first beamed up in 1966.- Variety
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Reviewed by
Dennis Harvey
As generic in every aspect as Brian De Palma's original was inventive.- Variety
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- Critic Score
A thoroughly misguided, unfunny film that proves you shouldn't beat a dead horse.- Variety
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Reviewed by
Emanuel Levy
It's to the filmmakers' credit that, as an actioner, The Corruptor is a character-driven movie, with several plot twists and turns involving the interactions among the gangs, cops, FBI and Internal Affairs.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
The perennially insecure world of two-bit character actors is humorously and knowingly explored in With Friends Like These.- Variety
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Reviewed by
Todd McCarthy
The gradual dilution of fresh humor is further undercut by a queasy sense that the picture, in the end, is quietly endorsing all the psychoanalytical mumbo jumbo that it has been poking fun at all along.- Variety
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Reviewed by
Emanuel Levy
Nasty, profane and wickedly entertaining for the most part.- Variety
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Reviewed by
Derek Elley
Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.- Variety
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Reviewed by
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Reviewed by
Leonard Klady
A skillful blend of fire and ice that subtly conveys the emotional extremes fraught in the relationship.- Variety
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Reviewed by
Leonard Klady
Blurring the lines between cinema verite and fiction, writer-director Myles Berkowitz has created a winning entertainment.- Variety
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Reviewed by
Todd McCarthy
Dismally unfunny...It's clear from the first few minutes that the performers are fighting an uphill battle against lame material, and the situation never improves as pic labors on.- Variety
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Reviewed by
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- Critic Score
A sweet, at times cloying confection enlivened by strong performances in the central roles.- Variety
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Reviewed by
Derek Elley
A movie that keeps jumping the gate and finally unravels all over the floor.- Variety
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Reviewed by
Joe Leydon
Imagine a live-action version of the "Dilbert" comic strip with a touch of Hal Hartley's deadpan absurdism, and you're ready for the frequently uproarious "Office Space."- Variety
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- Variety
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Reviewed by
Emanuel Levy
The strongest dimensions of this self-conscious but centerless film are four sexy actresses parading in colorful costumes and Amy Vincent's radiant lensing, which makes the picture seem hipper than it is.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
A time-warp comedy that starts out kinda "Pleasantville" and gets pretty Tepidsville, Blast From the Past expends scant imagination or style on a fun premise that seems an open invitation to both.- Variety
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Reviewed by
Todd McCarthy
Dreary, lachrymose and incredibly poky tear-jerker that makes its audience wait and wait and wait until nearly the last second for its jerking.- Variety
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Reviewed by
Joe Leydon
Martian is loud, busy and altogether pointless. Worse, it’s simply not as engaging as the show that inspired it.- Variety
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Reviewed by
Joe Leydon
Much like a botched souffle that fails to rise, Simply Irresistible is a bland confection that remains doggedly earthbound while attempting flights of romantic fantasy.- Variety
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Reviewed by
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- Variety
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