Variety's Scores

For 17,760 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17760 movie reviews
  1. While plot mechanics aren't wildly imaginative, pic nonetheless delivers requisite jolts in an above-average package.
  2. The vulgar, obvious humor of Zucker brother David and "South Park" creators Trey Parker and Matt Stone elicits easy, guilty laughs, yet the material has an underlying innocence that's just shy of good clean fun.
  3. Barrymore continues to prove herself as a performer of extraordinary range and charisma, and is simply sublime in the leading role.
  4. Minnie Driver gets a showy workout in The Governess, a beautifully crafted, if ultimately opaque, study of art, sensuality and outsider status in early Victorian England.
  5. The teaming of Samuel L. Jackson and Kevin Spacey, two of the most highly regarded actors around, in perfectly fitting roles that call for a battle of wits and wills, proves to be a shrewd piece of casting, and the best element of The Negotiator.
  6. Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
  7. A searingly visceral combat picture, Steven Spielberg’s third World War II drama is arguably second to none as a vivid, realistic and bloody portrait of armed conflict.
  8. Viewers who don’t share the director’s obvious affection for his often funny characters will find the pic too long and too diffuse, but its cumulative rewards are ample.
  9. The bad news, however, is that after an intriguing opening stretch, and despite Jeremy Irons' potent lead performance, the overlong film becomes repetitive, flat and often dull.
  10. The return of the legendary swordsman is well served by a grandly mounted production in the classical style.
  11. Crudely made, somewhat overlong and larded with plenty of things that don't work, pic stands as proof positive that a comedy can be far from perfect and still hit the bull's-eye if it delivers when it counts in its big scenes.
  12. Pi
    The film's imaginative, diverse images create a mind's-eye urban claustrophobia; such intensity may exhaust over 85 minutes' course, but it's never less than impressive.
  13. The quintessence of the buddy cop pic, "LW4" is big on action, playful banter and just enough plot to keep our attention from wandering.
  14. A classic piece of Americana, a down-home documentary that not only produces gales of laughter but also manages, by the end, to come together as a highly unlikely metaphor for the rigors of human existence.
  15. Much of the confusion, as well as the lack of dramatic rhythm or character development, results directly from Bay's cutting style, which resembles a machine gun stuck in the firing position for 2 and a half hours.
  16. Reveals Soderbergh in peak form, as he endows Leonard’s postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar.
  17. Breezy, often self-mocking tone proves fresh and invigorating.
  18. Alive to cinematic ideas, generous to its actors and peppered with unexpected humor, this ultimately sweet-natured low-budgeter is nonetheless riddled with enough off-putting and digressive material.
  19. Slim on story and rife with scatological jokes, the film may strike a chord with pre-teens but misses for an older crowd despite some nifty effects and broad humor.
  20. Though McDonald and Gleeson pair off well as the unlikely fellow travelers, and have some funny moments of physical shtick, the picture mostly springs to life when either Caffrey, as Grogan, or the excellent Doyle, as French, are onscreen.
  21. Falls somewhere in between standing on its own feet as a real movie worth the price of a ticket and merely being a glorified TV episode refitted for theaters.
  22. A rich dramatic tapestry lightly stained by some strained comedy, rigorous political correctness and perhaps more adherence to Disney formula than should have been the case in one of the studio's most adventurous and serious animated features.
  23. Poetic, bawdy, contemplative, often side-wrenchingly funny and finally quite touching, this tale about a nerdy garbage man whose life is changed by an egocentric hobo philosopher is flawed only by its length.
  24. Unpretentious, funny and touching, Edge of Seventeen rates as a quintessential Amerindie sleeper.
  25. Compassionate and deft as Cholodenko's helming is, pic's overall impact largely depends on its central triangle.
  26. Sprinkled with just enough laughs, close shaves and compromising positions to keep audiences mildly interested, this old-fashioned popcorn picture is agreeably breezy and colorful, but lacks the pizzazz and star chemistry of a genre ancestor such as "Romancing the Stone."
  27. A mediocre attempt to recapture the exuberance and candid portraiture of such high school movie classics as "American Graffiti," "Fast Times at Ridgemont High" and "Dazed and Confused."
  28. Highly reminiscent of Kingpin in its willingness to try anything for a laugh, Dirty Work is a shameless and sporadically hilarious comedy about two thirtysomething underachievers who start a revenge for hire business.
  29. The dilemma in this Perfect Murder is its singular failure at creating a rooting interest for a character or situation.
  30. A gemlike picture crafted with rare and immaculate precision.

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