Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Hampered by thinly developed characters and pedestrian plotting.
  2. A full-bodied, funny and gloriously unpretentious ode to family, friendship and the meaning of life, The Barbarian Invasions is solidly entertaining, sharply written and genuinely touching.
  3. Attractively designed, energetically performed and, above all, blessedly concise, this adaptation of one of the most popular American kids' books of all time walks the safe side of surrealism with its fur-flying shenanigans. The younger the viewers, the better reactions are bound to be.
  4. An earnest drama that's never quite as raw or moving as it means to be.
  5. Dismally unfunny cross-cultural farce posits stupidity as the universal language.
  6. Ron Howard has never before made a picture this raw and alive. At the same time, this tale of the desperate pursuit of the kidnappers of young women makes for a fundamentally grim and unpleasant experience.
  7. Attempts to meld reality and artifice but to uninspiring results.
  8. Provides scant entertainment value, intentional or otherwise.
    • 57 Metascore
    • 60 Critic Score
    A hybrid musical romantic fantasy, lavishing giddy heights of visual imagination and technical brilliance onto a wafer-thin story of true love turned sour, then sweet. (review of original release)
  9. Dramatically powerful, surprising in its strong narrative differences from previous cinematic tellings of "the greatest story" and bold in the extent to which it presents Jesus as a confrontational and threatening figure in the Judean context of the time.
  10. Lazin has without question skillfully assembled an entertaining, strongly narrative nonfiction package.
  11. A not-inventive-enough romp that belches out gags at a rapid-fire clip but connects so sporadically as to leave the audience enervated but only sparingly entertained.
    • 87 Metascore
    • 70 Critic Score
    Federico Fellini, long a scripter, in his second feature film satirizes the 'wastrels', the do-nothing sons of middle-class Italian provincials whose life ranges from schoolroom to poolroom.
  12. Rare proof that a gigantic production in contemporary Hollywood can possess a distinctive personality and its own approach to storytelling, Master and Commander: The Far Side of the World proves as bracing as a stiff wind on the open sea.
  13. A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.
  14. A true original…Beautifully shot, full of droll humor and at 77 minutes never overstaying its welcome.
  15. Pic's air of connoisseurist homage overwhelms a haphazard screenplay and characters who are hard to warm up to.
  16. Like characters out of some Carnival hell, a macho butcher and his born-again wife, a forlorn barmaid, a sinister sadist and the gay manager of a flophouse called the Hotel Texas run in and out of each other's lives in a film as sloppy, sluttish, scruffy and vital as they are.
  17. This fascinating portrait of an eccentric visionary and his chaotic triple family life is an accomplished, enormously satisfying non-fiction work.
  18. Extending skit comedy into full-length form is a tricky and, despite lots of snappy acerbic wordplay and inspired zany moments, pic works only intermittently.
  19. Delves far more deeply into grisly physical manifestation than psychological motivation, making it seem something of an actorish vanity piece. But the drama is directed with arresting spareness and control.
  20. Torpid, academic vanity project for helmer-thesp Rodolphe Marconi.
  21. Narrower focus may lend this less crossover appeal than "Step Into Liquid," which was practically a recruitment poster for the surfing lifestyle. But such a tight focus might also make Billabong a repeat must-see for more dedicated boarders and wannabes.
  22. The iconic '30s song "Gloomy Sunday" gets a distinctive celluloid setting in this well-played, cleverly scripted pic in which music and character are inextricably combined.
  23. Elf
    Will Ferrell graduates to his first solo leading role with flying colors in Elf, a disarming holiday comedy about a clueless innocent who saves Christmas and fosters a renewed sense of family in his reluctant father.
  24. A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny…its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
  25. A relentless excoriation of the School of the Americas.
  26. You can virtually see the mystique peeling away while beholding the turgid melodrama, patchy plotting, windy dialogue and, yes, spectacular combat effects of this grand finale.
  27. A superior example of fearless filmmakers in exactly the right place at the right time.
  28. A psychological drama cum genteel shocker that's long on ambition and short on delivery.

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