Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Doing for the cheesier Ross Hunter-style bigscreen soaps of the early/mid-'60s what "Far From Heaven" did for the plush Douglas Sirk melodramas of a decade earlier -- albeit with tongue planted much further in cheek -- writer/star Charles Busch's Die Mommie Die! is an enjoyable genre homage-cum-parody.
  2. Credibly and absorbingly relates the tale of journalistic fraud perpetrated by young writer Stephen Glass at the New Republic five years back.
  3. Powered by two eye-catching performances.
    • 90 Metascore
    • 60 Critic Score
    Director Georges Franju has given this some suspense and not spared any shock details. But the stilted acting, asides to explain characters and motivations, and a repetition of effects lose the initial impact.
  4. Grim but engrossing.
  5. Riveting portrait of a straight-talking, tough-loving Benedictine nun in charge of a South Bronx home for recovering substance abusers.
  6. Potter's genius for wrapping black humor, poignancy and fantasy in utterly original story concepts lends this "Detective" an immediate fascination that doesn't begin wearing off for some time.
  7. "Inspired by a true story" it may be, but inspired it's not.
  8. A very mild animated entry from Disney with a distinctly recycled feel.
  9. Achieves some glancing poetic effects during its first hour, but becomes gross and exploitative during the shooting rampage of the final act.
  10. Results here are just middling funny, with no truly memorable high points and a sum impact that goes poof!
  11. Star-driven, high-minded claptrap that, fatally, can't even rig a rooting interest in its central love story.
  12. Insufficiently focused but undeniably intriguing.
  13. Beautifully crafted and highlighted by an arresting change-of-pace perf by Meg Ryan as an English teacher erotically awakened by a homicide detective. But the story's unpalatable narrative holes and dramatic missteps will hold sway over the pic's better qualities.
  14. Admirably balanced production that pulls the curtain back slightly on a little-charted period of modern Chinese history.
  15. Still, there is an estimable integrity to the respect and fidelity with which the film regards its subjects, as well as an honesty in its attempt to illuminate the essences of these difficult people.
  16. The supporting perfs provide the real drama, especially Hinds' excellent turn as the outwardly macho but inwardly broken Traynor, and McSorley's simmering portrayal of the psychotic Gilligan
  17. With the standard Grisham formula having grown stale after so many books and film versions, Jury introduces ingredients that add zest to the old recipe and, in cinematic terms, open up increased possibilities for intrigue and narrative layering.
  18. Initially promising, but quickly disappointing.
  19. Kaneshiro is all long flowing locks and smoldering disdain, the visual F/X are only so-so, and pacing is almost brisk enough to hide the plot holes.
  20. A Thanksgiving family reunion comedy that sparkles with acerbic wit, original characters and genuine heart.
    • 21 Metascore
    • 70 Critic Score
    9 Dead Gay Guys, a dark comedy in the John Waters tradition, takes place in such a cartoonish, good-natured universe it's hard to imagine anyone taking offense.
  21. A dweeby and unenchanting concoction as romantic comedies go, Mark Decena's debut feature also juggles enough storylines to fill five or six movies in barely 80 minutes of screen time, ending up with a whole distinctly less than the sum of its parts.
  22. A terrific multigenerational cast brings a subtle, mordant, frequently funny tale of family secrets vividly to life.
    • 49 Metascore
    • 50 Critic Score
    Passable kiddy fare that, although it strenuously underscores its message of friendship and loyalty, doesn't revitalize the genre.
  23. A thoroughly entertaining comedy about love, lawyers and fat divorce settlements. While a slight imbalance in the romantic formula stops it just short of truly soaring, the crackling dialogue and buoyant wordplay make this a delightful throwback to classic screwball comedies.
  24. Whether this is a good or bad thing depends on just how much 14-year-old boy you've got in ya.
  25. Day-glo garish Girls Will Be Girls puts a rude spin on "Valley of the Dolls"-type Hollywood melodramas, to frequently hilarious if disjointed effect.
  26. A strange, fun and densely textured work that gets better as it goes along.
  27. Latest pic directed by Gil M. Portes, could be called "To Madam With Love"; vet Filipino helmer is out to open maximum tear ducts with sentimental tale.

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