Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. Lackluster pic fails both as suspense and as character study.
  2. An important and smoothly mounted meditation on moral choices within the entertainment biz.
  3. Stuffed with attitude but just as hackneyed as the original, Love Don't Cost a Thing brings a year of exceptionally lame youth comedies to a fitting conclusion.
  4. A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.
  5. Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.
  6. An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.
  7. The imaginatively illustrated but precariously precious film offers up a string of minor pleasures but never becomes more than moderately amusing or involving.
  8. Ensemble proves improvisationally capable, but film overall is rather conventional, a Hollywood idea of an experimental film presented with a heavy serving of showbiz-type cynicism.
  9. Unshaven and twinkling-eyed, Sharif is professionally light and entertaining in the title role.
  10. By turns disarmingly amusing and dramatically blunt.
  11. With less than five minutes of screen time but with more humor and sassy attitude than the remaining cast combined, Missy Elliott separates hip-hop royalty from riff raff in the otherwise lackluster Honey.
  12. As rich in period and historical background as it is deficient in fresh dramatic and thematic ideas.
  13. Timely and thought-provoking, if a bit rambling.
  14. The pluses outweigh the minuses: Pic is thought-provoking, visuals are spot-on, and the heavy-duty cast pulls the film round even in its wobblier moments.
  15. An engrossingly detailed if perhaps inevitably enigmatic portrait of the elusive, outrageous provocateur.
  16. One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
  17. Fascinating assemblage combines strike footage first shot in 1979 by Perry when he was working for the Texas Farm Workers Union with film and video lensed over the ensuing 20-plus years.
  18. Another slam-dunk from vet producer Yash Johar.
  19. Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure.
  20. Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.
  21. Mansion's drab comic strokes and narrative render the movie almost superfluous.
  22. Almost completely dialogue-free but graced with terrific sound design and a swell score.
  23. Warm and borderline sentimental...also brimming with true and privileged moments, as well as an optimism in the face of tough circumstances that serves as a corrective to some of the more fashionably grim modern accounts of similar stories.
  24. First-rate talent and a uniquely dyspeptic mood separate this effort from more routine, populist stabs at tasteless yukkage.
  25. Not exactly a police corruption thriller, the film is more a study of innocence betrayed, though its insights into Argentine law enforcement are pretty scary.
  26. The ability not to see the obvious in both a literal and a metaphoric sense imbues the indie feature Blindness with dramatic potency.
  27. Despite its crude, willfully naive style, this comedy of transgression, judgment and revenge becomes steadily more appealing as it progresses.
  28. Hobbled by uninspired stabs at cleverness and surreal narrative curlicues, The Big Empty goes nowhere, replete with a question mark of an ending that isn't worth answering.
  29. High on charm but extremely low on content, Blue Gate Crossing is a half-hour short stretched to feature length.
  30. Ambitiously structured in non-chronological fragments that form a fascinating puzzle, this raw drama about grief, guilt and redemption becomes ultimately overextended and overwrought in its final stretch.

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