For 17,771 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,130 out of 17771
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Mixed: 7,005 out of 17771
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Negative: 1,636 out of 17771
17771
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Gallic gangster actioner fuses many disparate generic and stylistic conventions, but, although script by co-star Samy Naceri's brother was purportedly pared down from several hundred pages, it still bears the weight of its pretensions.- Variety
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Derek Elley
A sprightly, enjoyable comedy-drama from veteran Agust Gudmundsson that's buoyed by a raft of excellent distaff performances.- Variety
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- Critic Score
It takes nerve to make a pic in which all dialog is sung. Also, there is no dancing and this is not a filmed operetta or opera. [review of original release]- Variety
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Reviewed by
David Rooney
While the premise has possibilities for some creepy, pulpy fun, writer-director Robert Parigi brings too little style or humor, instead going a more obvious, overwrought route.- Variety
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Todd McCarthy
Schneider hams it up as a paunchy middle-aged Hawaiian stoner in an eyebrow-raising ethnic caricature that more than once calls to mind Mickey Rooney's unfortunate Japanese turn in "Breakfast at Tiffany's."- Variety
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Ronnie Scheib
Greg Pak understands the short form well, mercifully avoiding blatant O'Henry twists while pulling off neat reversals of expertly set-up genre expectations.- Variety
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Joe Leydon
Lean, mean and stripped for speed, Highwaymen fires on all cylinders as an edgy and unnerving road-kill thriller.- Variety
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David Stratton
The briefest of the three pics, it's also the least successful, suggesting that this kind of character-driven comedy isn't the genre with which Belvaux is most comfortable. Still, there are delightful sequences and ideas and the film carries a great deal more substance and resonance when placed alongside the other two in the series.- Variety
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Deborah Young
Apart from its historical interest, this tragic tale of religious extremism and misogyny is a very good film able to catch audiences up emotionally.- Variety
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Dennis Harvey
Affectionate spoof merits appreciation as a not-so-dumb salute to another era's ultra-dumb genre conventions.- Variety
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Joe Leydon
Key to drama's success is the artful underplaying by Kurt Russell in the lead role of Herb Brooks.- Variety
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Todd McCarthy
A less raucous and more serious-minded neighborhood comedy than its entertaining predecessor.- Variety
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Brian Lowry
Feels like a prolonged episode of "Power Rangers" minus the colorful costumes. Whatever charm the original had was clearly lost in translation, resulting in a tedious exercise that 6- to 10-year-olds may find mildly diverting.- Variety
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Deborah Young
Constructed like an eerie, metaphorical thriller, this tense, riveting character study offers viewers nearly two hours of emotions with a stunning pay-off no one will be expecting.- Variety
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David Rooney
The whole spirit of rebellion, passion and protest that should be a driving force for the characters plays more like a cultivated affectation.- Variety
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Derek Elley
Has a low-key power that comes as much from its off-handed approach to the dark material as from any manipulative techniques.- Variety
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- Critic Score
Bunuel's anger at society, particularly its attitude on morality, seems not only dated today, but laugh provoking. [Review is of a 1964 screening at Lincoln Center, NY, first showing of pic in the US.]- Variety
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Reviewed by
David Stratton
Fluid camerawork, a resonant music score and tightly wound editing combine to produce a superior suspense film with a conclusion that is somewhat reminiscent of the final acts of Robert Altman's "McCabe and Mrs. Miller" and of Joseph Losey's "The Criminal."- Variety
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- Variety
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Reviewed by
Scott Foundas
Falls back on the broad characterizations and stereotypical situations that typified the earliest gay-themed movies, while preaching a familiar (though not entirely ingenuous) message of tolerance.- Variety
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Joe Leydon
Modestly engaging, albeit instantly forgettable shaggy-dog story only gradually reveals itself as a seriocomic take on standard-issue noir.- Variety
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Dennis Harvey
A serviceable youth pic that's marginally less dumb than November's urban quasi-musical "Honey."- Variety
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- Critic Score
The docu, serving up interesting insights into the unique restaurant culture of NYC, should prove appetizing in urban venues.- Variety
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Robert Koehler
A warm embrace of broadly but humanely sketched characters plus some scrappy casting of rising young stars led by an incandescent Kate Bosworth help overcome the half-realized comedic situations.- Variety
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Todd McCarthy
Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.- Variety
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Todd McCarthy
This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.- Variety
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- Critic Score
While the whole may be less than the sum of its parts, those parts are individually commendable. Shalhoub has an eye for composition and a strong sense of pacing.- Variety
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- Variety
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Reviewed by
Joe Leydon
A doggone hilarious cartoon extravaganza...virtually bursts at the seams with a supersized abundance of witty wordplay, silly songs and inspired sight gags.- Variety
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Joe Leydon
A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.- Variety
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