For 17,771 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,130 out of 17771
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Mixed: 7,005 out of 17771
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Negative: 1,636 out of 17771
17771
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.- Variety
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Joe Leydon
An engagingly rambunctious toon Western that likely will attract herds of family auds, if not multitudes of teens and tweeners, to megaplex corrals.- Variety
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Eddie Cockrell
Todeschini has the most physically demanding role, with a gaunt face and ravaged body that utterly convinces of the brutality of the ailment.- Variety
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David Rooney
Hoge shows no particular directorial style, bringing a bland, anonymous look to the generic Southern California suburban locations.- Variety
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Ronnie Scheib
Marathon constitutes a brilliant but demanding finale to veteran Iranian helmer Amir Naderi's New York trilogy ("Manhattan by Numbers," "ABC Manhattan").- Variety
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Lisa Nesselson
The kind of tale where even viewers who didn't miss a frame will feel as if they entered in the middle, muddled but amusing account of an adorable yet profanity-prone feline who travels through time and space is fueled by irony and incongruity.- Variety
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Derek Elley
Solidly crafted, strongly cast pic doesn't hit a thoroughgoing comic tone.- Variety
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Phil Gallo
Spectacular song selection gives the docu an appropriate rock 'n' roll swagger and accompanying soundtrack would be a valuable overview of the bands championed by Rodney on the ROQ.- Variety
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David Rooney
Largely overcomes key cast weaknesses to deliver a jazzy, darkly textured rendering of the ghetto pulp of late African-American ex-con author Donald Goines.- Variety
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Joe Leydon
Sequel is louder and more elaborate (and even slightly longer) than predecessor, but the law of diminishing returns has caught up with this franchise.- Variety
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Todd McCarthy
The souffle falls a little flat in The Ladykillers, a Coen brothers black comedy in which the humor seems arch and narrative momentum doesn't kick in until the final third.- Variety
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Joe Leydon
A bland slab of sentimental hokum that proves even the most smart-alecky of indie auteurs can turn warm and fuzzy on occasion.- Variety
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David Stratton
An impressively staged, dark-toned revisiting of the life and times of Australia's boldest and most charismatic outlaw.- Variety
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Todd McCarthy
An artistically experimental, ideologically apocalyptic blast at American values that is as obvious in intent as it is murky in aesthetic achievement.- Variety
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- Variety
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Ronnie Scheib
Actor-turned-director John Carlos Frey, who also stars, knows how to push the right sentimental buttons in what ultimately amounts to a pedestrian actioner, a cliched compendium of Anglo villains and Mexican martyrs.- Variety
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Lisa Nesselson
A rousing, well-crafted romp packed with ingenuity, duplicity, close calls and heroic gestures, Bon Voyage is true to its title.- Variety
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Todd McCarthy
A somber, absorbing thriller that treads familiar psycho serial killer terrain with style. Elegantly made and comparatively restrained in cramming sick and grisly stuff down the audience's throat.- Variety
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- Variety
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Scott Foundas
More palatable than "Texas," Dawn also seems even less necessary, given how effectively the original was reworked last year in Danny Boyle's "28 Days Later."- Variety
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Todd McCarthy
If films about coping with memory loss and/or reverse-order storytelling now constitute a mini-genre, then Eternal Sunshine of the Spotless Mind is arguably the best of the lot.- Variety
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Ronnie Scheib
Offers a testimonial to the devastation caused in Hungary by the Holocaust, a glimpse into the richness of Yiddish folklore, a passive-aggressive assault on the patriarchal fastness of Hasidic orthodoxy and a vast self-reflexive joke.- Variety
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- Variety
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Ronnie Scheib
Josell Ramos' docu expounds the joys of clubbing to the uninitiated while regaling aficionados with testimonials about brilliant pioneer deejays and the invention of the tweeter cluster.- Variety
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Robert Koehler
A work that continually seems on the verge of genuine excitement but sabotages itself at every turn...results will intrigue only those interested in the nooks and crannies of Mamet's career.- Variety
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David Stratton
This poignant film about an Israeli family rendered dysfunctional by the sudden death of the husband and father is a strongly emotional experience despite its tendency toward cryptic dramatics.- Variety
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David Rooney
The resourceful actor (Depp) invigorates Secret Window with a playful personality and wryly humorous aplomb not front-and-center in the script, making the psycho-suspenser more compelling than it might otherwise have been.- Variety
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David Stratton
An arthouse film par excellence, a consummately made study of loneliness and frustration.- Variety
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- Variety
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Dennis Harvey
Surprisingly, the large format and three-dimensional technology do little to heighten the excitement of the races. In the end, docu is less a film with real behind-the-scenes insight and more a serviceable, if routine, promo package for the (very) bigscreen.- Variety
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