Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Does a lot with little, milking a single location and minimal dialogue for deadpan humor, tension, and macabre payoff.
  2. There's a stunning rags-to-rags morality tale hidden in this two-hour mess of a movie.
  3. This visually impressive yet emotional frigid fable could perhaps more accurately be tagged "The Bipolar Express."
  4. Main body of the movie is weighed down by flat, expository dialogue and a lot of pedestrian filming. However, Zeffirelli's shooting of the "Carmen" sequences, which make up a sizable chunk of the film and are far and away the pic's most exhilarating sections, are graceful and fluid.
  5. Smartly directed by Pat Paulson and Michael John Warren and nicely lensed.
  6. The film's transitions between periods are not entirely seamless and its discourse often becomes didactic. However, the depth and intelligence it brings to issues of black politics and sexuality could help carve an appreciative theatrical audience in upscale gay and/or urban niches.
  7. After a long, glum slide, pic becomes an unconvincing story of redemption.
  8. Taking a seed of an idea and nurturing it into a fable about moral hypocrisy, Bearcub substantiates prolific Spanish helmer Miguel Albaladejo's rep for well-observed, character-based dramas with an offbeat twist and a potent emotional undertow.
  9. A breezy, sexy romp with a conscience that reflects in obvious but interesting ways on societal changes over the intervening 38 years.
  10. As deliriously smart escapist fare, The Incredibles is practically nonpareil.
  11. Actors who can't act, musicians who can't play, and storylines that go absolutely nowhere.
  12. An extremely silly, grossly scatological but often amusing picture that plays like Dumb & Dumber meets Spike Lee in London.
  13. Sincere but unexceptional.
    • 74 Metascore
    • 70 Critic Score
    Has a poignant emotional core in the truthful description of its characters' despairing lives.
  14. Largely plays down the ethnic stereotyping to deliver a carefully observed, fundamentally human roundelay about the wonders and horrors of looking for someone to love.
  15. With Iraqis pointing cameras at each other, the result is cheerier than might be expected.
  16. The director doesn't display the spirit of a natural entertainer; while intellectual notions abound, he never grabs the audience by the hand to pull them into the tale emotionally.
  17. Eventually pic turns into a formula slasher over-indebted to the usual "Texas Chainsaw" and "Halloween" models. But until then, Mena's direction (if not his script) suggest he's ready for bigger-budget assignments.
  18. Adaptation of Ian McEwan's 1997 novel takes a surprising number of liberties with the text, given the author's stature, but his name on the credits as associate producer would suggest his stamp of approval.
  19. While it veers heavily toward pretentiousness, this striking metaphysical mystery is intensely compelling, conjuring a mood between European high-arthouse and the unsettling psychological horror of "Rosemary's Baby."
  20. Saw
    A crude concoction sewn together from the severed parts of prior horror/serial killer pics.
  21. Ray
    Bursting at the seams with music, Taylor Hackford's ambitious film provides a good sense of the pioneering entertainer's extraordinary journey and brings it to life with plenty of colorful detail.
  22. May not be a complete success, but it is in some ways that rarest of commodities in American movies: It is a movie about sex and sexuality, in its many perversions and permutations, done without falling back on an exploitatively comic or violent scenario.
  23. An uneven but exuberantly anarchic comedy homage to the spaghetti Western.
  24. A wholesome family movie with a moppet star and tearjerker ending, Magnifico milks the sentiment like an industrial dairy machine on overdrive.
  25. di Florio emerges with a serenely powerful, handcrafted film that navigates into a place Dr. Martin Luther King Jr. once called "the tangled discords of our nation."
  26. A beautifully observed, small-scale study of personal foibles, romantic uncertainty and two sides of the sadly predictable male animal.
  27. A hip comic curio.
  28. Fortunately bypassing a re-run of "Days of Wine and Roses" but finding little inspiration to freshen an old concept, this tragedy about a lover and a friend helplessly watching the writer's fade-out comes up short of its potential impact.
  29. A deep-fried piece of Southern Gothic that wears its unpleasantness like a merit badge.

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