Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. A refreshingly unpretentious cocktail of karmic serendipity and a tongue-in-cheek look at Hollywood values vs. ecumenical verities.
    • 66 Metascore
    • 60 Critic Score
    Makes its points effectively, but could have benefited from a burst of creativity.
  2. Evaluating this project in conventional feature terms is a lost cause; relevant contexts are purely avant-garde and pornographic. Suffice it to say that helmer's careful attention to framing camera, music and content signal primary allegiance to Art rather than Smut.
  3. Pic drifts onto a familiar obstacle course for its wide-eyed hero, but displays a spirited, open-hearted goodness along the way. Combination of warmth, humor, danger and a cosmopolitan take on young, urban Eire sets pic distinctly apart.
  4. A disastrous stab at contemporary farce.
  5. This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor.
  6. A believable romantic comedy.
  7. A lively, plush but unconvincing potboiler cobbled from familiar pieces of better films (and TV miniseries).
  8. Managing to be at once epic and intimate, Zelary matches a resilient urban woman against a compassionate rural man in the spectacular Moravian countryside during World War II. Results rep a triumph of regional filmmaking, but in the David Lean tradition.
  9. Never generates enough laughs to escape the infield. It doesn't help that this is a sports movie that lacks any suspense or dramatic tension about what transpires on the field, and Mac plays such a self-absorbed jerk through most of the film that rooting interest is minimal.
  10. Constructed Chinese-box style as a series of films within films, with a faked one about the Loch Ness monster at the center, "Incident" will have maximum impact for the first auds to catch it before its sly central joke gets out.
  11. By turns pointless and pointlessly mean-spirited.
  12. Arresting at first but gradually trails off under the weight of its hyper-derivativeness and anxiety to please.
  13. Talky, repetitive and largely covering the same ground with no new thoughts, Ghost in the Shell 2: Innocence is a major let-down.
  14. A fanciful tennis-themed romance that compounds the old dilemma of "Will he get the girl?" with "Will he get the trophy?" But the answers are too predictable and laughs too scattered for this middling Universal release to generate much in the way of humor or suspense.
  15. As both political satire and noirish murder mystery, this Newmarket pickup may be too meandering and unemphatic for wide consumption.
  16. Valiant attempt to innovate in the well-trod realm of Boy Meets Girl doesn't quite coalesce despite a thoughtful and distinctive visual approach.
  17. More a tribute than a remake, Steven Soderbergh-approved take on Argentine hit "Nine Queens" isn't quite as sharp or surprising as the original, one of the best scam pics of the past decade.
  18. This obsessive love story about a guy seeking closure after being dumped by his Latino boyfriend awkwardly juggles screwball and noir elements with macabre black comedy in a mix that calls for a far lighter, more stylish touch than the obvious one at work here.
  19. Because plot is the sum total here, the alarming holes, inconsistencies and impossibilities in Chris Morgan's script corrode this drama of distress.
  20. Campbell's performance is attuned to the extremes of unnerving calm and intensely erotic; unlike the pic, she pulls it off.
  21. Calamitously uninspired and borderline incoherent, new pic lacks even those fleeting pleasures (namely, a sense of humor) that made the first film a passable popcorn attraction.
  22. Land gives the drama some poignancy, revealing the pain, anger, envy and longing of a girl burdened by life's imbalances. But her character exists in a vacuum, surrounded by stock figures and unconvincing actors.
  23. Goes beyond simple Bush-bashing to paint a horrifying portrait of organized U.S. imperialist expansion and public deception stretching back to the early Reagan era.
  24. Gorgeously lensed, photographer-turned-helmer Bruce Weber's heartfelt docu tribute to his dogs, his friends and his friends'dogs.
  25. The film is never quite as startling or mysterious as it seems to want to be, leaving it in an uncertain cinematic limbo.
  26. While Muccino has refined his technique over four features and has developed greater insight, his characteristic tendency toward hysteria remains. This keeps the drama fast and compelling, but also makes it slightly wearing at times.
  27. Loosely plotted and wildly uneven farce.
  28. A moderately successful attempt to ape the standard Hollywood teen movie.
  29. A handsome although dramatically muddled Noodle Western.

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