For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Nesselson
A refreshingly unpretentious cocktail of karmic serendipity and a tongue-in-cheek look at Hollywood values vs. ecumenical verities.- Variety
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- Critic Score
Makes its points effectively, but could have benefited from a burst of creativity.- Variety
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Reviewed by
Dennis Harvey
Evaluating this project in conventional feature terms is a lost cause; relevant contexts are purely avant-garde and pornographic. Suffice it to say that helmer's careful attention to framing camera, music and content signal primary allegiance to Art rather than Smut.- Variety
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Robert Koehler
Pic drifts onto a familiar obstacle course for its wide-eyed hero, but displays a spirited, open-hearted goodness along the way. Combination of warmth, humor, danger and a cosmopolitan take on young, urban Eire sets pic distinctly apart.- Variety
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- Variety
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David Rooney
This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor.- Variety
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- Variety
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Reviewed by
Dennis Harvey
A lively, plush but unconvincing potboiler cobbled from familiar pieces of better films (and TV miniseries).- Variety
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Eddie Cockrell
Managing to be at once epic and intimate, Zelary matches a resilient urban woman against a compassionate rural man in the spectacular Moravian countryside during World War II. Results rep a triumph of regional filmmaking, but in the David Lean tradition.- Variety
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Brian Lowry
Never generates enough laughs to escape the infield. It doesn't help that this is a sports movie that lacks any suspense or dramatic tension about what transpires on the field, and Mac plays such a self-absorbed jerk through most of the film that rooting interest is minimal.- Variety
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Leslie Felperin
Constructed Chinese-box style as a series of films within films, with a faked one about the Loch Ness monster at the center, "Incident" will have maximum impact for the first auds to catch it before its sly central joke gets out.- Variety
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Justin Chang
By turns pointless and pointlessly mean-spirited.- Variety
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Todd McCarthy
Arresting at first but gradually trails off under the weight of its hyper-derivativeness and anxiety to please.- Variety
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Derek Elley
Talky, repetitive and largely covering the same ground with no new thoughts, Ghost in the Shell 2: Innocence is a major let-down.- Variety
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Justin Chang
A fanciful tennis-themed romance that compounds the old dilemma of "Will he get the girl?" with "Will he get the trophy?" But the answers are too predictable and laughs too scattered for this middling Universal release to generate much in the way of humor or suspense.- Variety
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David Rooney
As both political satire and noirish murder mystery, this Newmarket pickup may be too meandering and unemphatic for wide consumption.- Variety
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Lisa Nesselson
Valiant attempt to innovate in the well-trod realm of Boy Meets Girl doesn't quite coalesce despite a thoughtful and distinctive visual approach.- Variety
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Ken Eisner
More a tribute than a remake, Steven Soderbergh-approved take on Argentine hit "Nine Queens" isn't quite as sharp or surprising as the original, one of the best scam pics of the past decade.- Variety
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David Rooney
This obsessive love story about a guy seeking closure after being dumped by his Latino boyfriend awkwardly juggles screwball and noir elements with macabre black comedy in a mix that calls for a far lighter, more stylish touch than the obvious one at work here.- Variety
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Robert Koehler
Because plot is the sum total here, the alarming holes, inconsistencies and impossibilities in Chris Morgan's script corrode this drama of distress.- Variety
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Robert Koehler
Campbell's performance is attuned to the extremes of unnerving calm and intensely erotic; unlike the pic, she pulls it off.- Variety
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Scott Foundas
Calamitously uninspired and borderline incoherent, new pic lacks even those fleeting pleasures (namely, a sense of humor) that made the first film a passable popcorn attraction.- Variety
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David Rooney
Land gives the drama some poignancy, revealing the pain, anger, envy and longing of a girl burdened by life's imbalances. But her character exists in a vacuum, surrounded by stock figures and unconvincing actors.- Variety
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Dennis Harvey
Goes beyond simple Bush-bashing to paint a horrifying portrait of organized U.S. imperialist expansion and public deception stretching back to the early Reagan era.- Variety
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Leslie Felperin
Gorgeously lensed, photographer-turned-helmer Bruce Weber's heartfelt docu tribute to his dogs, his friends and his friends'dogs.- Variety
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Robert Koehler
The film is never quite as startling or mysterious as it seems to want to be, leaving it in an uncertain cinematic limbo.- Variety
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David Rooney
While Muccino has refined his technique over four features and has developed greater insight, his characteristic tendency toward hysteria remains. This keeps the drama fast and compelling, but also makes it slightly wearing at times.- Variety
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- Variety
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David Rooney
A moderately successful attempt to ape the standard Hollywood teen movie.- Variety
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Derek Elley
A handsome although dramatically muddled Noodle Western.- Variety
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