Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. No cuddly, funky "Pokemon" pocket monsters populate this pic; this game is for the big kids, rife with a ruthless tone, heightened violence and cold calculation. However, fans will put up with a dull tale to finally see their obsession on the bigscreen.
  2. Ultimately, psychotically inventive pic is a formidable addition to the ever-evolving Maddin oeuvre.
  3. Thanks to amiable lead performances from Miranda Otto and Rhys Ifans, this not very original Aussie comedy about a man making a fresh start in life is a pleasant enough time-waster.
  4. Too blandly insubstantial to expand its appeal beyond its target demographic.
  5. Visceral and sweat-drenched, but also attaining a genuinely epic stature in its final reels.
  6. It recovers from an opening that's a little oblique to grow progressively more seductive as the two lost central characters become entwined.
  7. The film lacks the accompanying media spotlight that boosted the Moore release and therefore appears unlikely to reach beyond a liberal audience with an already vehement aversion to Fox News' partisan coverage.
  8. Takes a notorious true story about a loyal soldier-turned-bank robber, and pumps it up into charged if uneven entertainment.
  9. An intriguing but only partly successful co-mingling of film noir and sci-fi.
  10. Lacks so much as a single fresh idea; it lacks an entertaining way of presenting its stale ideas, too.
  11. A tour-de-force thriller that deftly transforms its low-budget limitations into spectacular assets.
  12. Occupying a dramatic, philosophical and sensory twilight zone that casts a considerable spell, this intensely focused piece soars not only on the director's precision-tooled style but also on the outstanding interplay between leads Tom Cruise and Jamie Foxx.
  13. First hour is an often gripping look at the realities of modern Islam ("You can do anything you want, as long as it's not in public," says a soldier's wife), before silliness takes over.
  14. An interesting if overly earnest look at what would happen if cemeteries just emptied out one fine morning.
    • Variety
  15. An instant ancillary classic for music fan.
  16. Unclassifiable cult figure Takashi Miike's films invariably have their share of weirdness and perversity, but Gozu arguably outweirds all previous efforts in the prolific Japanese director's eclectic canon.
  17. The story rarely gets fired up to "maximum thrust," to use the rocket-speed parlance of its heroes.
  18. A watchable film for awhile that unravels in a muddled last act likely to send many opening-weekend filmgoers home head-scratching and grumbling.
  19. Consistently entertaining exploration of how much -- or how little -- is required to overcome obstacles to self-actualization should be welcome wherever auds crave a good story told with nuance and flair.
  20. Gleefully upends expectations and delivers an energetic comedy tracing two guys'all-night search for the perfect White Castle burger.
  21. Structurally and thematically similar to John Frankenheimer's original but entirely different in style, feel and nuance, this political thriller about a brainwashed soldier being positioned for the White House provides a delectable network of dramatic tripwires that teases the mind and quickens the pulse. This is brainy popcorn fare.
  22. Proteus has enough erotic and exotic content to win back some of the arthouse viewers previously beguiled by Greyson's "Lilies." But pic lacks that gem's lush aesthetics and impassioned complexity, ending up a tad remote.
  23. Screen chemistry and production crackle are lacking from this "Usual Suspects" wannabe.
  24. A plea for attention to despicable conditions of female servitude in contempo Iran.
  25. A scabrous, provocative and often funny social satire about the American dream, Spike Lee's flawed but fascinating She Hate Me addresses everything from corporate malfeasance to the African AIDS epidemic, barely catching its breath in-between.
  26. Feels too piecemeal and ultimately inconsequential.
  27. Los Angeles may be the most photographed city in the world, but it has never have been captured with such complex layers of meaning and fascination as in Thom Andersen's remarkable Los Angeles Plays Itself.
  28. A marvel of passionate succinctness.
  29. More a slavish tribute than objective portrait. As a result, competent but innocuous Feature begins to overstay welcome at the 60-minute mark.
  30. The lure of Halle Berry as the leather-clad feline should help this mangy misfire claw out a decent opening before a quick slink to DVD.

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