For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Scott Foundas
Are We There Yet? traps the affable Ice Cube in a dismal kiddy slapstick saga that even his considerable charisma can do little to enhance.- Variety
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- Variety
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- Variety
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Lisa Nesselson
An intricate, fetchingly lensed tale of historical speculation framed as a plausible thriller.- Variety
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- Variety
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David Rooney
While the director's penchant for extended silences and stagy character positioning make it all seem rather studied, the drama nonetheless is compellingly unsettling.- Variety
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Reviewed by
Scott Foundas
Offers a fast, efficient and richly satisfying look at an iconoclastic artist and his groundbreaking work.- Variety
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Joe Leydon
In an era when similar genre pics increasingly resemble videogames, musicvideos or glossy commercials, the blunt, brawny simplicity of helmer Jean-Francois Richet's storytelling style seems positively novel.- Variety
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David Rooney
Richly human in focus, the drama steadily cranks up its political and emotional charge.- Variety
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Robert Koehler
Both an inspirational sports movie and an unexpected multi-level urban drama that plays by its own clock.- Variety
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Brian Lowry
Elektra proves no more than fitfully satisfying, a character-driven superhero yarn whose flurry of last-minute rewriting shows in a disjointed plot.- Variety
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Joe Leydon
Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.- Variety
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Lisa Nesselson
No stereotype is left unheralded and no heartstring left untugged in this freely adapted remake of Jean Dreville's mostly forgotten "La cage aux rossignols"- Variety
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Leslie Felperin
Craft connoisseurs won't be disappointed with the splendidly executed result. However, everyone else is likely to wonder what the fuss about given the plot's dated cyborgs-and-supercomputers hijinks.- Variety
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Dennis Harvey
Casual, engaging documentary doesn't attempt a Hinduism 101 lesson, instead going for an impressionistic mix of on-the-fly spectacle and human interest.- Variety
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Ken Eisner
A leisurely and lovingly observed character study about a detective, his home life, and a crook who plays cat-burglar-and-mouse with the cop.- Variety
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Eddie Cockrell
The writer discovers a people physically and psychologically worn down by decades of dictatorship, sanctions, war and occupation.- Variety
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Joe Leydon
An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.- Variety
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- Critic Score
Despite good thesping, particularly from Belton, it's hard to imagine why anyone would want to spend time with this trio.- Variety
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Reviewed by
Dennis Harvey
Pic's nastiness is so insistent, one-dimensional and excessive it risks self-parody.- Variety
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Robert Koehler
The pic plays like one long chase. Nevertheless, fashioned with ultra-sophisticated means, Sky Blue will be a must-see for anime fans around the world.- Variety
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David Rooney
A pedigree cast elevates old-fashioned material and lackluster screenwriting.- Variety
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Todd McCarthy
Penn's magnetism and hesitant line delivery create what interest there is, although the whole picture suffers from a central figure who can never get it together on any level.- Variety
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David Rooney
Despite a series of disclaimers about the treatment of Jews in the 16th century, there's even less disguising onscreen than onstage that this is an uncomfortably anti-Semitic play and somewhat problematic for contempo audiences.- Variety
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Todd McCarthy
An often lively comedy-drama that lands some nice jabs at the mega-corp ethos, In Good Company makes for pretty good company until going soft when it counts.- Variety
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Joe Leydon
fFat-footed and ham-handed in its attempt to reconstitute a popular '70s TV cartoon show as a full-length, family-skewing feature.- Variety
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Jonathan Holland
Though pic boasts decent perfs, potent atmospherics and eye-catching visuals, both psychology and plot are bargain-basement.- Variety
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David Rooney
A stunningly crafted work from first-time feature director Nicole Kassell.- Variety
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Deborah Young
Radiates a warm humanity and uplifts the spirit. Subtle rather than sentimental, it lacks easy tears though attentive viewers will find it lacerating enough.- Variety
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Reviewed by
Joe Leydon
Documentarian Jessica Yu employs everything from animation and voiceover thesping to archival documents and eyewitness accounts while examining Henry Darger, a self-taught artist who has been posthumously lionized as a visionary genius.- Variety
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