Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Picture's dubious brand of heroism, half-baked historical sense, simplistic dialogue, flat staging and barely formed characters make for sluggish sledding.
  2. The caustic wit and brute force of Patrick Marber's acclaimed play come across with a softened edge in Mike Nichols' bigscreen version of Closer.
  3. The brooding, well-constructed drama gets considerable mileage out of the schizoid twin dynamic.
  4. Superbly researched and constructed, pic is an improvement over last year's "The Weather Underground," which backed away from judging political terror on the left.
  5. An often remarkable, often infuriating lateral spin on genre material that desperately needs another sesh at the editing table.
  6. Increasingly complicated comic maneuvers turn what should have been a hip look at sexuality into an antsy pic too busy to settle down.
  7. Told with a blend of visual mastery and emotional intimacy, ambitious venture sustains a special melding of romance and pragmatism that should engage discerning audiences.
  8. The flatness of several of the key performances badly lets down this promising material.
  9. A fey and frisky farce with a fabulous fashion sense, Straight-Jacket artfully balances broadly campy humor and ironically overplayed soap opera.
  10. Patiently told and lovingly made.
  11. Recognizably Godard with its playfulness and wordplays, but deeply human at the same time.
  12. Ultimately something of a softball satire, its climactic evocation of the "true meaning" of the holidays is surprisingly touching.
  13. At best an honorable failure, an intelligent and ambitious picture that crucially lacks dramatic flair and emotional involvement.
  14. Classy, funny cross-cultural adventure is Alain Corneau's most accomplished and entertaining film since 1991's "Tous les matins du monde."
  15. Tries to combine the suspense of old Saturday morning serials with the gusto of producer Jerry Bruckheimer's action pics. Falling short on both counts, this long, and long-winded, series of middling cliffhangers won't pump the adrenaline of action aficionados or -- the family crowd.
  16. Superbly orchestrated, visually impressive.
  17. Possesses charm, as well as visual and musical appeal, on the bigscreen. But as with many short-form TV entities when sextupled in length, "SpongeBob" proves more palatable as scrumptious fast food than full-scale repast.
  18. Clumsily drawn, poorly acted love triangle.
  19. Delivers only annoyance and impatience.
  20. Occupies wavelengths too remote to be tuned in by audiences other than diehard Asian esoterica enthusiasts.
  21. Works as both an adaptation and a movie in its own right
  22. Goes down like sour eggnog on Christmas Eve.
  23. Simply isn't funny or frightening enough to expand its appeal beyond core fan base.
  24. While After the Sunset is never exactly dull and is smartly cut to a brief running time, it never quickens the pulse.
  25. Second time round, Bridget is still fat, funny and endearing -- but "all a bit, um, familiar, actually."
  26. Lively, sometimes funny and, inevitably, provocative.
  27. Though it doesn't quite match recent classics like "Kabhi khushi kabhie gham" in sheer technique and production sheen, in-depth star casting and thorough entertainment values make this a must-see for Bollywatchers.
  28. An impeccably made and genuinely moving account of how Scottish author J.M. Barrie came to write "Peter Pan."
  29. Both extremely familiar and, despite frequent references to Stanley Kubrick and Orson Welles, cinematically and dramatically dull.
  30. There's a provocative premise at the heart of Master of the Game, but uneven acting, indifferent direction and melodramatic dialogue blunt pointed ironies.

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