For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Words sometimes fail, but energy and enthusiasm triumph in Music From the Inside Out, a docu that quizzes members of the Philadelphia Orchestra about their relationship to music.- Variety
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Reviewed by
Eddie Cockrell
Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.- Variety
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Reviewed by
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Reviewed by
Lisa Nesselson
Slick kidnapping yarn starts off like a bat out of hell and never sags.- Variety
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Reviewed by
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- Variety
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Reviewed by
Justin Chang
So far-fetched as to make "Kindergarten Cop" look comparatively austere.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
Inspiration is running thin in comedian Margaret Cho's fourth concert film, a routine stand-up set that compares poorly to her oft-hilarious first two.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
Succeeds in capturing the book's essential themes and concerns, albeit in a hectic style that could not be more antithetical to that of the literary master of international intrigue.- Variety
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Reviewed by
Ronnie Scheib
Despite Almereyda's strong following in arthouse circles, William Eggleston in the Real World --which requires patient if not repeat viewing -- will probably not venture far into it.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
Co-produced by the subject's church, this fine feature takes its cue from Malcolm's personality, treating material in a refreshingly earnest, straightforward terms sans flash or preachiness.- Variety
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Reviewed by
Robert Koehler
The tilt here toward a hyperactive, buddy-movie action-adventure with loud comic archetypes is a poor fit for a film that relies on fairy tale icons and themes.- Variety
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Robert Koehler
Refreshing strokes of science-fact in the early sections give way to action strictly from the Ridley Scott-James Cameron playbook, but without a powerful helmer behind the camera or a memorable cast in front.- Variety
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Robert Koehler
As a cautionary drama on the price of fame, Undiscovered could not tread on more exhaustively discovered territory, and the result is a reel-by-reel trail of cliches.- Variety
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John Anderson
May find a following among those who stand in awe of the names Sandler, Ferrell and Spade. But Showalter pushes too far: Nerdiness, after all, can be only so attractive.- Variety
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Reviewed by
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- Variety
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Reviewed by
Dennis Harvey
A handsome package whose atmospherics outclass merely serviceable plot and character elements.- Variety
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Reviewed by
David Rooney
While it has about as much depth and nuance as the bubblegum Sino-pop tunes that pepper its soundtrack, Formula 17 is a fresh, sweet-natured affair with an attractive young cast that should play to the gay-teen niche.- Variety
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Reviewed by
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- Variety
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Reviewed by
Lisa Nesselson
Helmer -- an Arab Jew who has lived on both sides of Jerusalem and is comfortable speaking idiomatic Arabic and Hebrew -- is particularly well qualified to tackle her subject.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
A suitably unfussy tribute to a band that disdained even the slightest rock-star flash, We Jam Econo tells the story of the Minutemen, whose regrettably brief but brilliant career did much to expand punk's parameters during the early 1980s.- Variety
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Reviewed by
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Reviewed by
Robert Koehler
A perfect example of the sad trend in contempo Latin American filmmaking to imitate old Tarantino with only a fraction of the stylistic cojones, frantic comedy dealing with two pairs of confused guys and one pair of kidnap victims is an empty exercise that loses its juice before first reel's end.- Variety
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Reviewed by
Brian Lowry
Crude, sophomorically homophobic but frequently funny, pic also overstays its welcome a bit and indulges in some juvenile excesses. All told, though, The 40 Year Old Virgin delivers enough belly laughs.- Variety
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Reviewed by
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Reviewed by
Robert Koehler
Departing less from his horror bailiwick than he did with "Music Of The Heart" in 1999, Wes Craven retains shocks but dispenses with scares in the negligible Red Eye.- Variety
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Reviewed by
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Reviewed by
Leslie Felperin
Fails to get off the ground due to a by-numbers script and dodo-ugly character design.- Variety
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Reviewed by
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- Variety
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- Variety
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Reviewed by
Justin Chang
Completely disposable yet rousing on its own crude, testosterone-saturated terms.- Variety
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Reviewed by
Todd McCarthy
Although it will most readily appeal to cinephiles…offers sufficient reality-based incident and ponderable cultural issues to attract curious audiences.- Variety
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Reviewed by
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Reviewed by
Ronnie Scheib
Now, 50 years later, the Justice Department has decided to reopen the case, due largely to Keith Beauchamp's documentary, which contains testimony from hitherto unseen witnesses.- Variety
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Reviewed by
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- Variety
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