For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Richard Kuipers
A small, carefully composed film that rejoices in the parochial lingo and mores of its richly textured characters.- Variety
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Reviewed by
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Reviewed by
Derek Elley
Ultimately, this is a striking-looking film -- consciously recalling the paintings of Edward Hopper in its architectural use of space -- which, like its protag, is a little short on real feeling.- Variety
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Reviewed by
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Reviewed by
David Stratton
A visually lush and very Westernized vision of life in a remote Chinese village in the early 1970s.- Variety
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Reviewed by
Leslie Felperin
Walloping gut punch The 3 Rooms of Melancholia offers a harrowing docu look at war and militarism's wounds, as seen through the eyes of Russian and Chechen children.- Variety
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Reviewed by
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Reviewed by
Derek Elley
An utterly charming retro romancer set against a background of '70s movie going. Full of lovely touches and well-etched performances, and flawed only by a bland male lead.- Variety
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Reviewed by
Justin Chang
If you can stomach the violence -- and despite the R rating, that's a big if -- it's hard to deny that Zombie has made exactly the movie he set out to make, guaranteed to satiate his considerable fan base and sicken just about everyone else.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Director Craig Brewer has given his second feature film a vibrant pulse amplified by an outstanding cast led by Terrence Howard.- Variety
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Reviewed by
Justin Chang
Frenetic actioner about refugees from a genetic cloning plant starts off intriguingly, burns up its ideas in the first hour and pads out the rest with joltingly repetitive action sequences.- Variety
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Reviewed by
Brian Lowry
The new Bad News Bears has adopted a somewhat raunchier tone but delivers enough laughs to go the distance.- Variety
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Reviewed by
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Reviewed by
Derek Elley
A touching, often poetic, sometimes achingly real snapshot of a brief encounter related almost entirely through the bedroom.- Variety
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Reviewed by
David Rooney
Ambling drama shows an exasperating lack of economy and a weakness for diatribe dialogue, but becomes progressively more involving after a laborious start.- Variety
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Reviewed by
Leslie Felperin
Result is dead-on depiction of the hedonistic rock lifestyle, punctuated by sequences of haunting beauty but also quasi-religious imagery that borders on tacky.- Variety
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Reviewed by
Robert Koehler
Stylish and substantial enough to prompt even a couch potato to action, Kelly Duane's Monumental: David Brower's Fight for Wild America delivers a stirring and visually dense account of the life and times of Brower.- Variety
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Reviewed by
David Rooney
A disjointed story of self-discovery, courage and redemption somewhat incongruously billed as a salute to Akira Kurosawa.- Variety
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Reviewed by
Todd McCarthy
Entertaining and fabulously imaginative in many ways, this second bigscreen rendition of the late author's modest morality tale on the wages of unbridled excess sports excesses of its own.- Variety
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Reviewed by
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Reviewed by
Brian Lowry
Despite flashes of nudity, crudity and mockery of women's raging hormones at the first sight of a trousseau, at its core it's just a big pushover with the heart of a chick flick.- Variety
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Reviewed by
Todd McCarthy
A protracted parade of woefully familiar motifs from the Amerindie playbook, Happy Endings comes off like an undernourished Paul Thomas Anderson wannabe.- Variety
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Reviewed by
Ronnie Scheib
Superb emotional thesping complements script's measured restraint.- Variety
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Reviewed by
Derek Elley
Tendency to go for art rather than action, and a leisurely pace that isn't bolstered by much dialogue or food for thought.- Variety
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Reviewed by
Eddie Cockrell
The serious subject of forced female circumcision becomes the stuff of predictable melodrama in God's Sandbox.- Variety
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Reviewed by
Joe Leydon
Skillfully entwines stories of three young women drifting in and out of a Jersey City juvenile detention center.- Variety
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Reviewed by
Leslie Felperin
Ultimately, pic feels very much like a romanticized, outsider's view of the South that willfully seeks out the culture's strangest, most weirdo aspects for other outsiders' gleeful delectation.- Variety
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Reviewed by
Robert Koehler
A blast and a half -- as entertaining as mainstream American docus get.- Variety
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Reviewed by
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- Variety
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Reviewed by
Joe Leydon
A wildly uneven, sporadically slapdash action-adventure that amuses in fits and starts.- Variety
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Reviewed by
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Reviewed by
Derek Elley
Standout performance is by Nolte who, in the final 20 minutes, draws on a deep reservoir of playing broken romantic heroes to portray Binh's father. The subtle, resonant scenes between the two men are worth the price of admission.- Variety
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Reviewed by
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A bitter but finally moving story about lost love, hatred between generations and a curious kind of liberation, Saraband officially closes one of the most prestigious and influential careers in the history of cinema.- Variety
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Reviewed by
David Rooney
Starts out bracingly but gradually loses focus. Ecuadorian writer-director Sebastian Cordero's screenplay trades in underdeveloped conflicts and blank characters, hinting far too early at the killer's probable identity.- Variety
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Reviewed by
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Reviewed by
Eddie Cockrell
Promising frosh helmer Felix van Groeningen exhibits a fresh eye, though his script is full of too many self-consciously Tarantino-ish verbal digressions that serve to distract from the story, and self-conscious quirks he mistakes for character development.- Variety
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Reviewed by
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- Variety
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