Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Rude, crude and, uh, cosmopolitan, Deuce Bigalow: European Gigolo waves the flag for R-rated politically incorrect studio comedy but doesn't top the laugh ratio of the first Deuce misadventure.
  2. With equal measures of rock-the-house vigor and in-your-face attitude, Four Brothers proves usually potent and consistently enjoyable as an old school approach to what might best be described as the urban-Western genre of slam-bang, balls-out action-revenger.
  3. This overlong march will bore all but the most nobly patriotic.
  4. Overly plotted erotic drama.
  5. A man whose name has become a byword for pure evil gets a disarming makeover in The Goebbels Experiment. Far from being the horror show expected from its title, Lutz Hachmeister's cool, almost anti-dramatic docu paints a portrait of an insecure manic-depressive solely through extracts from Joseph Goebbels' own voluminous diaries.
  6. A brilliant portrait of adventure, activism, obsession and potential madness that ranks among helmer Werner Herzog's strongest work.
  7. An exercise in bad taste that takes itself just seriously enough to be offensive.
  8. Chaos may not quite be "the most brutal, horrifying film ever made," as its garish ads promote. But it does contain moments as thoroughly sickening as any in Herschell Gordon Lewis' or Lucio Fulvi's bloody exploiters.
  9. Result is always watchable, occasionally creepy and teasingly pitched halfway between a genre riff and a genuine scarefest.
  10. Consistently engaging due to the wealth of generally unfamiliar archival footage, which reveals social trends, sweeping overview should provoke healthy debate.
  11. A zippy and sardonic feast of bad decision-making under pressure, 11:14 artfully molds the seemingly unrelated misfortunes of 10 characters into a satisfying and consistently entertaining whole.
  12. Dramatically pallid and unconvincing. Despite being written for her, the director's "Irma Vep" muse Maggie Cheung seems oddly miscast here and is ill-served by an emotionally underpowered screenplay that rarely gets beneath the surface of the character's problems.
  13. Admirably non-judgmental docu about life in "the least visited, known, understood country in the world," per Brit director Daniel Gordon, brings a refreshing balance to the usual blind vilification of the country.
  14. Loud, silly but kind of lame-brained fun with car chases aplenty, "Dukes" faithfully plays like an extended episode of the series, albeit with an additional gallon or so of fuel-injected raunchiness.
  15. Working in his typically idiosyncratic and episodic vein, Jim Jarmusch has nonetheless pitched the film slightly more toward mainstream tastes than usual for him, using excellent thesps in the service of accessible material.
  16. The overall effect simply underlines the central weakness of the pic: that the neo-kitschy futuristic scenes don't add much to the real-life '60s relationships.
  17. This maddening yet deftly made, and finally disarming, documentary comes through with enough heart and hilarity to sell its celebrity-stalking shenanigans to genuinely moving effect.
  18. Even though it sprints along a well-trod path through familiar territory, Saint Ralph remains surprisingly compelling.
  19. Assuming the victims' point of view in the type of kidnapping that's now epidemic in Latin America, Jonathan Jakubowicz's Kidnap Express depicts a nocturnal Caracas with tense energy.
  20. A superior all-ages adventure pic made by a filmmaker who knows more than a thing or two about the genre.
  21. An insufferable, self-conscious cult movie, The Chumscrubber smugly heaps on half-baked ideas about media violence, the homogeneity of suburbia and the disintegration of the American family.
  22. A stimulating scientific inquiry that may cause audiences to look at (and think about) the world around them in dramatically different terms.
  23. Has a washed-out look that may be off-putting to auds who might otherwise enjoy the pic's uncondescending view of Southern characters and customs.
  24. Somewhat haphazardly organized yet fascinatingly detailed and enriched by the candor and dignity of its shockingly deprived interview subjects.
  25. In striving simultaneously to cover the transplanted rap scene, sample a wide range of groups, and give an unbiased picture of Cuban society, helmers Anna Boden and Ryan Fleck, who have hitherto worked in short-form, blur the overall shape of their picture.
  26. To properly appreciate Must Love Dogs, one must first love John Cusack. Thesp's maverick turn steals the show in this otherwise middling romantic comedy, which retools standard meet-cute elements for the Web generation in pleasant but uninspired fashion.
  27. Smartly written and sprightly played, Sky High satisfies with a clever commingling of spoofy superheroics, school-daze hijinks, and family friendly coming-of-age. dramedydramedy.
  28. Aiming to join the Jerry Bruckheimer/Michael Bay school of American movie war games, Stealth is just too dumb to make the grade.
  29. A raucous insider documentary that invites the viewer to share a secret held exclusively by comics for untold generations.
  30. A definitive docu on the elusive Edgar G. Ulmer is a practical impossibility, which is why Michael Palm chooses to highlight questions rather than facts. But Edgar G. Ulmer -- the Man Off-Screen neither fully illuminates the tales nor finely sifts through the evidence to discover the truths behind the myth-making.

Top Trailers