Variety's Scores

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For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,133 out of 17777
  2. Mixed: 7,008 out of 17777
  3. Negative: 1,636 out of 17777
17777 movie reviews
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  1. Protocols of Zion
    Entertaining and substantial enough to attract at least a portion of the Michael Moore audience.
  2. Kids in America
    Josh Stolberg launches a scalding attack on the stodgy conservatism of the American public school system, only to end up stacking the deck in egregiously smirky and simple-minded ways.
  3. The Roost
    Debuting helmer Ti West taps into the realist-horror spirit of mentor and exec producer Larry Fessenden, and makes a scarier pic than any by his master.
  4. The Optimists
    Explores another courageous, little-known chapter in the saga of resistance and heroics during World War II.
  5. Naked in Ashes
    A respectful, illuminating appreciation of a few of the estimated 13 million yogis in India.
  6. The Time We Killed
    The Time We Killed reps avant-garde vet Jennifer Todd Reeves' most ambitious work yet, a dense-packed feature-length black-and-white journey into a beautifully restless mind.
  7. Ushpizin
    An enjoyable seriocomic tale of a poor couple whose holiday-time miracle becomes a test of faith.
  8. Three of Hearts: A Postmodern Family
    At first seems like a pleasantly pat piece of verite advocacy for convention-breaking unions. But it gets really interesting once said relationship unexpectedly dissolves in ugly fashion, offering real-life voyeuristic appeal a la "Capturing the Friedmans."
  9. Domino
    Satisfying neither as character study nor as straight-ahead actioner.
  10. Elizabethtown
    Although rich in screwball silliness and sharp one-liners, film lacks the narrative drive one finds in the classic comedies of Preston Sturges, Frank Capra and Billy Wilder, whom Crowe always seems to try to emulate.
  11. The Fog
    Unfortunately, interest lags between the grisly deaths, and, worse, none of the characters generates rooting interest.
  12. Where the Truth Lies
    Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.
  13. North Country
    An emotionally potent story told with great dignity.
  14. Finding Home
    Impeccably crafted but dramatically turgid.
  15. Innocent Voices
    While the respectable result is a more meaningful film than just about anything Mandoki worked on during his 17 years in Hollywood ("Angel Eyes," "Message in a Bottle"), pic suffers from an overindulgence of triumph-over-adversity cliches and a meandering narrative.
  16. Loggerheads
    A respectably crafted, earnest ensemble drama.
  17. Nine Lives
    Though the episodic structure results in a whole not quite equal to some of its parts, pic is an unusually tender, perceptive character study buoyed by stellar performances from a who's who of talented (and many underused) actresses.
  18. Summer Storm
    Routine in some aspects, but compensates via psychologically sharp writing and performances.
  19. The President's Last Bang
    South Korean cinema finally gets its first full-blown political satire with The President's Last Bang, a virtuoso slice of sustained black humor.
    • 80 Metascore
    • 80 Critic Score
    Harlan County U.S.A. (re-release)
    The stars of the film are the men and women of Harlan County, portrayed here not as patronized mountain folks but as human beings. (Review of Original Release)
  21. The Dark Hours
    The Dark Hours surmounts some of the problems of its weak dialogue through a commanding performance by lead Kate Greenhouse and some grisly, genre-style violence.
  22. Henri Langlois: The Phantom of the Cinematheque
    A labor of love made over the course of seven years that crucially matches the energy and passion Langlois himself embodied, this deep-dish account of the life and times of the longtime head of the Cinematheque Francaise will enthrall buffs.
  23. Land of Plenty
    Rocky but respectable Land of Plenty proves the helmer often does better with low budgets, fast schedules and young collaborators. Slushy final 10 minutes nearly trashes with triteness the good work that precedes it.
  24. Good Night, and Good Luck.
    A vital chapter of mid-century history is brought to life concisely, with intimacy and matter-of-fact artistry.
  25. The Gospel
    A creaky melodrama that wants to be a musical.
  26. In Her Shoes
    While the director's avid fans may be disappointed, upscalish mainstream auds, particularly women, will eat up this well-acted, emotionally focused adaptation of Jennifer Weiner's popular novel.
  27. Two for the Money
    Despite nice touches, pic meanders in the middle and ends flatly.
  28. Waiting...
    The wait for laughs lasts the entire length of Waiting ..., first feature from writer-director Rob McKittrick that aims to be a "Clerks"-type comedy set in a chain restaurant but ends up somewhere below a "Porky's" sequel.
  29. The Aggressives
    Documaker Daniel Peddle also works as a casting director, and so it is small wonder his crisp, concise, intimate portrait of six very different, self-styled "aggressives" -- women who stress their masculine sides -- should reveal in each a curious integrity and beauty.
  30. Before the Fall
    An intermittently gripping story about an idealistic young boxer who becomes disillusioned with the Third Reich during his elite training, Napola is finally KO'd by an overdose of Nazi fetishism.
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