For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Leslie Felperin
Starting out seductive but ending up tiresome, debuting director Laurence Dunmore's pic is an honorable misfire.- Variety
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Todd McCarthy
A weighty and deeply intriguing look at the many-tentacled beast that is the international oil industry. Wide-ranging and restlessly probing, Stephen Gaghan's second directorial effort uses the same mosaic storytelling technique as in his Oscar-winning screenplay for "Traffic."- Variety
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Reviewed by
Todd McCarthy
Due to digital image manipulation that pushes the picture to the boundary between narrative and avant-garde filmmaking, slightly overlong effort is full of striking, fresh visual interludes showing cars, speed and the sensations surrounding the scene.- Variety
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Reviewed by
Dennis Harvey
Dani Menkin's documentary tracks his odyssey, which by nature is hard to be cynical about. Still, the feature feels padded even at 70 minutes.- Variety
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Todd McCarthy
Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.- Variety
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Todd McCarthy
Walk the Line is a strongly acted, musically vibrant, conventionally satisfying biopic of country/rock/blues legend Johnny Cash and his second wife, June Carter.- Variety
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Derek Elley
Political realities are a powerful bonus to, rather than the only reason for, Private, an emotionally gripping drama.- Variety
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Derek Elley
Several large leaps of faith take some of the dramatic steam out of Unveiled, an otherwise well-acted and accessible lesbian drama that also flirts with issues like loss of identity and anti-Muslim tensions.- Variety
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Deborah Young
Though it’s a rare Italian film told from a female p.o.v., “Melissa P.” is pseudo-feminist at best.- Variety
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Eddie Cockrell
A little bit of Slovene philosopher Slavoj Zizek goes a long way. In the verbose profile documentary Zizek! there's a lot of esoteric, eccentric theories, and little context within his globetrotting life.- Variety
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Robert Koehler
A vital if less than objective slice of film journalism on the U.S.'s troubled history in the Third World.- Variety
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Todd McCarthy
Despite numerous surface pleasures, including a beguiling pop soundtrack and presence of rising star Cillian Murphy in the lead role, dramatic shortcomings spell a mixed overall reception.- Variety
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Lisa Nesselson
Told primarily via body language and facial expressions with a minimum of dialogue, beautifully observed, emotionally intense tale is an ambitious and rewarding outing for Frederic Fonteyne.- Variety
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Leslie Felperin
Ambitious screenplay by helmer Eran Riklis (best known outside Israel for "Cup Final") and former journalist Suha Arraf puts plenty of human flesh on its characters, who span the religious and cultural spectrum of Golan Heights dwellers.- Variety
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Lisa Nesselson
An enjoyable and entertainingly cast fable about love, death and fitting revenge, "Plots With a View" (AKA Undertaking Betty) strikes a near-miraculous balance between the silly and the morbid.- Variety
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Derek Elley
A movie for the age, and a keeper for the ages, Pride & Prejudice brings Jane Austen's best-loved novel to vivid, widescreen life, as well as making an undisputed star of 20-year-old Keira Knightley.- Variety
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Justin Chang
This murky psychological suspenser manages the tricky feat of being as predictable as it is finally preposterous.- Variety
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Justin Chang
Its unwieldy title notwithstanding, Zathura: A Space Adventure is arguably the best adaptation of a Chris Van Allsburg book to date.- Variety
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Todd McCarthy
The film is ice cold, never finding a way to invite the viewer into the story, and Richard Gere doesn't convince as a Jewish biblical scholar.- Variety
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Todd McCarthy
Without Watts, Scott Coffey's feature-length expansion of his identically titled short wouldn't amount to much.- Variety
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Joe Leydon
Sarah Silverman: Jesus Is Magic showcases the comic-actress in her familiar on-stage persona as a blithely self-involved Jewish American Princess whose penchant for perky vulgarity can be explosively funny or unnervingly shocking.- Variety
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Ronnie Scheib
Although by now routine, the intertwining of separate story strands is solidly structured, and the different mini-narratives resolved in unsurprising yet satisfying ways.- Variety
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Eddie Cockrell
A blue chip cast is wasted in the painfully unfunny ensemble comedy Niagara Motel.- Variety
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David Rooney
Numerous filmmakers have attempted to dramatize the terrorist activity that gripped Italy in the 1970s, but few have done so with the unsettling power of Marco Bellocchio's Good Morning, Night.- Variety
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Joe Leydon
Amiably slapdash docu about The Comedians of Comedy tour mixes on-stage performances, backstage bull sessions and downtime tomfoolery to generally satisfying and frequently hilarious effect.- Variety
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Robert Koehler
Writer-director Matt Mulhern confidently anchors his drama-comedy about an alcoholic Atlantic City pit boss with good writing and sharp dialogue. Script never treats characters as less than human.- Variety
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Robert Koehler
Result is a loose personal piece of reportage that places people over ideas and larger issues, and reveals the pic's severe limitations long before a surprisingly upbeat ending.- Variety
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Todd McCarthy
Mildly engaging but very far from being for 50 Cent what "8 Mile" was for Eminem, this lurchingly structured story of survival against the odds looks to get off to a strong start thanks to the singer's large following.- Variety
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Reviewed by
Leslie Felperin
Ronde demonstrates a painterly eye and ripe affection for these people, but as with "Jerusalem, My Love" he maintains a too-polite, worshipful distance from his subjects.- Variety
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