For 17,779 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,134 out of 17779
-
Mixed: 7,009 out of 17779
-
Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Deborah Young
Ricky Tognazzi's La Scorta topped the Italian box office charts for weeks, thanks to its skill in capturing the country's current political climate in an entertaining action film format. (Review of Original Release)- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Lively, intelligent collage, both richly complex and immediately accessible.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Brian Lowry
James Franco and Tyrese Gibson scowl and strut and should make the hearts of teenage girls all atwitter, and that's about the only audience that won't see most of the punches telegraphed well in advance.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Brian Lowry
So episodic and flat it should be a letdown even to those amused by the original.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Under the surface, the movie has a streak of Roald Dahl-style darkness that dilutes the sugar.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
An interesting idea comes over only half-formed in Johnnie To's Breaking News, an effective Hong Kong crimer that partly returns to the realistic style of some of his late '90s dramas, but never properly knits its theme of media manipulation into pic's punchy thriller format.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
A slick but slight Brit pic, chockfull with tart one-liners and pretty posh people, with one major twist: The romantic leads are both women.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
In what is arguably her best performance since "Van Gogh," Zylberstein brings Mathilde to life with grace and fervor.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
The subject being race relations, Manderlay is bound to stir considerable debate in intellectual circles, but given the director's abstract style and use of characters to enact an agenda, it's a discussion that will exclude the general public, who will ignore it as they did "Dogville."- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Helmer George Butler correctly gauges his film's strengths, with the search for life in the universe becoming a heartfelt tribute to a couple of robots.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Cheating flagrantly, helmer Michael Winterbottom has pulled off the trick -- sort of -- with the wickedly playful Tristram Shandy: A Cock and Bull Story.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
Picture lets loose an experienced cast of vets on a well-honed script that has broad appeal.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Deborah Young
Though it risks political incorrectness every step of the way, film is more a pleasant laugher than a sharp-edged satire.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
John Anderson
Although overly earnest and often stilted, the film should find great favor principally among religious auds.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Overall package is potent. A few rock-the-house scenes of slam-bang derring-do -- are nothing short of sensationally exciting.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Not for all palates, but it's laced with enough tasty ingredients to sustain a following. Scribe/helmer Mark Christopher has crafted a bittersweet, persuasively acted comedy whose tone recalls '80s teen films.- Variety
- Read full review
-
-
Reviewed by
Ronnie Scheib
Lively interviews from a wide range of people, a wealth of excerpted footage stretching over decades, and a story packed with legend are served up by helmer Joe Angio with a verve mirroring the restless creativity of the film's subject.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Results at times seem as much p.c. travelogue as serious docu inquiry.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Examines 50-odd years in the life of its eponymous subject -- a most compelling character -- and in doing so literally provides the viewer with food for thought.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
John Anderson
Ellen Perry seems keenly aware, there is really no need to embellish the Fujimori story, which has enough unlikely melodrama for six Italian operas.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Brian Lowry
Slick enterprise buoyed by a Motown-flavored '60s soundtrack and an appealing ensemble cast.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
This understated period drama may lack sufficient star power and emotional wallop to score breakthrough success with mainstream auds during its domestic theatrical run, but pic could find a warmer response in the same international markets where "Kingdom of Heaven" redeemed itself last year.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
The joys of farce are fumbled in April's Shower, star-director-writer Trish Doolan's arch and undernourished comedy about a bridal shower turned on its head by the bride's lesbian past.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Pic offers standard mix of digitally shot interview material with the elusive main subject himself, with archive footage and talking heads to assess Berlin's impact on gay culture.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
Modest but spot-on co-helming debut by actress Yolande Moreau (the concierge in "Amelie") and Gilles Porte is beguiling in the slightly surreal vein of the best of contempo Belgian cinema but without the typical nasty streak.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review