Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. Ricky Tognazzi's La Scorta topped the Italian box office charts for weeks, thanks to its skill in capturing the country's current political climate in an entertaining action film format. (Review of Original Release)
  2. Lively, intelligent collage, both richly complex and immediately accessible.
  3. Likeable if unexciting little tale.
  4. James Franco and Tyrese Gibson scowl and strut and should make the hearts of teenage girls all atwitter, and that's about the only audience that won't see most of the punches telegraphed well in advance.
  5. So episodic and flat it should be a letdown even to those amused by the original.
  6. Under the surface, the movie has a streak of Roald Dahl-style darkness that dilutes the sugar.
  7. An interesting idea comes over only half-formed in Johnnie To's Breaking News, an effective Hong Kong crimer that partly returns to the realistic style of some of his late '90s dramas, but never properly knits its theme of media manipulation into pic's punchy thriller format.
  8. A slick but slight Brit pic, chockfull with tart one-liners and pretty posh people, with one major twist: The romantic leads are both women.
  9. In what is arguably her best performance since "Van Gogh," Zylberstein brings Mathilde to life with grace and fervor.
  10. The subject being race relations, Manderlay is bound to stir considerable debate in intellectual circles, but given the director's abstract style and use of characters to enact an agenda, it's a discussion that will exclude the general public, who will ignore it as they did "Dogville."
  11. Helmer George Butler correctly gauges his film's strengths, with the search for life in the universe becoming a heartfelt tribute to a couple of robots.
  12. Cheating flagrantly, helmer Michael Winterbottom has pulled off the trick -- sort of -- with the wickedly playful Tristram Shandy: A Cock and Bull Story.
  13. Picture lets loose an experienced cast of vets on a well-honed script that has broad appeal.
  14. Though it risks political incorrectness every step of the way, film is more a pleasant laugher than a sharp-edged satire.
  15. Picture sets the gold standard for political documentaries.
  16. Although overly earnest and often stilted, the film should find great favor principally among religious auds.
  17. Overall package is potent. A few rock-the-house scenes of slam-bang derring-do -- are nothing short of sensationally exciting.
    • 42 Metascore
    • 60 Critic Score
    Not for all palates, but it's laced with enough tasty ingredients to sustain a following. Scribe/helmer Mark Christopher has crafted a bittersweet, persuasively acted comedy whose tone recalls '80s teen films.
  18. Lively interviews from a wide range of people, a wealth of excerpted footage stretching over decades, and a story packed with legend are served up by helmer Joe Angio with a verve mirroring the restless creativity of the film's subject.
  19. Results at times seem as much p.c. travelogue as serious docu inquiry.
  20. Examines 50-odd years in the life of its eponymous subject -- a most compelling character -- and in doing so literally provides the viewer with food for thought.
  21. Picture is a colorful human mosaic.
  22. Ellen Perry seems keenly aware, there is really no need to embellish the Fujimori story, which has enough unlikely melodrama for six Italian operas.
  23. Slick enterprise buoyed by a Motown-flavored '60s soundtrack and an appealing ensemble cast.
  24. Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.
  25. This understated period drama may lack sufficient star power and emotional wallop to score breakthrough success with mainstream auds during its domestic theatrical run, but pic could find a warmer response in the same international markets where "Kingdom of Heaven" redeemed itself last year.
  26. The joys of farce are fumbled in April's Shower, star-director-writer Trish Doolan's arch and undernourished comedy about a bridal shower turned on its head by the bride's lesbian past.
  27. Pic offers standard mix of digitally shot interview material with the elusive main subject himself, with archive footage and talking heads to assess Berlin's impact on gay culture.
  28. Modest but spot-on co-helming debut by actress Yolande Moreau (the concierge in "Amelie") and Gilles Porte is beguiling in the slightly surreal vein of the best of contempo Belgian cinema but without the typical nasty streak.
  29. As fascinating as it is frustrating.

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