Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. An especially slight romantic comedy whose modest charms are derived largely from its supporting players.
  2. Besides proving to be a faithful mimic of Craven's filmmaking, Aja pours on the gore. But where Aja's version really leaps beyond Craven's both atmospherically and on the violence scale is in the second hour.
  3. This fur-fetched tale is bearable family viewing.
  4. Highlighted by a strong and sensual performance from Salma Hayek as the doomed heroine, elegant pic's muted quality and the central character's vexingly contrary behavior will keep auds from connecting with characters who themselves have trouble establishing bonds.
  5. This slight but appealing film's funky eccentricity feels a little contrived at times.
  6. Though it's decidedly for perverse palates, some kind of cult audience seems assured for this one-note onslaught, which exercises a bizarre fascination despite its excesses.
  7. Evil is not, as the title would suggest, a horror film, at least not a conventional one. Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.
  8. Game 6, the first screenplay by one of America's great living novelists, Don DeLillo, is poorly served by Michael Hoffman's flat, soporific direction.
  9. There's no denying the pic's overall impact as a compelling study of art as a source of transcendence. And it will come as no surprise if this well-crafted doc eventually serves as source material for a dramatic feature.
  10. Scores big in the first few minutes with its atmospheric lensing of the protag's literal separation into two distinct characters, but then settles into a standard psycho-killer payback drama.
  11. Not that it ever rises to the level of Sidney Lumet's Gotham police pics ("Serpico," "Prince of the City"), but 16 Blocks does raise the banner for the tradition of the textured urban cop drama, spurred by action but made substantial by characters at crossroads.
  12. Result is an unusually likeable family-friendly comedy.
  13. A heady spirit of spontaneity permeates the proceedings, suggesting the entire pic, much like the concert it documents, was conceived, planned and completed in a single burst of creative enthusiasm.
  14. Pic is hermetically sealed in a synthetic wrapping that's so total -- Sony's top-flight high-def cameras, visibly low-budget CG work, exceptionally hackneyed and imitative action and dialogue --that it arrives a nearly lifeless film.
  15. Imax 3-D process has lost its original novelty, and little is done in Deep Sea to find new and exciting ways of using the medium.
  16. A period drama marbled with humor, bold gestures and bittersweet consequences.
  17. Taken as a film about muddling along, "Woman" never bores the viewer with indecisive filmmaking. Basically, it's an elegant jeu, played and constructed with an almost Gallic lightness heightened by Jeong Yong-jin's bursts of music, all bouncy piano and pizzicato.
  18. Overall the charm of the film works its spell, and director Kennedy shows confidence in juggling understated comedy and gently sentimental drama.
  19. Proves as entertaining as the earlier "The War Room," which also featured Carville, but is more somber.
  20. Penn looks bewildered in a role that simply doesn't track, but Kechiche rises to the occasion. Stanzler's helming, shot blandly in digital vid, amounts to point-and-shoot.
  21. Viewers unaware of the music --hugely popular among Mexicans -- and the often intensely nationalist sentiments behind it, may blanch at the open chauvinism and celebration of outlaw lifestyles. But part of the pic's strength is its presenting the cultural strain as it is, without comment.
  22. Powered by a pounding soundtrack of dance hall Kwaito music, the pic has vital, urban energy similar to the Brazilian crossover "City of God" but with a tauter, more conventional storyline.
  23. Tyler Perry offers another blithely unbalanced mix of low comedy, sudsy sentiment and spiritual uplift in Madea's Family Reunion.
  24. There's no denying that viewers not prepared for the relentless stream of nasty personalities, profane invective and bone-crunching violence are in for a very long sit.
  25. The cop genre receives a shot of adrenaline in helmer Chris Fisher's Dirty, a no-nonsense dramatic response to the LAPD Rampart scandals of the '90s.
    • 77 Metascore
    • 80 Critic Score
    Blessed with stellar performances, especially by lead Cate Blanchett as an ex-junkie looking for a fresh break, this sophomore feature by Australian director Rowan Woods marks a strong return after his powerful debut, "The Boys" (1998).
  26. Bruce's efforts to retrace and recover his life after his memory loss contain all the drama and uncertainty of a fine psychological drama.
    • 81 Metascore
    • 80 Critic Score
    Pic is somewhat cerebral, being mainly helped by the fresh playing of the cast, especially Yank actress Dawn. Color is excellent, and director Marcel Camus gives this movement. (Review of Original Release)
  27. An impressively polished documentary by Bob Hercules and Cheri Hughes. Perhaps even more thought-provoking than its co-helmers intended, pic is bound to spark conversations and debate.
  28. More hagiography than history, Heather Rae's long-in-production portrait of Native American activist and poet John Trudell has the uncritically admiring feel of authorized biography.

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