For 17,779 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,134 out of 17779
-
Mixed: 7,009 out of 17779
-
Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Brian Lowry
An especially slight romantic comedy whose modest charms are derived largely from its supporting players.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Besides proving to be a faithful mimic of Craven's filmmaking, Aja pours on the gore. But where Aja's version really leaps beyond Craven's both atmospherically and on the violence scale is in the second hour.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Todd McCarthy
Highlighted by a strong and sensual performance from Salma Hayek as the doomed heroine, elegant pic's muted quality and the central character's vexingly contrary behavior will keep auds from connecting with characters who themselves have trouble establishing bonds.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
This slight but appealing film's funky eccentricity feels a little contrived at times.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
Though it's decidedly for perverse palates, some kind of cult audience seems assured for this one-note onslaught, which exercises a bizarre fascination despite its excesses.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Stratton
Evil is not, as the title would suggest, a horror film, at least not a conventional one. Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Game 6, the first screenplay by one of America's great living novelists, Don DeLillo, is poorly served by Michael Hoffman's flat, soporific direction.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
There's no denying the pic's overall impact as a compelling study of art as a source of transcendence. And it will come as no surprise if this well-crafted doc eventually serves as source material for a dramatic feature.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Jay Weissberg
Scores big in the first few minutes with its atmospheric lensing of the protag's literal separation into two distinct characters, but then settles into a standard psycho-killer payback drama.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Not that it ever rises to the level of Sidney Lumet's Gotham police pics ("Serpico," "Prince of the City"), but 16 Blocks does raise the banner for the tradition of the textured urban cop drama, spurred by action but made substantial by characters at crossroads.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Joe Leydon
A heady spirit of spontaneity permeates the proceedings, suggesting the entire pic, much like the concert it documents, was conceived, planned and completed in a single burst of creative enthusiasm.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Pic is hermetically sealed in a synthetic wrapping that's so total -- Sony's top-flight high-def cameras, visibly low-budget CG work, exceptionally hackneyed and imitative action and dialogue --that it arrives a nearly lifeless film.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Imax 3-D process has lost its original novelty, and little is done in Deep Sea to find new and exciting ways of using the medium.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
A period drama marbled with humor, bold gestures and bittersweet consequences.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
Taken as a film about muddling along, "Woman" never bores the viewer with indecisive filmmaking. Basically, it's an elegant jeu, played and constructed with an almost Gallic lightness heightened by Jeong Yong-jin's bursts of music, all bouncy piano and pizzicato.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Stratton
Overall the charm of the film works its spell, and director Kennedy shows confidence in juggling understated comedy and gently sentimental drama.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Proves as entertaining as the earlier "The War Room," which also featured Carville, but is more somber.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Penn looks bewildered in a role that simply doesn't track, but Kechiche rises to the occasion. Stanzler's helming, shot blandly in digital vid, amounts to point-and-shoot.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Viewers unaware of the music --hugely popular among Mexicans -- and the often intensely nationalist sentiments behind it, may blanch at the open chauvinism and celebration of outlaw lifestyles. But part of the pic's strength is its presenting the cultural strain as it is, without comment.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Leslie Felperin
Powered by a pounding soundtrack of dance hall Kwaito music, the pic has vital, urban energy similar to the Brazilian crossover "City of God" but with a tauter, more conventional storyline.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Tyler Perry offers another blithely unbalanced mix of low comedy, sudsy sentiment and spiritual uplift in Madea's Family Reunion.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Justin Chang
There's no denying that viewers not prepared for the relentless stream of nasty personalities, profane invective and bone-crunching violence are in for a very long sit.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
The cop genre receives a shot of adrenaline in helmer Chris Fisher's Dirty, a no-nonsense dramatic response to the LAPD Rampart scandals of the '90s.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Blessed with stellar performances, especially by lead Cate Blanchett as an ex-junkie looking for a fresh break, this sophomore feature by Australian director Rowan Woods marks a strong return after his powerful debut, "The Boys" (1998).- Variety
- Read full review
-
-
Reviewed by
Robert Koehler
Bruce's efforts to retrace and recover his life after his memory loss contain all the drama and uncertainty of a fine psychological drama.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Pic is somewhat cerebral, being mainly helped by the fresh playing of the cast, especially Yank actress Dawn. Color is excellent, and director Marcel Camus gives this movement. (Review of Original Release)- Variety
- Read full review
-
-
Reviewed by
Joe Leydon
An impressively polished documentary by Bob Hercules and Cheri Hughes. Perhaps even more thought-provoking than its co-helmers intended, pic is bound to spark conversations and debate.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
More hagiography than history, Heather Rae's long-in-production portrait of Native American activist and poet John Trudell has the uncritically admiring feel of authorized biography.- Variety
- Read full review
-
Reviewed by