For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Gay Gotham farce written, directed and starring veteran actor Craig Chester ("Swoon," "Kiss Me Guido") delivers plenty of well-timed slapstick, a brace of oddball zanies and a couple of show-stopper musical numbers. Material is uneven, but rhythm and pacing keep action moving smartly.- Variety
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Dennis Harvey
Picture is particularly well-crafted, managing to avoid the ambulance-chasing tenor that might easily have turned this into a voyeuristic freakshow.- Variety
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Dennis Harvey
Juggles three separate time periods -- and is completely formulaic in each one.- Variety
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Eddie Cockrell
Aimless direction and subject's self-destructiveness add up to a long, unpleasant sit.- Variety
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Leslie Felperin
A tapestry of sensuous, striking and sometimes disturbing imagery, Drawing Restraint 9 marks the latest cinematic visit to the wacky world of experimental artist Matthew Barney.- Variety
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Todd McCarthy
A flashy cast, clever script and vibrant showcasing of New York City as the ultimate melting pot are strong plusses for Spike Lee's most mainstream studio venture.- Variety
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John Anderson
Despite some hackneyed qualities, helmer William Brent Bell's good-looking if undistinguished cast and the seemingly fresh twist on an old tale should lure the usual fans of mayhem, murder and the medieval.- Variety
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Ronnie Scheib
In an act of "selfless service," a group of American women, backed by industry giants like Clairol and Vogue, open a beauty school in war-ravaged Afghanistan. The anomalies are manifold: Gun-toting soldiers patrolling the streets are visible through the windows as rookie beauticians busily snip, perm and tweeze.- Variety
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Dennis Harvey
There's a slightness to the mildly eccentric material here that leaves the whole enterprise in danger of fluttering away.- Variety
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Joe Leydon
An obviously sincere but didactically repetitive documentary.- Variety
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Scott Foundas
Those masters of small-scale realism, Belgian brothers Luc and Jean-Pierre Dardenne, have created yet another beautifully acted, exquisitely observed morality tale in The Child.- Variety
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John Anderson
An affectionate, energetic documentary, it targets the existing fans of Busch's Broadway and off-Broadway exploits, but is likely to win a lot of converts, too -- largely through Busch's endearing personality.- Variety
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Leslie Felperin
The film's sputtering dramatic engine, underwhelming perfs, and absence of music by the Stones themselves may leave the key younger demographic wondering what all the fuss is about.- Variety
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Joe Leydon
Entirely comfortable as the crude character he has honed in countless stand-up routines and TV appearances, Larry the Cable Guy sustains a level of likeability that enables him to get away with a lot more than he has any right to. But, he remains very much an acquired taste.- Variety
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Dennis Harvey
There are potentially funny ideas, but the barely-there script, performances and direction go for a deadpan tenor that's not supported by much actual wit.- Variety
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Ronnie Scheib
In his intriguing take on the Frankenstein myth, first-time scripter/helmer James Bai establishes an entire alternate universe with consummate mastery only to fail to coax a convincing performance out of his lead actor.- Variety
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Joe Leydon
Lacks focus and momentum as it attempts to interweave diverse story strands into a cautionary tapestry.- Variety
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Leslie Felperin
Suffers from many of same problems as last two installments of producers Andy and Larry Wachowski's "Matrix" franchise: indigestible dialogue, pacing difficulties and too much pseudo-philosophical info.- Variety
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Eddie Cockrell
Part mob-trial thriller, part "dese 'n' dose" extended standup routine, character-rich pic plays like vintage Lumet, mining the grim comedy from life-and-death legal wranglings in the manner of "Dog Day Afternoon," "Prince of the City" and "The Verdict."- Variety
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Robert Koehler
As insistent as its heroine to get its point across, She's the Man gathers up enough energy and likeable goodwill that it almost skirts past some extremely strained passages in which Bynes plays out being a boy.- Variety
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David Rooney
Playing a Big Tobacco lobbyist, Aaron Eckhart puts his golden news-anchor good looks and smooth conviction to better use than in any pic since his breakthrough film, "In the Company of Men."- Variety
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Jonathan Holland
Handles the subject of domestic violence with intelligence and compassion.- Variety
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Deborah Young
More than in her previous tales of dysfunctional families like "Marriages," she (Comencini) lightens the weight of angst with well-designed subplots, secondary characters and moments of tender humor.- Variety
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Todd McCarthy
Strikes some resonant chords but also hits notes that simply don't ring true and are borderline risible at times- Variety
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Deborah Young
An unforgettable journey through hell under the earth, where Satan is worshipped as king. Straight-as-an-arrow filmmaking raises this docu above the crowd.- Variety
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Eddie Cockrell
Superbly modulated yet unrelentingly grim, Mirage builds upon a remarkable performance from young Macedonian newcomer Marko Kovacevic to tell the tragic tale of a talented schoolboy driven to violence through neglect and manipulation.- Variety
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- Variety
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Robert Koehler
Though it can't hide occasionally crude dramatics, pic is an undeniably bold and daring tragedy.- Variety
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- Critic Score
An apt follow-up to the two Matthew Shepard-themed movies that aired on TV in 2002.- Variety
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Reviewed by
Ronnie Scheib
Fascinating glimpse into wholly different body of laws, engrossingly evolving script and standout performances.- Variety
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