Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. A culture-clash dramedy whose background in Middle-East conflict is leavened with vibrant energy, balanced politics and droll humor by first-time feature director Cherien Dabis.
  2. Carriers has moments of genuinely communicable horror.
  3. Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.
  4. A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.
  5. The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.
  6. An exquisitely tender tale of two young Euro immigrants trying to find themselves (but not each other) in contempo London, Unmade Beds has a lively, romantic spirit that recalls the playfulness and spontaneity of the French New Wave.
  7. With an array of gory mayhem only marginally enhanced by 3-D and a plot as developed as a text message, The Final Destination may finally sound the death knell for New Line's near-immortal horror franchise.
  8. A genuinely funny but amateurishly constructed laffer from Derrick Comedy, a troupe of YouTube-savvy NYU grads with promising writing careers ahead of them.
  9. Boasting strong performances by Jeff Bridges and Justin Timberlake.
  10. A dishy and engrossing peek inside the fashion world’s corridors of power -- every bit as slickly packaged as the publication it seeks to uncover.
  11. This astounding new documentary burrows into the thin and darkly funny spaces between artistry and vanity, isolation and community, collaboration and exploitation, sanity and madness.
  12. Mildly amusing result, with plenty of slack in its 100 minutes, should work OK with its target audience of female Brit tweenies, who won't notice the pic's shoddy technical package, sloppy direction and the way the original films' antiestablishment tone has morphed into a celebration of dumbed-down "yoof" culture.
  13. A nonfiction pirate movie that tickles one’s inner eco-radical.
  14. It's a small, peculiar film, one unlikely to appeal much to women, non-sports fans and mainstreamers, but its uncomfortable comic insights should win it a loyal following.
  15. Overall tone lies somewhere between Mike Leigh and Ken Loach in performances and look, with a modest tech package.
  16. The comedy's broad perfs, predictable story beats and pro but characterless packaging have a smallscreen feel.
  17. Repellent not only in content but in visual style, writer-director Rob Zombie’s hatchet job on the series he revived so artfully two years ago plays like a violent act of euthanasia upon the huge, brain-dead body of work inspired by the 30-year-old “Halloween.”
  18. The picture serves up intermittent pleasures but is too raggedy and laid-back for its own good, its images evaporating nearly as soon as they hit the screen.
  19. A violent fairy tale, an increasingly entertaining fantasia in which the history of World War II is wildly reimagined so that the cinema can play the decisive role in destroying the Third Reich.
  20. The picture wobbles a bit before emerging a successful low-key satire of literary fraud and morbid personality cults.
  21. As fiction characters go, Ryden seems as dull as they come, making it hard to muster much sympathy for her plight.
  22. More zippy, diverting fun from Robert Rodriguez's family filmmaking factory.
  23. An explosive performance by Johanna Wokalek gives some relief to an otherwise long and humdrum series of characters.
  24. A classic about the Irish "troubles." Despite the unavoidably convoluted facts of the real-life story, pic boasts plausibly written, solidly acted characters and a conflict that pushes the viewer's righteous-indignation buttons.
  25. Powerhouse performances by Liam Neeson and James Nesbit make this an intense, ultimately moving tale.
  26. The finished product appears particularly stale, with an unfunny script that squanders its game cast, including a valiantly emotive Jason Schwartzman in the title role.
  27. A relatively unimaginative take on the proceedings, coupled with occasionally bizarre stereoscopic work and awkward narration, causes the picture to bail out more often than it soars.
  28. The ensemble collectively displays crisp comic timing throughout.
  29. This first-rate multicamera transcript of a terrific show should delight musical fans (and many who think they aren't) as a niche broadcast item.
  30. Spinning a wry, tall-tale version of his autobiography, the septuagenarian audaciously plays himself at every age and every stage of his improbably picaresque adventures.

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