For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rob Nelson
A culture-clash dramedy whose background in Middle-East conflict is leavened with vibrant energy, balanced politics and droll humor by first-time feature director Cherien Dabis.- Variety
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- Variety
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Ronnie Scheib
Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.- Variety
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Ronnie Scheib
A radiant perf by Annie Parisse and a virtuoso turn by Eli Wallach are insufficient to lift this male intergenerational angst-fest out of the ghetto.- Variety
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Ronnie Scheib
The filmmakers' metaphor of the housing market as a casino, with hard-working people's homes used as chips, although apt, may lack the visual and visceral excitement.- Variety
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Justin Chang
An exquisitely tender tale of two young Euro immigrants trying to find themselves (but not each other) in contempo London, Unmade Beds has a lively, romantic spirit that recalls the playfulness and spontaneity of the French New Wave.- Variety
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Jordan Mintzer
With an array of gory mayhem only marginally enhanced by 3-D and a plot as developed as a text message, The Final Destination may finally sound the death knell for New Line's near-immortal horror franchise.- Variety
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Peter Debruge
A genuinely funny but amateurishly constructed laffer from Derrick Comedy, a troupe of YouTube-savvy NYU grads with promising writing careers ahead of them.- Variety
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Joe Leydon
Boasting strong performances by Jeff Bridges and Justin Timberlake.- Variety
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Justin Chang
A dishy and engrossing peek inside the fashion world’s corridors of power -- every bit as slickly packaged as the publication it seeks to uncover.- Variety
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Rob Nelson
This astounding new documentary burrows into the thin and darkly funny spaces between artistry and vanity, isolation and community, collaboration and exploitation, sanity and madness.- Variety
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Derek Elley
Mildly amusing result, with plenty of slack in its 100 minutes, should work OK with its target audience of female Brit tweenies, who won't notice the pic's shoddy technical package, sloppy direction and the way the original films' antiestablishment tone has morphed into a celebration of dumbed-down "yoof" culture.- Variety
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John Anderson
A nonfiction pirate movie that tickles one’s inner eco-radical.- Variety
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Todd McCarthy
It's a small, peculiar film, one unlikely to appeal much to women, non-sports fans and mainstreamers, but its uncomfortable comic insights should win it a loyal following.- Variety
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Reviewed by
Derek Elley
Overall tone lies somewhere between Mike Leigh and Ken Loach in performances and look, with a modest tech package.- Variety
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Dennis Harvey
The comedy's broad perfs, predictable story beats and pro but characterless packaging have a smallscreen feel.- Variety
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Rob Nelson
Repellent not only in content but in visual style, writer-director Rob Zombie’s hatchet job on the series he revived so artfully two years ago plays like a violent act of euthanasia upon the huge, brain-dead body of work inspired by the 30-year-old “Halloween.”- Variety
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Todd McCarthy
The picture serves up intermittent pleasures but is too raggedy and laid-back for its own good, its images evaporating nearly as soon as they hit the screen.- Variety
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Todd McCarthy
A violent fairy tale, an increasingly entertaining fantasia in which the history of World War II is wildly reimagined so that the cinema can play the decisive role in destroying the Third Reich.- Variety
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Dennis Harvey
The picture wobbles a bit before emerging a successful low-key satire of literary fraud and morbid personality cults.- Variety
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Peter Debruge
As fiction characters go, Ryden seems as dull as they come, making it hard to muster much sympathy for her plight.- Variety
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Justin Chang
More zippy, diverting fun from Robert Rodriguez's family filmmaking factory.- Variety
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Boyd van Hoeij
An explosive performance by Johanna Wokalek gives some relief to an otherwise long and humdrum series of characters.- Variety
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John Anderson
A classic about the Irish "troubles." Despite the unavoidably convoluted facts of the real-life story, pic boasts plausibly written, solidly acted characters and a conflict that pushes the viewer's righteous-indignation buttons.- Variety
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Dennis Harvey
Powerhouse performances by Liam Neeson and James Nesbit make this an intense, ultimately moving tale.- Variety
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Rob Nelson
The finished product appears particularly stale, with an unfunny script that squanders its game cast, including a valiantly emotive Jason Schwartzman in the title role.- Variety
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Andrew Barker
A relatively unimaginative take on the proceedings, coupled with occasionally bizarre stereoscopic work and awkward narration, causes the picture to bail out more often than it soars.- Variety
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Leslie Felperin
The ensemble collectively displays crisp comic timing throughout.- Variety
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Dennis Harvey
This first-rate multicamera transcript of a terrific show should delight musical fans (and many who think they aren't) as a niche broadcast item.- Variety
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Ronnie Scheib
Spinning a wry, tall-tale version of his autobiography, the septuagenarian audaciously plays himself at every age and every stage of his improbably picaresque adventures.- Variety
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