Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. A sometimes hilarious, often wrenching pas de deux between actors Stanley Tucci and Patricia Clarkson.
  2. Simultaneously insightful and idiotic.
  3. It's a very academic movie about academics that belongs in academia, not movie theaters.
  4. Has its share of deadpan amusements, but its combo of mordant whimsy and tearjerker moments winds up curdling in an unappetizing fashion.
  5. Whether Capitalism matches "Fahrenheit 9/11" or underperforms like "Sicko" will depend on how much workers of the world are ready to unite behind the message.
  6. Breezy and indulgent, his is a style that lives or dies on the appeal of his characters and performers, and this time he is mostly let down by both.
  7. Beautifully lensed and intelligently crafted.
  8. Amusingly eccentric rather than outright funny.
  9. Eye-popping and mouth-watering in one, Cloudy With a Chance of Meatballs spins a 30-page children's book into a 90-minute all-you-can-laugh buffet.
  10. Excise the love story, and there's a pretty good movie buried within Love Happens struggling to get out, mostly to little avail.
  11. This high school horror romp tackles its bad-girl-gone-really-bad premise with eye-rolling obviousness and, fatally, a near-total absence of real scares.
  12. Many of the weaknesses and few of the strengths of Guillermo Arriaga as a scripter are evident in his directing debut, The Burning Plain.
  13. Anchored by another marvelously quirky yet deadly serious performance from John Malkovich, and likely to be relished by the fan base of J.M. Coetzee's Booker Prize-winning novel, this is a strong, perceptive, old-school arthouse picture.
  14. Kalmbach’s laid-back approach proves more likable than revelatory.
  15. Bristling with wry wit and peopled with a rogue's gallery of disaffected losers.
  16. Breaking through any period-piece mustiness with piercing insight into the emotions and behavior of her characters, the writer-director examines the final years in the short life of 19th-century romantic poet John Keats through the eyes of his beloved, Fanny Brawne, played by Abbie Cornish in an outstanding performance.
  17. Claire Denis’ latest may appear whisper-thin on the surface, yet it’s marvelously profound, illuminating the love between a father and daughter but also highlighting the difficulty of relinquishing what most people spend a lifetime putting into place.
  18. Crams a wealth of material into 90 minutes without losing clarity or momentum.
  19. Perry's latest emotional roller coaster starts with considerable promise and a high-wattage cast, including Taraji P. Henson and singers Gladys Knight and Mary J. Blige, before giving way to melodramatic predictability.
  20. Despite teasing hints of supernatural influences throughout much of the storyline, Not Forgotten satisfies as a solidly crafted and persuasively acted thriller that relies more on dark secrets than black magic.
  21. Goes down far easier than, say, an all-natural, fiber-enriched peanut butter sandwich without a glass of soy milk. It's that rare doc (these days) that could go theatrical, largely because it's a film about a couple, more than a movement.
    • 24 Metascore
    • 50 Critic Score
    An average slasher picture that meanders indecisively between gore and gags.
  22. The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.
  23. Its amusingly off-kilter humor underserved by pedestrian packaging, Dave Boyle's sophomore feature, White on Rice, is the kind of comedy that hinges on a protagonist near-imbecilic in all matters social, physical and especially romantic.
  24. 9
    Design aspects are arresting and the filmmaker's abilities are obvious, but the basic survival story remains slight, just as the general setting, no matter how artfully imagined, is by now pretty familiar.
  25. Picture makes an engrossing case for justice.
  26. The audience gets played in Gamer. This latest eye-scraper from writer-directors Mark Neveldine and Brian Taylor is as hopped up as their "Crank" pics, but with dour Gerard Butler as a soldier commandeered by a teenage gamer, it's considerably less interactive.
  27. Sitting through the picture is an endurance test.
  28. This film will delight both discriminating fans of the blaxploitation tradition and ordinary lovers of goofy, in-ya-face thrills.
  29. The picture's attempts at comic portraiture feel sketchy at best, more or less assigning each character a single, belabored trait.

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